SCP-XXXX
- A Small World
- The Bicameral Milk
- One Evening As The Sun Went Down and The Jungle Fire Was Burning
- 'www.wikiflick.███'
- Ratking Collab
- A Furby In Tangiers
- SCP-5000
- Almarduk Rewrite
- Daeva Unchained/The Hateful Skate
Item #: SCP-6000
Object Class: Thaumiel Keter
Special Containment Procedures: SCP-6000 has been moved from its original location to Provisional Site-987, located precisely on the border between the townships of Ohioville in Beaver County, Pennsylvania and Middleton in Columbiana County, Ohio, thereby existing on the border between the three distinct spaces of state, county, and township. Despite it's immobility as a fixed location, SCP-6000 has been moved to Provisional Site-987 by way of SCP-2719, with the Ohioville/Middleton border designated as having became Inside, and SCP-6000 designated as going Inside.
Conceptually, SCP-6000 has not moved from its original location in Florida, and due to security concerns related to Protocol-6000-Byrne, still remains active as a public place of business visited by and staffing thousands of civilians a year all still subject to its effects. However, the conceptual transfer to the relatively "unpopular" environs of Provisional Site-987 ensures that Foundation personnel can visit, observe, and research the effects of SCP-6000 without disrupting its public nature. As it stands, any personnel not assigned to SCP-6000 (or the Department of Analytics, see below) could travel to central Florida and visit or be employed by SCP-6000 and never view the research team located approximately 1, 634 kilometers north. Should visitors or employees of SCP-6000 be able to view the personnel stationed at Provisional Site-987, containment will have considered to be breached and all Foundation personnel worldwide should prepare not only for a Broken Masquerade level breach of the Veil, but a widespread containment breach of <95% of all anomalies contained.
In accordance with Protocol 6000-Byrne, Provisional Site-987 has been demarcated into three distinct concentric zones centering on SCP-6000's "research location," each with their own set of containment procedures.
- OUTER ZONE: The outermost ring of Provisional Site-897 is to be comprised of ten miles of uninterrupted and mostly unaltered forest. This forested area is to be fenced off and patrolled under the guise of a United States military installation, with appropriate security protocols. Three lines of Scranton Reality Anchors are interspaced at one mile intervals throughout the Outer Zone. Under no circumstances are these anchors to be respaced at one kilometer intervals, the distance must be measured in miles to match the containment requirements of the Central Zone. Every other Reality Anchor has been programmed to fix reality at the exact opposite end of the Hume spectrum as the nearest one. This creates a "checkerboard pattern" of low (.40 and lower) and high (100 and higher) Hume levels, alternating between unstable and extra-stable reality. Additionally, a ring of Brennan Thaumaturgic Reactors, treated as holy objects by various priests of several faiths and emitting over 40 centiakivas of Akiva radiation, are to be placed in a ring in the exact center of the Outer Zone. No personnel may enter the Outer Zone; all maintenance must be conducted with drones.
- CENTRAL ZONE: The middle ring of Provisional Site-897 is to consist of the municipality of Branford, Pennsylvania. The Foundation is to indirectly cooperate with local architects, city planners, industry leaders, and contractors to ensure that all elements of Branford are both influenced by the Foundation's containment needs and that that influence is subtle and invisible. An example of acceptable influence by Foundation assents would the subtle direction to exclude certain outside industries from the area, such as high-end ethnic restaurants or luxury boutiques. The Foundation cannot directly change Branford's structure to better improve containment, all functionality of the town as a municipal containment chamber must be organically designed by nature. Only 15% of containment staff involved with SCP-6000 are permitted to live in Branford as determined by the Department of Analytics, of which 60% must be personnel posing as military to maintain the Outer Zone. Containment protocols dictate that all elements of a small Western Pennsylvania town must be present, maintained at the acceptable baseline standard for yearly cultural changes, but no churches or places of worship may exist within city limits. The city's Hume field is to be maintained at a precise level of 1 Hume via a large-scale Scranton Reality Anchor tuned to SCP-1915's internal Hume level. Any deviations are to be immediately reported, and MTF Phi-90 ("The Sorcerer's Assistants") are to be dispatched to repair the Anchor. The Anchor is currently fixed to the outer wall of the Inner Zone's sarcophagus. The Loncraine-Eddefield Normality Engine is not to be used to maintain the Hume level under any circumstances.
- INNER ZONE: The Innermost ring of of Provisional Site-897 is to consist of a spherical concrete sarcophagus covering SCP-6000, located in Branford city limits, with the Ohio/Pennsylvania border directly passing through the middle of the sarcophagus. The walls of the sarcophagus are to be 20 meter thick, with the protective walls 50 meters high. The facility is to be closed under the guise of an abandoned steel factory. A small research facility has been constructed in the Central Zone opposite the sarcophagus for use in studying SCP-6000. Personnel are not to approach the sarcophagus except for authorized D-Class expeditions and authorized repair sessions for the Anchor from MTF Phi-90. D-Class personnel are to be equipped with one eye-mounted camera equipped with a anti-cognitohazardous SCRAMBLE filter which is capable of streaming video and audio back to the facility. D-Class personnel are to enter through a small steel door built into the side of the sarcophagus, and are required to lock the door behind them and knock on it once before entering.
Should the large-scale Scranton Reality Anchor fail, a network of Reality Anchors and Brennan Thaumaturgic Reactors placed on Foundation ships are to briefly activate and gently raise the Hume and Akiva levels across the world until Protocol 6000-Byrne can be reactivated and SCP-6000 can be recontained.
Under no circumstances is the Loncraine-Eddeford Normality Engine allowed to enter Provisional Site-987 or be brought within the State of Florida. Due to the nature of the anomaly, SCP-6000-affected urban locations (Anaheim, Paris, Shanghai, Tokyo) are to be considered within the realm of "acceptable distance," and the Loncraine-Eddeford Normality Engine may be stored at a Department of Analytics facility close to any of these locations without triggering a catastrophic breach event of any kind. However, this is not advised unless the primary storage location at Site-03 is compromised and the Loncraine-Eddeford Normality Engine must be evacuated.
Under no circumstances personnel stationed at Provisional Site-987 or the Department of Analytics are to be within the municipality of the Reedy Creek Improvement District.
Description: SCP-6000 is a complex phenomenological structure that is comprised of a pataphysical endoparasitic ascomycete fungus native to tropical regions of southern North America1, a massive-scale interactive anart installation and resort complex located in the Orlando Metropolitan area that radiates a constant level of 35 centikivas of Akiva radiation at all times, and a small extradimensional space also located within the Orlando metropolitan area, and connected to the first two components.
Addendum: [Optional additional paragraphs]
| Stonefish |
|---|
| Author: |
| Published on 13 May 2019 18:47 |
/* source: http://ah-sandbox.wikidot.com/component:collapsible-sidebar-x1 */ #top-bar .open-menu a { position: fixed; top: 0.5em; left: 0.5em; z-index: 5; font-family: 'Nanum Gothic', san-serif; font-size: 30px; font-weight: 700; width: 30px; height: 30px; line-height: 0.9em; text-align: center; border: 0.2em solid #888; background-color: #fff; border-radius: 3em; color: #888; } @media (min-width: 768px) { .mobile-top-bar { display: block; } .mobile-top-bar li { display: none; } #main-content { max-width: 708px; margin: 0 auto; padding: 0; transition: max-width 0.2s ease-in-out; } #side-bar { display: block!important; position: fixed; top: 0; left: -19em; width: 17em; height: 100%; margin: 0; overflow-y: auto; z-index: 10; padding: 0.3em 0.675em; background-color: rgba(0,0,0,0.1); transition: left 0.5s ease-in-out; } #side-bar:target { display: block; left: 0; width: 17em; margin: 0; z-index: 10; } #side-bar:target .close-menu { display: block; position: fixed; width: 100%; height: 100%; top: 0; left: 0; z-index: -1; } #top-bar .open-menu a:hover { text-decoration: none; } .close-menu { margin-left: 19em; opacity: 0; } }
What this is
A bunch of miscellaneous CSS 'improvements' that I, Croquembouche, use on a bunch of pages because I think it makes them easier to deal with.
The changes this component makes are bunch of really trivial modifications to ease the writing experience and to make documenting components/themes a bit easier (which I do a lot). It doesn't change anything about the page visually for the reader — the changes are for the writer.
I wouldn't expect translations of articles that use this component to also use this component, unless the translator likes it and would want to use it anyway.
This component probably won't conflict with other components or themes, and even if it does, it probably won't matter too much.
Usage
On any wiki:
[[include :scp-wiki:component:croqstyle]]
This component is designed to be used on other components. When using on another component, be sure to add this inside the component's [[iftags]] block, so that users of your component are not forced into also using Croqstyle.
Related components
Other personal styling components (which change just a couple things):
Personal styling themes (which are visual overhauls):
CSS changes
Reasonably-sized footnotes
Stops footnotes from being a million miles wide, so that you can actually read them.
.hovertip { max-width: 400px; }
Monospace edit/code
Makes the edit textbox monospace, and also changes all monospace text to Fira Code, the obviously superior monospace font.
@import url('https://fonts.googleapis.com/css2?family=Fira+Code:wght@400;700&display=swap'); :root { --mono-font: "Fira Code", Cousine, monospace; } #edit-page-textarea, .code pre, .code p, .code, tt, .page-source { font-family: var(--mono-font); } .code pre * { white-space: pre; } .code *, .pre * { font-feature-settings: unset; }
Teletype backgrounds
Adds a light grey background to <tt> elements ({{text}}), so code snippets stand out more.
tt { background-color: var(--swatch-something-bhl-idk-will-fix-later, #f4f4f4); font-size: 85%; padding: 0.2em 0.4em; margin: 0; border-radius: 6px; }
No more bigfaces
Stops big pictures from appearing when you hover over someone's avatar image, because they're stupid and really annoying and you can just click on them if you want to see the big version.
.avatar-hover { display: none !important; }
Breaky breaky
Any text inside a div with class nobreak has line-wrapping happen between every letter.
.nobreak { word-break: break-all; }
Code colours
Add my terminal's code colours as variables. Maybe I'll change this to a more common terminal theme like Monokai or something at some point, but for now it's just my personal theme, which is derived from Tomorrow Night Eighties.
Also, adding the .terminal class to a fake code block as [[div class="code terminal"]] gives it a sort of pseudo-terminal look with a dark background. Doesn't work with [[code]], because Wikidot inserts a bunch of syntax highlighting that you can't change yourself without a bunch of CSS. Use it for non-[[code]] code snippets only.
Quick tool to colourise a 'standard' Wikidot component usage example with the above vars: link
:root { --c-bg: #393939; --c-syntax: #e0e0e0; --c-comment: #999999; --c-error: #f2777a; --c-value: #f99157; --c-symbol: #ffcc66; --c-string: #99cc99; --c-operator: #66cccc; --c-builtin: #70a7df; --c-keyword: #cc99cc; } .terminal, .terminal > .code { color: var(--c-syntax); background: var(--c-bg); border: 0.4rem solid var(--c-comment); border-radius: 1rem; }
Debug mode
Draw lines around anything inside .debug-mode. The colour of the lines is red but defers to CSS variable --debug-colour.
You can also add div.debug-info.over and div.debug-info.under inside an element to annotate the debug boxes — though you'll need to make sure to leave enough vertical space that the annotation doesn't overlap the thing above or below it.
…like this!
.debug-mode, .debug-mode *, .debug-mode *::before, .debug-mode *::after { outline: 1px solid var(--debug-colour, red); position: relative; } .debug-info { position: absolute; left: 50%; transform: translateX(-50%); font-family: 'Fira Code', monospace; font-size: 1rem; white-space: nowrap; } .debug-info.over { top: -2.5rem; } .debug-info.under { bottom: -2.5rem; } .debug-info p { margin: 0; }
@import url(https://fonts.googleapis.com/css2?family=Architects+Daughter&display=swap); @import url(https://fonts.googleapis.com/css2?family=Montserrat:wght@500;700&display=swap); @import url(https://fonts.googleapis.com/css2?family=Fira+Code:wght@400;700&display=swap); /* Flopstyle CSS Theme * [2020 Wikidot Theme] * Created by Lt Flops * Select CSS Styles Are Credited Where Necessary * -- (CC BY-SA 3.0) -- **/ /* -------- SITE HEADER -------- */ a, body, span{ word-break: unset; } #header h1 a, #header h1 a::before{ color: hsl(0, 0%, 93%); text-shadow: none; } #header h1 a{ font-family: "Montserrat", "Arial", sans-serif; font-size: 170%; letter-spacing: 0; } #header h2 span, #header h2 span::before{ color: hsl(60, 62%, 85%); font-family: "Montserrat", "Arial", sans-serif; font-weight: 500; text-shadow: none; } /* -------- TOP-BAR -------- */ #search-top-box, #top-bar, #login-status{ right: 0; } #search-top-box-form input[type="submit"]{ font-size: unset; } #search-top-box-input, #search-top-box-form input[type=submit]{ background: hsl(0, 0%, 20%); border-color: hsl(0, 0%, 60%); border-radius: 0; } #search-top-box-input:hover, #search-top-box-input:focus, #search-top-box-form input[type="submit"]:hover, #search-top-box-form input[type="submit"]:focus{ background-color: hsl(0, 0%, 30%); border-color: hsl(0, 0%, 70%); } #top-bar .open-menu a{ border-radius: unset; border-width: .1em; } /* -------- SIDE-BAR -------- */ #side-bar{ background-color: hsl(0, 0%, 50%); } #side-bar:target{ box-shadow: 0 0 90px 90px hsla(0, 0%, 0%, .3); } #side-bar .side-block{ border-color: hsl(0, 0%, 20%); border-radius: 0; } #side-bar .heading{ color: hsl(0, 0%, 5%); border-bottom: solid 1px hsl(0, 0%, 20%); } /* -------- SIDEBOXES -------- * By EstrellaYoshte * Adapted From 'Penumbra Theme' **/ .flavourText{ margin: auto; margin-bottom: .5em; padding: .25em; border: 1px solid #888; } #page-content .authorbox tr td, #page-content .sidebox tr td, #page-content .authorbox tr th, #page-content .sidebox tr th{ padding: .25em; } #page-content .authorbox tr td, #page-content .authorbox tr th, #page-content .authorbox .flavourText{ width: 15.234em; } .limit{ margin-bottom: -1rem; line-height: 141%; z-index: 5; } .limit br{ display: block; } .anchor{ position: sticky; height: 0; top: 0; z-index: 5; } .authorbox, .sidebox{ position: absolute; width: calc((100vw - 870px) / 2); max-height: calc(100vh - 18rem); margin: 0 8px 0 0; padding: .14rem; box-sizing: border-box; overflow: auto; z-index: 5; } .authorbox{ max-width: calc((100vw - 921.2px) / 2) !important; top: .5em; right: 103.5%; } .sidebox{ top: -1em; left: 103.5%; padding-left: 1em; background: hsl(0, 0%, 100%); border: 1px solid hsl(0, 0%, 73%); border-left: 8px solid var(--accentColor); } /* -------- Sidebox Mobile Optimization Courtesy of Woedenaz -------- */ @media (max-width: 1079px){ .sidebox{ width: auto; max-width: 65vw !important; top: .75rem; right: calc(((100vw - 45.8rem) / 2) * -1); left: initial; padding: 0 .4rem; background-color: var(--accentColor); border: 1px solid hsl(0, 0%, 73%); border-left: 8px solid var(--accentColor); border-radius: 0; overflow: visible; -webkit-clip-path: inset(-.125rem -.25rem 0 calc(100% - 1.275rem)); clip-path: inset(-.125rem -.25rem 0 calc(100% - 1.275rem)); -webkit-transition: color .2s ease-in-out .1s, -webkit-box-shadow .5s ease-in-out .1s, -webkit-clip-path .5s ease-in-out .1s; transition: color .2s ease-in-out .1s, -webkit-box-shadow .5s ease-in-out .1s, -webkit-clip-path .5s ease-in-out .1s; -o-transition: color .2s ease-in-out .1s, box-shadow .5s ease-in-out .1s, clip-path .5s ease-in-out .1s; transition: color .2s ease-in-out .1s, box-shadow .5s ease-in-out .1s, clip-path .5s ease-in-out .1s; transition: color .2s ease-in-out .1s, box-shadow .5s ease-in-out .1s, clip-path .5s ease-in-out .1s, -webkit-box-shadow .5s ease-in-out .1s, -webkit-clip-path .5s ease-in-out .1s; } .sidebox::before, .sidebox::after{ content: " "; position: absolute; right: 0; } .sidebox::before{ width: 0; height: 0; top: calc(50% - .75rem); border-top: .75rem solid transparent; border-bottom: .75rem solid transparent; border-right: .75rem solid var(--accentColor); z-index: 10; transition: border .1s ease-in-out .1s; } .sidebox::after{ width: 100%; max-width: .75rem; height: 100%; max-height: calc(100vh - 18rem); top: 0; background-color: hsl(0, 0%, 100%); z-index: -1; transition: box-shadow .5s ease-in-out .1s, max-width .5s ease-in-out .1s; } .sidebox > *{ opacity: 0; -webkit-transition: opacity .2s ease-in-out .2s; -o-transition: opacity .2s ease-in-out .2s; transition: opacity .2s ease-in-out .2s; } .sidebox:hover{ overflow: visible; -webkit-clip-path: inset(-.125rem -.25rem 0 0); clip-path: inset(-.125rem -.25rem 0 0); -webkit-transition: color .5s ease-in-out .2s, right .5s ease-in-out .1s, -webkit-clip-path .5s ease-in-out .1s, -webkit-box-shadow .5s ease-in-out .1s; transition: color .5s ease-in-out .2s, right .5s ease-in-out .1s, -webkit-clip-path .5s ease-in-out .1s, -webkit-box-shadow .5s ease-in-out .1s; -o-transition: color .5s ease-in-out .2s, right .5s ease-in-out .1s, clip-path .5s ease-in-out .1s, box-shadow .5s ease-in-out .1s; transition: color .5s ease-in-out .2s, right .5s ease-in-out .1s, clip-path .5s ease-in-out .1s, box-shadow .5s ease-in-out .1s; transition: color .5s ease-in-out .2s, right .5s ease-in-out .1s, clip-path .5s ease-in-out .1s, box-shadow .5s ease-in-out .1s, -webkit-clip-path .5s ease-in-out .1s, -webkit-box-shadow .5s ease-in-out .1s; } .sidebox:hover::before{ border-top: 0 solid transparent; border-bottom: 0 solid transparent; } .sidebox:hover::after{ max-width: 100%; right: 0; } .sidebox:hover > *{ opacity: 1; } } @media (max-width:768px){ .sidebox, .sidebox:hover{ right: calc(((100vw - (100% - 3rem)) / 2) * -1 + 1rem); } } @media (max-width: 1079px){ .authorbox{ display: none; visibility: hidden; } } /* -------- GENERAL -------- */ :root{ --accentColor: hsl(0, 100%, 30%); --vivid-lime-green: hsl(112, 77%, 48%); } body{ color: hsl(0, 0%, 5%); word-break: unset; } #search-top-box-input, #search-top-box-input:hover, #search-top-box-input:focus, #search-top-box-form input[type=submit], #search-top-box-form input[type=submit]:hover, #search-top-box-form input[type=submit]:focus, #top-bar ul li ul, #side-bar .side-block, .page-rate-widget-box, .scp-image-block{ box-shadow: none; } /* -------- INFO BAR -------- */ body{ --barColour: hsl(0, 89%, 18%); } .u-faq{ display: none; } .info-container .collapsible-block-content{ padding: 0 .5em 30px; } .info-container .collapsible-block-content .wiki-content-table, .footer-wikiwalk-nav .collapsible-block .wiki-content-table{ width: 90%; } /* -------- INFO PANE -------- */ .creditRate{ margin-right: 0 !important; } .rate-box-with-credit-button{ border-radius: 0 !important; box-shadow: none !important; } .creditButton p a:hover, .creditButtonStandalone p a:hover{ color: var(--vivid-lime-green) !important; } div.credit.first .wiki-content-table { width: 100%; } /* -------- PAGE RATING -------- */ .page-rate-widget-box{ margin-right: 0; } .page-rate-widget-box, .page-rate-widget-box .rate-points{ border-radius: 0; } .page-rate-widget-box .cancel, .page-rate-widget-box .cancel a:hover{ border-radius: 0 !important; } /* -------- FORMATTING | [GENERAL] -------- */ #page-content h1, #page-content h2, #page-content h3, #page-content h4, #page-content h5, #page-content h6{ display: flex; flex-direction: column; justify-content: center; margin-bottom: .57em; text-align: center; word-break: unset; } hr{ height: 0; margin: 1em 0; background-color: transparent; border-top: 1px solid hsl(0, 0%, 67%); } .collapsible-block-link{ font-size: 120%; font-weight: bold; } .info-container .collapsible-block-link{ font-size: 100%; } ol li{ margin: 0 0 1em; } ul{ margin:1em 0; } .footnotes-footer, .bibitems{ padding: 0 0 .5em; } /* -------- IMAGE BLOCK -------- */ .scp-image-block .scp-image-caption{ font-size: 95%; } .scp-image-block.block-right{ margin: 0 0 1em 2em; } /* -------- CUSTOM DIV BLOCKS -------- */ .raisa-header, .pink-header, .oracle-header{ margin-bottom: 1em; padding: 0 .5em; text-align: center; } .raisa-header{ /* ---- RAISA Notice Header ---- */ background: hsl(60, 65%, 85%); border: 1px solid hsl(0, 0%, 60%); } .pink-header{ /* ---- Pretty Header ---- */ background: hsl(350, 100%, 85%); border: 1px solid hsl(0, 4%, 36%); } .pink-header hr{ border-color: hsl(0, 4%, 36%); } .oracle-header{ /* ---- SPC's 'From the Desk of ORACLE' Header ---- */ color: hsl(208, 100%, 97%); background: hsl(208, 67%, 44%); border: 2px solid hsl(0, 0%, 5%); } .oracle-header hr{ border-color: hsl(208, 100%, 97%); } .img-resize img{ /* ---- Header Icons (See Example Formatting) ---- */ float: left; width: auto; height: 8em; margin: .5em; } blockquote, /* ---- Regular Quote Block ---- */ div.blockquote{ background-color: hsl(0, 0%, 96%); border: 3px double hsl(0, 0%, 60%); } .alt-blockquote{ /* ---- Alternative Quote Block ---- */ margin: 1em 0; padding: 0 1em; background-color: hsl(0, 0%, 96%); border: 1px solid hsl(0, 0%, 60%); border-radius: 1em; } .lightweight{ /* ---- Lightweight Quote Block ---- */ margin: 1em 3em; padding: 0 1em; background-color: hsl(0, 0%, 90%); text-align: left; } .card-block{ /* ---- Decorative Quote Block ---- */ margin: 1em 0; padding: .6em 1.2em; background: hsl(220, 15%, 93%); border-left: 8px solid var(--accentColor); border-radius: .48em; } blockquote hr, div.blockquote hr, .alt-blockquote hr, .lightweight hr, .card-block hr{ border-color: hsl(0, 0%, 67%); } .log-header{ /* ---- Interview/Exploration Log Header ---- */ margin-bottom: 1em; padding: 0 1em; background: hsl(0, 0%, 96%); border: 3px dashed hsl(0, 0%, 60%); border-radius: 2em; } .report-box{ /* ---- Report Block ---- */ margin: 1em 0; padding: 0 1em; background-color: hsl(0, 0%, 100%); border: medium solid hsl(0, 0%, 5%); } .report-box hr{ border-color: hsl(0, 0%, 5%); } .realistic-shadow{ /* ---- Better Shadows ---- */ margin: 1em 0 2em 0; box-shadow: 0 1px 1px hsla(0, 0%, 0%, .23), 0 2px 2px hsla(0, 0%, 0%, .18), 0 4px 4px hsla(0, 0%, 0%, .15), 0 8px 8px hsla(0, 0%, 0%, .13); } .report-box.red-tint{ /* ---- Alternative Report Block Variants ---- */ background-color: hsl(360, 91%, 86%); border-color: hsl(360, 62%, 66%); } .report-box.red-tint hr{ border-color: hsl(360, 62%, 66%); } .report-box.orange-tint{ background-color: hsl(30, 91%, 86%); border-color: hsl(30, 62%, 66%); } .report-box.orange-tint hr{ border-color: hsl(30, 62%, 66%); } .report-box.yellow-tint{ background-color: hsl(60, 91%, 86%); border-color: hsl(60, 62%, 66%); } .report-box.yellow-tint hr{ border-color: hsl(60, 62%, 66%); } .report-box.green-tint{ background-color: hsl(120, 91%, 86%); border-color: hsl(120, 62%, 66%); } .report-box.green-tint hr{ border-color: hsl(120, 62%, 66%); } .report-box.cyan-tint{ background-color: hsl(180, 91%, 86%); border-color: hsl(180, 62%, 66%); } .report-box.cyan-tint hr{ border-color: hsl(180, 62%, 66%); } .report-box.blue-tint{ background-color: hsl(240, 91%, 86%); border-color: hsl(240, 62%, 66%); } .report-box.blue-tint hr{ border-color: hsl(240, 62%, 66%); } .report-box.magenta-tint{ background-color: hsl(300, 91%, 86%); border-color: hsl(300, 62%, 66%); } .report-box.magenta-tint hr{ border-color: hsl(300, 62%, 66%); } .report-box.grey-tint{ background-color: hsl(210, 9%, 86%); border-color: hsl(210, 15%, 42%); } .report-box.grey-tint hr{ border-color: hsl(210, 15%, 42%); } div.o5-box{ /* ---- Overseer Document Block ---- */ margin: 1em 6em; padding: 0 1em; background-color: hsl(0, 0%, 75%); border: medium solid hsl(0, 0%, 5%); } div.o5-box hr{ border-color: hsl(0, 0%, 5%); } .faux-source{ /* ---- Mimics "Page Source" Appearance ---- */ margin-bottom: 1em; padding: 0 2em; background-color: hsl(0, 0%, 100%); border: 1px dashed hsl(0, 0%, 67%); font-family: var(--mono-font); } .narration{ /* ---- Mimics the Pages of a Book ---- */ margin: 1em 0; padding: 0 1em; background-color: hsl(0, 0%, 100%); border: 1px solid hsl(0, 0%, 63%); } .warning-notice{ /* ---- Simple Warning Block (Adapted From 'SCP-3143') ---- */ padding: 0 1em; background-color: hsl(0, 0%, 100%); background-image: url(https://scp-wiki.wdfiles.com/local--files/scp-style-resource/scp_trans.png); background-position: center; background-repeat: no-repeat; border: medium solid hsl(0, 0%, 5%); text-align: center; } .warning-notice hr{ border-color: hsl(0, 0%, 5%); } .journal{ /* ---- Journal Block (Adapted From 'SCP-4003') ---- */ margin: 1em 0; padding: .9em; background-image: linear-gradient(to top, hsl(201, 33%, 84%) 0%, hsl(60, 29%, 89%) 8%); 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Plot: Moosphere wish to plunder information from higher dimensions. When women suffering from amnestic abuse experience startling anomalous effects, Moosphere, Inc. finds these women and tells them they bear extraordinary gifts. The company asks for their cooperation in the extraction of a new product; in exchange, the women will receive the full fruits of their labour. They consent. Through interface with extradimensional artifacts, the women undergo a milky apotheosis and leave behind large amounts of a bright, milky substance (SCP-MEM). Injecting the substance leaves people comatose and transforms their brains into nodes that facilitate communication with the higher dimensions.
The Foundation finds and confiscates the product. A research team tests the product and discovers hidden brain lobes in people that connect humanity to the higher dimensions. They try to expose more people to the drug to study it, but the operation is picked up by the O5 Command and they cover everything up.
Other Ideas: I was considering the consequences of Moosphere, Inc.'s attempts to spread deeper into the human psyche and dabble with extradimensional artifacts. I was thinking these actions would lead to their contraction of a powerful antimemetic effect. This effect would affect portions of their entire company and operations on- and off-world, in the human noosphere, and adjacent dimensions. Their name and branding would become redacted on different conceptual levels and begin dissipating.
Maybe to try and survive they would start doing pretermemetic2 targeted advertising on a select population?
I leave these unwritten concepts here for your inspiration!
For my swapee: I dabble in a lot of made-up-just-for-this-skip lore, so feel free to expand on it, or introduce your own, or tone it way the heck back and go for something simpler. Cut anything and everything you want!
Moosphere's appearances: SCP-3739, Snippets of an Unveiled World (2025 section), Spilled Milk. If you only want the gist of what Moosphere is, check out SCP-3739. They're an extra-dimensional dairy company that wants to subjugate humanity and alter reality to make more of their products.
| ITEM NUMBER: SCP-MEM | LEVEL 5/MEM |
| CONTAINMENT CLASS: safe | proj. galaxias |
Special Containment Procedures: All 3 000 confiscated packages of SCP-MEM are stored within Sensitive Materials Containment Module #010-MEM. This module is temperature- and moisture-controlled, protected by padlock, and located in Area-518 beneath Simcoe County, ON, Canada.
SCP-MEM experimentation may only occur with express permission from the interceding Ethics liaison, under the direction of newly appointed Project Leader Dr. Cassandra Báthory. Under no circumstances is testing to occur otherwise. Foundation agents stationed within North American hospital networks are to be given a list of individuals in the region with the capacity to give birth, who have also had multiple amnestic regimens. These individuals are liable to trigger a Brynner event, and under no circumstances are these individuals to be admitted to the hospitals. Agents are given free reign under Protocol-23-Gallikers to invent any potential cover story effaceable at denying these individuals the right to give birth, as the ability to avoid Brynner events is the most effective at containing the creation of SCP-MEM.
Description: SCP-MEM is a psychotropic drug that induces effects extending an as-yet-uncertain range beyond its user.
Each vial of SCP-MEM is located within a small, vacuum-sealed package alongside a medical syringe. Each package is labelled on the front with the name “ATTAKASHIC™,” and on the back with instructions for administering injections behind the head. These instructions mimic FDA "Supplement Facts" labels on foodstuffs but contain no information regarding the chemical makeup of SCP-MEM beyond "milk." The injected drug is of white colouration, high luminosity (~1 500 lumens), and has been observed creating anomalous neurological patterns within the brain.
After injection, the drug binds with synaptic terminals in neurons of the corpus callosum using an as of yet unidentified neurotransmitter with a similar structure to gamma-aminobutyric acid (GABA). This decreases functions within the corpus callosum, effectively splitting function between the right and left brain. Then, it exposes the remaining affected human cranial lobes to higher-dimensional constructs through unknown means. Neural imaging of a subject injected with SCP-MEM shows chemicals similar to those found in opioids binding with neurons across both remaining hemispheres, but the apparently non-anomalous nature of these chemicals does not demonstrate how this dimensional exposure could take place.
Following initial binding within the brain, all humans injected with SCP-MEM go through identical phases of the "high." At first, affected subjects all experience similar decreases in cognitive ability for the first few hours after injection, displaying a lack of metaconsciousness, an inability to access their autobiographical memory, and an inability to think abstractly regarding certain topics or behaviors. Subjects instead describe many of these functions subsumed by their connection with the higher dimension, whose nature apparently performs these functions for the subject. When subjects are asked to describe themselves thinking, they become confused or hostile, and verbalize aloud questions to an entity that is not present, asking for advice. Following 10 hours of this behavior, at which time the subject is otherwise able to function in a normal manner, biologically and socially, all affected humans enter a comatose state. This is preceded by thirty minutes of increasing heart rate and blood pressure, as well as a building rush of oxytocin and other endorphins. Following the comatose state, the brain of each affected subject displays unexpectedly elevated levels of neural activity, with patterns and formation akin to the appearance of interstellar nebulae.
According to retrieved documents (designated SCP-MEM-A), the drug operates on the idea that humanity formed an additional, incorporeal layer of psyche ~11 000 years before present, in the early Holocene.3. This was confirmed by a joint archeological and psychological study conducted between Foundation anthropologist Nadezda Lim and consciousness-imprint artificial intelligence Jaynes.aic, which was based on civilian psychological researcher and Foundation-Yale University liaison Dr. Julian Jaynes. This study involved demonstrating that the interior structure of the skulls of humans, in the range between ~11,000 years ago and 3,000 years ago, displayed a brain structure similar to those in SCP-MEM patients. This structure is discussed extensively in Jaynes' book The Origin of Consciousness in the Breakdown of the Bicameral Mind, which argues that the state that SCP-MEM induces began as the norm for cognition in the human species, but that access to this layer of psyche probably decreased as an evolutionary benefit, possibly in relation to the Bronze Age collapse.
During verification of these claims, researchers administered SCP-MEM on willing participants. Affected humans experienced the exchange of large memetic payloads between noospheric connection points inside their brains and another, external location. Such connections have been previously identified in Project PROKAREYEOTA (which studied deep consciousness scans of anatomically modern humans and memome4 maps of artificially selected human clones).
ADDENDA MATERIALS
I. Discovery
Camilla Teodora, age 31, was hospitalized at the Irina Borisov Health Centre sometime in the early morning of 1 August 2025 after experiencing intense cervical effacement associated with labour contractions. Teodora was a former D-Class volunteer during her prison service, as part of the Winnipeg Agreement between the Foundation and the government of Andrew Scheer. During that time, she received a regular Class C amnestic regimen, as per standard protocol. Surveillance from the Consultant Resources division of the Ethics Committee observed Mx. Teodora and her boyfriend Lalo Adefope meeting a Moosphere recruitment operative, the American former cult member Jack Skaldir, at a party. Nine months exactly hence from that event, nearly to the minute, on-duty hospital ER workers enrolled Mx. Teodora into the Maternity Ward with an attending physician.
Hospital staff later reported an unexplained amnesic event occurring over the next half-hour, centred on the Maternity Ward. Copious amounts of luminescent white fluid soaked a bed and covered the floor of one vacant room, extending past the threshold and into the hall. A hallway-posted information packet indicated the room was assigned to one “Camilla Teodora, Our Nebulaic Progenitor and Emissary.” Mx. Teodora herself could not be located.
On 8 August, hospital staff discovered the 3 000 vials of SCP-MEM in a supply storage room. Luminescent fluid inside the storage room led into the hall for 15 m before terminating. Per the 2024 Foundation–UNGOC Anomalous Handling Agreement, Section 5.11.1, hospital workers contacted the Foundation to extract the materials.
This was the first recorded Brynner event.
II. Collected Texts
Several documents were recovered from the Irina Borisov Health Centre relating to the event:
- A document, not correspondent with any hospital records, soaked with luminescent fluid. The document states Mx. Teodora's open involvement in a clinical research trial and includes her informed consent in several different ways.
- Six results pages, each blank except for a short outcome. Outcomes are as follows.
- Eternal life.
- Eternal knowledge.
- Eternal victory.
- Oneness with Self.
- Oneness with Progenitors.
- Oneness with Us.
- Attached to the page containing Outcome #5: A recent photo of Teodora overlaid onto an image of the Orion Nebula, a hospital napkin on which was written “Thank You," discovered to match Skaldir's handwriting, and a check made out to Mr. Adefope in Mr. Skaldir's name care of Moosphere Inc. for CA$ 70,000.
- A note found within a paper SKU (stock-keeping unit) listing, as follows.
ATTAKASHIC, by Moosphere, Inc.
please enjoy ꙮ_ꙮ
In addition, records found within the Foundation Medical Department indicate Teodora's past amnestic drug abuse and recurrent Type-A retrograde conceptual amnesia, all apparently occurring during her work as a D-Class.
Following this event, Moosphere Inc's Marketing division, through their Anomalous Corporations liaison with the FCC, booked ad spots in television markets throughout Southern Canada and the continuous United States (excepting regions prohibited due to anti-trust legislation related to the incidents of Fall 2023/Winter 2024). The following spot ran in front of broadcast networks, YouTube videos and ad-supported streaming television in those markets, and seems to directly advertise viewers to participate in Brynner events. Moosphere Inc's FCC liaison was found to be compromised and quickly sacked under anti-corruption charges.
(A man stands in front of a dairy farm in early spring. Wind noises are buffeting the microphone. There is soft bluesy guitar music.)
Chip: Are you suffering debilitating side effects from an amnestic regimen? Are you able to give birth? Do you like milk?
(A bird chirps.)
Chip: Hi! Chip Brakeman, Chief Content Officer for Moosphere Incorporated, maker of fine thought and dream based dairy products, milks, cheeses, yogurts, and ice cream! And, for the winter season, eggnog.
(A distant cow moo.)
Chip: Speaking of the winter season, you might be wondering: What am I doing standing in this snowy pasture? Aren't the cows home for winter? Well, that's where you're wrong. See, this isn't snow, it's milk! We're living in a milky wonderland and that's why Moosphere Incorporated wants to hear from you!
(Another, more distant moo.)
Chip: Simply sign up for our new research trial, and earn fabulous prizes! Simply call 555-987-8810! That number again is 555-987-8810! That number again is—
(The video glitches and skips)
Chip: Call now and you will understand the glory of the universe! That's not a lie, you'll understand the glory of the universe! Because here at (Obscured by closer moo), we want to hear from moo. That's right, not you, moo!
(Chip laughs.)
Jingle singer: Soakin' up the sunshine!
(A glass is plunked on a wooden table in a rustic kitchen. A cow moos as the logo is shown)
III. Experimentation
Testing occurred with willing participants to determine SCP-MEM's effects. Each test involved standard medical diagnostic procedures and cranial ultrasound imaging.
After the first successful test batch, researchers viewing the imaging results reported severe forgetfulness and could not continue. SCP-MEM's Research Head ordered the use of paratechnological monitoring equipment in future testing.
In the second test batch, antimemetic perception imaging displayed activity occurring in a hitherto unseen structure behind the human head. Researchers accessed existing computer simulations of the human brain — created to explain déjà vu and presque vu — that identified how the brain might respond to specifically constructed anomalous memeplexes. In these simulations, the human brain processed the memeplexes in a location beyond its physical extents, in a structure then designated the Quadratural Lobe.
Researchers, believing testing with SCP-MEM had supplied the first tangible demonstration of the lobe's existence, replicated antimemetic perception imaging in a control batch without SCP-MEM, and could not locate the lobe.
During the next test batch, mapping initiatives showed the lobe's structure extended along an active antimemetic filament connecting with other test participants. Later observation displayed this filament connecting with other researchers and on-site staff, and further filaments extending well beyond the Site. Supervising technicians observed each filament intersecting unpredictably through its host human, itself, and the physical boundaries of other matter.
== UPDATE ==
Plans on fabricating a diluted form of SCP-MEM for conscious experimentation have been proposed and are undergoing further Ethics review.
== UPDATE ==
By order of the Overseer Council, further study is hereby halted.
== UPDATE ==
As of 30 September 2025, by order of the Overseer Council, the full stores of SCP-MEM in Foundation containment and all records have been confiscated.
Members of Project GALAXIAS assigned to SCP-MEM have undergone amnesticization treatment, pending transferral to other, unrelated projects. The assigned Ethics liaison has also been amnesticized, pending disciplinary review.
[[footnoteblock]]
[END OF FILE]
Feedback:
—
Sources:
- Holocene definition: https://en.wikipedia.org/wiki/Holocene
- Memome definition: https://scp-wiki.wikidot.com/sirpudding-s-author-page
- Pretermemetic definition: https://scp-wiki.wikidot.com/dread-circuses-hub
| Image No #: XXX-B345 | |
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| Images from Catalogue A. A glyph of 10 concentric circles. This pattern varies greatly from the typical two circle format used by SCP-XXX-1. | |
| ██/██/1884 | |
Item #: SCP-XXX
Object Class: Euclid Neutralized
Special Containment Procedures: Mention of the event, SCP-XXX, is stripped from its classification under Library of Congress subject headings (e. 1915) regarding natural phenomenon and urban myths in Russia, and mention in news and entertainment publications. Although the information included within the reports are considered low priority due to their minimal public risk, the area of Tunkinskiy is to be monitored with at least one embed National Parks agent to catalog any notable resurgence of SCP-XXX-1 (five-fingered squirrels), or unexplained auditory phenomena.
Further testing of SCP-XXX-2 is deemed unnecessary. The remaining seeds are housed in cold storage.
SCP-XXX is a potential memetic hazard. SCP-XXX records may only be accessed with site director approval.
Description: SCP of -xxx is the designation given to an unknown anomalous event that occurred around the Tunkinskiy area in northern Mongolia. A 3,000 km wildfire of unknown cause occurred in the region in 1883. Hikers and naturalists in the area commonly reported many small echoing, percussive noises from within the forest prior to the event, and historical ephemera and interviews of locals suggest the "tiny drums" have occurred in the region for several generations.
A group of anomalous entities, SCP-XXX-1, were believed to inhabit the region, specifically the forests bordering northern Mongolia and Russia. [██°█′S ███°██] SCP-xxx-1 specimens resembled the Eurasian red squirrel (Sciurus vulgaris), save for a fifth digit on their forelimbs. It is speculated that this species exhibited an intelligence and social structure not typical of red squirrels. Archaeological and fossil records, mainly findings suggesting the displacement or assimilation of mundane red squirrels, suggest that the colony may have existed between the 11th and the late 18th century. It is unknown how this colony came to be.
A specimen from this colony, SCP-XXX-1, was recovered during SCP-XXX's active classification. The entity was discovered by a local hunter living near the edge of the fire line, and was treated as a pet for 3 years before SCP-XXX-1 was discovered and transferred by Foundation assets. The local stated SCP-XXX-1 appeared "distant" or "confused" while it first observed the fire line, and could often be seen staring into the fireline as if hunting for predators. The local reports that the squirrel would loiter on her property, and sometimes leave the property into the burned forest for periods of several days, returning and burying seeds around her property. SCP-XXX-1 would not feed itself, or could not, and had to be fed by the local. SCP-XXX-1 was fed chicken eggs and meat which caused it digestive issues during the time, as the local could not find any cones in the area after the fire. The local wrote in a diary normally reserved for recording successfull kills that the fifth digit on the paws seemed to inhibit its ability to lift anything except SCP-XXX-2
SCP-XXX-1 made vocalizations typical of a red squirrel, although using atypical patterns and physical gestures. Its spoken language consisted of emphasized clicking and growls. This language was speculated to be almost entirely analytic in nature, with sentences composed of single distinct chirps of varying length and tone. Although SCP-XXX-1 is presumed to have made attempts to communicate with researchers, Foundation linguists were not capable of translating or reproducing this language before SCP-XXX-1 died.
| Image No #: XXX-A | |
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| An illustration of SCP-XXX-1 in June of 1902. | |
| ██/██/1886 | |
SCP-XXX-1 would make markings with its claws and teeth consisting of concentric circles while inside of its containment area. 47 of these markings have been recorded. It is possible these markings are a form of written language, although some researchers suggest that it is most likely an instinctive behavior, or caused by agitation or boredom in isolation.
A research unit was dispatched to the area where SCP-XXX-1 was recovered from in June of 1902. The fire line showed first evidence that what occurred was not a typical wildfire. Certain trees in the area showed no signs of damage, and other evidence suggests specific types of trees, namely Larix mastersiana pine, were (presumably) all incinerated in the same instant; many holes were discovered in the area, each filled with ash. The area has to the day of this revision (02/04/2020) no population of red squirrels.
SCP-XXX-1 was delivered to the forest, SCP-XXX, along with a research unit for testing. SCP-XXX-1 appeared to be agitated upon first entering the area. SCP-XXX rubbed its mouth on several trees before accessing the treeline. SCP-XXX-1 dug holes for several days, recovering one buried cone. Several other excavations containing cones were inspected, and then ignored by SCP-XXX-1. After this cone was recovered, SCP-XXX-1 made attempts to escape by gnawing its leash. Nothing else of note was discovered.
Addendum A: Two fertilized seeds were found in the cones recovered by SCP-XXX-1. While one of the seeds grew as expected, the other grew into a thin twig. The area of SCP-XXX was unearthed to gather more instances of these seeds, which will be referred to as SCP-XXX-2. The following are the results of tests completed with the recovered seeds. SCP-XXX-2 produce one of these three objects.
Root structure dies shortly after these objects are formed.
| Object Designation | Description |
| 2-1 | Growth period of eight days. Angular, 5 x .5 cm "twig" object emerged with a double sided blunt edge. No anomalous properties present. |
| 2-2 | A Larix mastersiana pine grew from the seed. This species currently only exists in China. |
| 2-3 | Growth period of eight days. A hollow wafer like disc structure with a hardened, hollow composition. |
Addendum B: SCP-XXX-2 was presented to SCP-XXX-1 through a window. SCP-XXX-1 expressed interest in the object, making a repeated clasping motion with its hands. The decision was reached to allow SCP-XXX-1 to physically interact with the object, as SCP-XXX-1 was at the time in advanced stages of age for a member of its species, and communication with him was not yet possible.
SCP-XXX-1 grasped SCP-XXX-2-1 and waved it in a semicircle downwards, and up. SCP-XXX-1 continued to wave the object in variations, clockwise, and counterclockwise for three minutes with no perceivable effect. SCP-XXX-1 struck the twig against walls in its enclosure, to no effect.
SCP-XXX-1 was given a SCP-XXX-2-3 disc, and SCP-XXX-2-1 was taken from it. SCP-XXX-1 attempted to fling the disc, and repeatedly strike the disc against the floor. No perceivable effect discernible.
SCP-XXX-1 was given a SCP-XXX-2-3 disc, and SCP-XXX-2-1. SCP-XXX struck SCP-XXX-2-1. What followed were several rapid, high pitched crashes similar to the sound of a cymbal, which reverberated around the containment site. SCP-XXX-1 could not be located afterward.
Item #: SCP-XXXX
Object Class: Euclid
Special Containment Procedures: SCP-XXXX's domain is to be blocked from all major internet service providers through Foundation agents in various world governments. Access to the website is to be granted to Level 2 and higher personnel for testing purposes. The Ethics Committee has approved a small fund of approximately 8,000 USD for testing with SCP-XXXX. Once this fund is depleted, it may only be refilled upon consulation with the Ethics Committee and the researcher in charge of SCP-XXXX, as all testing inherently funds GoI-1900.
Save for specially supervised tests with D-Class, all generated films must contain at least one real film industry entity.
Description: SCP-XXXX is an anomalous streaming service located at 'www.wikiflick.███' and operated by GoI-1900 ("Red Deal Pictures Distribution"). SCP-XXXX generates previously nonexistent films for screening, through unknown means, based on user-inputted data for a film they would like to see.
SCP-XXXX is not subscription based, instead a user pays a fixed price of 14 USD for each individual film upon visiting the site. Once the user pays they are directed to a page containing the following:
- A window containing an editable mockup of a Wikipedia page for a film. All data in the header and infobox are replaced with text input windows, including title, year of release, country of origin, genre(s), director(s), screenwriter(s), producer(s), and up to nine primary actors. If a user chooses, they can also input composers, editors, cinematographers, and production companies in the infobox. The text that normally reads "From Wikipedia, the free encyclopedia" now reads "From Wikiflick, a bespoke streaming service from Red Deal Pictures." All further subsections of the article, including Plot, Cast, Production, and Reception, are blank but cannot be edited.
- A red button that reads "Generate Names." This button is greyed out until a title, year of release, country of origin, and genre(s) are inputted. Once these are created, a user can press this button to randomly generate cast and crew that would best fit this title, genre, and release date. This button always generates the names of real film industry entities from around the world, living or dead.
- A blue button that reads "Generate Film." This button is greyed out until all fields are filled.
Once a user presses the blue button and the site loads, a screening window is generated containing the requested film. This film is almost always matching the user’s desired specifications. The film’s length can vary, ranging from 30 seconds to 240 hours, depending on genres inputted, as “short” will create a film under 45 minutes while “epic” will create a film over two hours. Participants in a film almost always match the ones visualized by the subject, even if names are common/match another person, are a non-actor or figure from the user’s life, or completely nonexistent. All films, regardless of inputted companies, are noted as being distributed by Red Deal Pictures Distribution, often in conjunction with another company.
Films are always original. Inputting data matching an existing film will generate a similar but distinct project. Likewise, SCP-XXXX cannot precisely recreate lost films. For example, inputting data from Satyajit Ray’s unproduced film The Alien, which was intended to be produced in 1967 with Peter Sellers and Marlon Brando, produces a film in Ray’s style starring Sellers and Brando, but one that does not match his existing screenplay.
Following the film’s conclusion it is available to watch for a period of time twice its running time before deleting itself. The user is then returned to the Wikipedia mockup, now with all sections filled in. All cast members are listed, an attempt is made to summarize the film’s plot no matter the content, some behind-the scenes information is given, and a handful of reviews or academic articles are quoted. These do not always match real world authors but always real world publications, usually fitting the project: A big-budget comedy action film is reviewed in major newspapers, a Hungarian experimental short fashion film is discussed in media studies journals and internet publications. The user can choose to save this article to their computer before paying another 14 USD to watch another film.
If no persons inputted are film industry professionals, there is a high probability (60-76%) that the film generated will be anomalous in nature, displaying significant detrimental effects on the viewer or containing anomalous imagery. Films generated this way can include blocking and cinematography that do not follow baseline reality, cognitohazards and memetic threats, images and sounds taken from known and unknown alternate planes, or mild reality-warping capabilities. Despite this, users typically still report a high degree of satisfaction and pleasure with the film. The remaining 34-40% of films generated this way are nonanomalous and merely amateurish or of “indie quality.”
SCP-XXXX was discovered after a thread on Reddit was created about a “website that creates realistic porn of anyone.” Fearing a containment breach of SCP-1004, the thread was investigated, taken down, and SCP-XXXX was contained.
Addendum: Log of films generated during Testing Phase 2:
14 USD entered for each film, which was recorded with a seperate camera. All generated Wikipedia-style articles are archived.
All data was inputted under the format "___________ is a ____ ______ ____________ film directed by ______________ and written by _________. It stars ______________, ________________, ________________, ______________, ________________, ________________, ______________, ________________, and ________________."
Experiment #: 011
Inputted data: Drainage is a 2020 American horror drama film directed by Peter Farrelly and written by Brian Duffield. It stars Mahershala Ali, Paul Giamatti, and Alfre Woodard.
Names Generated: None.
Result: The generated movie stars Ali as a black cop in a small Georgia town investigating a series of lynchings while attempting to repair his relationship with his wife, played by Woodward. The lynchings are connected to a white supremacist cult who sacrifice young black men to a river god. The film reunites Ali with director Farrelly, both worked on the 2019 film Green Book. Researchers described the film as a decent if unmemorable horror film. Quoted reviews from The A.V. Club and The Washington Post note that tone of the film is a significant departure for Farrelly, but his treatment of race is similar to that of Green Book. The film is decribed as being based on a true story. Red Deal Pictures is listed as a distributor alongside Universal Pictures.
Experiment #: 012
Inputted data: Nightmare in the Heartland is a 1958 American crime film directed by Elia Kazan and written by Budd Schulberg and Daniel Fuchs. It stars Elizabeth Taylor, Jeff Chandler, Jack Palance, William Bendix and Jason Robards.
Names Generated: Actors.
Result: The generated movie is a cross between Kazan's social realist dramas and film noir. Taylor plays a New York socialite trapped in a Nebraska town paralyzed by a labour strike. She is caught between a cowboy-esque labor organizer played by Chandler and a sinister gangster played by Palance. Researchers noted the powerful performance of a young Jason Robards in a supporting role. Quoted reviews include a list from Buzzfeed, ostensibly in memoriam of Taylor upon her 2011 death, that describes this performance as "one of Taylor's best and most underrated of roles." Red Deal Pictures is credited as presenting the film's rerelease.
Experiment #: 013
Inputted data: To The White Sea is an 1999 American-Japanese war drama film directed by Joel and Ethan Coen and written by the Coens. It stars Brad Pitt, John Goodman, and Kōji Yakusho.
Notes: Personnel also inputted that it was based on the James Dickey novel of the same name as well as crew listings for the Coen's usual crew members: composer Carter Burwell, editor Roderick Jaynes5, and cinematographer Roger Deakins.
Names Generated: None.
Result: The generated movie is an adaptation of the Dickey novel, starring Pitt as a WWII paratrooper and former survivalist fighting his way through war-torn Japan. The film's tone presages the sparseness and violence of No Country For Old Men and emphasizes themes of destiny and spirituality in Dickey's novel. The film's production is described as incredibly punishing. Quoted reviews are strongly positive, with Roger Ebert saying the film is one of the Coen's best and "evidence of their growing maturity." Red Deal Pictures is credited as a financing entity.
Experiment #: 014
Inputted data: Identical to Experiment 013.
Notes: Personnel changed crew inputs to match those of the 1993 film Schindler's List, with John Williams composing, Janusz Kamiński photographing, and Michael Kahn editing. Steven Spielberg is added as a producer and Amblin Entertainment as a production company.
Names Generated: None.
Result: The generated movie is again an adaptation of the Dickey novel, but the film itsef has what researchers describe as a "strained quality." The film bears strong similarites to Spielberg's style, and the tone splits the difference between him and the Coen brothers. The film's production was described as "very fun" with the Coens enjoying Spielberg's input. Although researchers tentatively enjoyed the film, quoted reviews are somewhat negative, with most describing the film as a tonal misjudgement and a disappointment for the Coen brothers, although a single academic, Annie Q. Pickerson, is quoted as giving a critical reappraisal. Red Deal Pictures is again credited as a financing entity.
Experiment #: 015
Inputted data: Danser avec mon bébé is a 1966 French comedy-drama film directed by Jean-Luc Godard and written by Godard. It stars Mireille Darc, Juliet Berto, Philippe Noiret, and Jennifer Lopez.
Notes: Lopez was chosen to test SCP-XXXX's capability to handle anachronism.
Names Generated: None.
Result: The generated movie stars Darc and Berto as a mother and daughter who, without knowing, live in the same attic crawlspace. The film is a surrealist comedy surrounding the situation. Lopez portrays herself as an American movie star filming near Darc and Berto's house, with Liam Neeson portraying the film director. Godard frequently interrupts their scenes with title cards that read "TEMPS EST IRRÉLEVANT" or "Time Is Irrelevant." Lopez and Neeson appear identical to how they did in 1998, but are dubbed into French by unknown actors. The production section notes that Godard and Lopez did not get along. Researchers reported enjoying the film tremendously, and quoted reviews describe it as an unknown pleasure of Godard's, featuring the "stunning discovery" of Lopez. Red Deal Pictures is credited as a co-producer.
Experiment #: 016
Inputted data: DaBaby - GIVE IT is a 2019 short music video film directed by Colin Tilley. It stars DaBaby, Ty Dolla Sign, Megan Thee Stallion, and Jimmy Stewart.
Notes: Stewart was chosen to test SCP-XXXX's capability to handle anachronism in the other direction.
Names Generated: None.
Result: The generated music video has a loose plot concerning DaBaby falling over a railing at a lavish Hollywood Hills party. Stewart is depicted in a brief cameo being twerked on by a scantily dressed model, sputtering incoherently but smiling to himself. At another point in the video, Megan Thee Stallion stabs him in the gut with a stilleto heel and he collapses. Researchers reported enjoying the music video immensely. Quoted reviews include a news report from Vulture Magazine calling the song a "hilarious bop" with a "time bending music video." Red Deal Pictures is the production company.
Experiment #: 017
Inputted data: Bad Boy Soldiers is a 2017 satirical comedy war film directed by Eva Cszkiearas.
Notes: Personnel designed the fictitious filmmaker Cszkiearas as a feminist director of Polish and Finnish descent, known for making complex and brutal satires of Eastern European politics, but did not inform the researcher performing the test of this invented background.
Names Generated: Writer(s), actors, country of origin.
Result: The generated movie is a straightforward American comedy centering around two bumbling soldiers in the Iraq War, played by John Cho and Zach Galifianakis. Judd Apatow is credited as a producer. A large number of American and British comedians appear in supporting roles including Will Forte, Amy Poehler, Ellie Kemper, Rainn Wilson, Adam Scott, Julia Louis-Dreyfus, Patton Oswalt, Steve Coogan, Lauren Lapkus, Jason Mantzoukas, and Nick Kroll. Researchers reported the film was enjoyable for what it was and they had a good time watching it. Quoted reviews were highly negative. Red Deal Pictures is credited as the primary production company.
Experiment #: 018
Inputted data: Bad Boy Soldiers is a 2017 Polish satirical comedy war film directed by Eva Cszkiearas and written by Cszkiearas. It stars Karolina Gruszka, Dariusz Dyliński, Rafał Grzewczynski, and Marian Kuciak.
Notes: The researcher was informed of the background for Cszkiearas.
Names Generated: Actors
Result: The generated movie is a dark comedy centered around a Polish military base somewhere in Southern Europe. Dyliński plays Major Nadeem, an insecure gay general who has recently converted to Islam. As he prepares to come out as Muslim and gay, his homosexuality is revealed in a comedic fashion by a inferior officer and Nadeem embarks on a violent training regimen for his troops, beating their morale down through a series of disturbing blackly comedic assaults. All actors save Gruszka are fictitious and do not correspond to individuals in the film industry. Researchers reported enjoying the film as an art film, laughing occaisionally, but felt mostly uncomfortable for the film's running time. The article describes the film as winning at the Karlovy Vary, Shanghai, and Three Portlands International Film Festivals. Reviewers praised the film's cinematography but criticized the perceived homophobia and Islamophobia and noted that despite Cszkiearas' feminist intentions a series of jokes centered around the sexual assault of Gruszka's character were unneccessary and in poor taste. Consequence of Sound critic Scout Tafoya describes the film as "absolutely vile and disgusting, but worthy of discussion." Red Deal Pictures distributes the film in the United States.
Experiment #: 019
Inputted data: Dudstock is a 1982 Australian independent drama film directed by Linda Hartle and written by Barry Golchuck. It stars Fiona Leamington, Andrew Saxton, and Grant Pane.
Notes: All names are fictitious but the director was invented by researchers.
Names Generated: Actors, writer, country of origin.
Result: The generated movie is a slow-paced family drama centered around the young boy of the title, who lives in an unidentified desolate small town in the Australian outback. He deals with his alcoholic father and overstressed mother by wandering through the desert, befriending an eccentric truck driver who passes through and an Aborigine woman tending to a local site of spiritual significance. The film displays anomalous qualities, with the camera seeming to pass through Dudstock's body or into the middle of a cliff. The film ends with a long unbroken take of Dudstock sitting on the sacred site and disemboweling himself with reciting "The Charge of The Light Brigade," which had been a plot point earlier in the film. He appears to pull out more intestines that can fit in the human body, and eventually begins to pull out apparent animal intestines, speckled with feathers or full of scaled meat. Lastly he begins to pull out a chain of interconnected rocks. Before he dies, he delivers the line "The bowels of the earth draw me near, mumma!" and the film cuts to black. Despite being disturbed by the film's anomalous qualities, researchers reported enjoying the film generally. Quoted reviews agree, with one from The Village Voice quoted as calling it "The best Australian film since Picnic at Hanging Rock." Red Deal Pictures distributes the film in the United States.
Experiment #: 020
Inputted data: Upside Down JAPANESE is a 1981 British-German-Mexican epic art-horror experimental film directed by Dean Hiroyuki and written by Hiroyuki and Jonathan Belzer-Mackenbridge. It stars Kenn Eddeford, Anna Potts, Stephen Schauser, Megumi Tanaka, and Rodrigo Aparicio.
Notes: All names are fictitious but invented by researchers. The filmmaker Hiroyuki is designed to be a white installation artist and painter who is obsessed with Japanese culture, making his film debut.
Names Generated: None.
Result: The generated movie is a four hour single shot of a man in a dingy apartment (played by Eddeford) who is slowly, graphically morphing into a Japanese woman (played by Tanaka) as friends periodically visit. The film has severe anomalous effects. During the screening, at approximately the one hour mark, one of the guests appeared to be identical to Researcher Bryant, and seemed to be aware they were in a film, turning to the camera and begging to be let out. The transforming man did not appear to notice this. Researchers could not converse with the character-Bryant as his appearance was pre-recorded. At the 2 hour and 40 minute mark, when the character-Bryant spoke the line "I know I'm not there, I can see me in here," the real Researcher Bryant's hand flew to his face only to discover a thick layer of dermis covering his eyes, ears, nose, and mouth. Researcher Bryant was panicked but able to communicate his safety, and seemed to be able to breathe until the film ended, at which time he began to suffocate and went into immediate surgery to remove the excess skin. He is currently recovering. Researchers, including Researcher Bryant, praised the film's themes of identity and the transformative nature of the body. Quoted reviews agree, with Claudia Puig of USA Today claiming that "this film really helped be in my body's own inner body, without the tyranny of oxygen." Red Deal Pictures produced the film.
Additional Notes: At several points in the film, the character of Researcher Bryant begins to describe a long hallway that exists in another room of the man's apartment. He appears to be increasingly panicked. Each time he tries this, he is cut off by a title card reading "RED DEAL PICTURES PRESENTS:" These segments are missing from the Wikipedia style article's synopsis. More research is ongoing.
Note: subsequent testing recorded in Experiment Log 5702.
[[footnoteblock]]
Item #: SCP-XXXX
Object Class: Keter
Special Containment Procedures: Foundation-operated web analysis bot Sigma-77 ("CANDLECOVE") is to be kept in constant operation and checked for defects twice a week by a Level-2 staff member. When functional, the bot will search video-sharing services and fan communities for posts created by or related to SCP-XXXX. If a manifestation of SCP-XXXX on a website is confirmed, the bot will either force a DMCA takedown or force the publication of illegal content, thereby alerting site administrators. Any original or re-posted content related to SCP-XXXX (including videos, images, gifs, comments and fan-derived fiction) are to be taken down by Sigma-77.
Only two instances of SCP-XXXX related content are to be whitelisted from Sigma-77’s scan list, consisting of MTF Xi-12 activity (see below) and SCP-XXXX’s YouTube channel itself. This channel is to be kept open and maintained with a healthy and active community surrounding it in order to not trigger EVENT Krieger-Alpha. Sigma-77 is however authorized by both the Foundation and Alphabet Inc. to force SCP-XXXX’s subscriber count to sit below a threshold deemed acceptable by both organizations, and Alphabet Inc.’s retention algorithm has been trained not to favor or recommend SCP-XXXX’s content.
SCP-XXXX is to monitored by MTF Xi-12 (“Zalgo Text”), whose mission is twofold. If EVENT Krieger-Alpha has not yet taken place, MTF Xi-12 are to covertly post, both in-person and through automation, content on social media that denigrates SCP-XXXX’s character in order to dissuade the growth of the community surrounding the channel. Current guidelines include a list of appropriate “problematic behaviors” to be brought up, including racially insensitive and transphobic content, soliciting lewd messages from fans, and a previous arrest warrant. These posts are to be laced with subtle memetic triggers designed to convince readers of their validity, and then disseminated across youth-occupied online spaces, such as Twitter, Reddit, TikTok, Instagram, Tumblr, and Discord.
If EVENT Krieger-Alpha has taken place, MTF Xi-12 are to immediately track, extract, and amnesticize the affected individual(s) before they reach SCP-XXXX’s point of origin. Should they enter the space, MTF Xi-12 have limited authority to extract them, depending on the risk posed by entering the space themselves. Should the risk be considered too high by Command, the individual is to be considered terminated, and Sigma-77’s efforts to shrink SCP-XXXX’s community must be doubled.
Description: SCP-XXXX is a humanoid
I met a Furby in downtown Tangiers. We drank at a small café near a strip club owned by my good pal Garbanzo Buglass. He was a man with an insect fetish, and so he forced the girls to let the flesh on the rumps rot until the maggots came. As they shook their asses, the grubs would fall to the dancefloor. Anyway, back to the Furby. She called herself Robert Cleanse, although I knew she was lying. She claimed to be a low-level operator, smuggling people into South Venezia, even claiming that Famous Actor Christopher Lloyd was one of her clients. That was a lie. She was one of Nyaaly’s girls, and she knew it. That night, I traded my soul and a right molar for the key to the Last Door in Kato, and then I stole it back as she slammed her sixtieth shot of Fireball and Bile. She got furious and told me that when she saw me again, she would be riding a black Mercedes-Benz Viperfish with the license plate UTOPIA. I ripped out her ovipositor and dunked it in my strawberry milkshake. It was crunchy, and tasted of fruit meat. I tipped my homburg to her, and told her I would be on the lookout for her Mercedes as I made my way to Kato. She told me Nyaaly would be pissed. I didn’t care. I left the bar, keeping my head down as I faded into a crowd of humanoid frogs begging for change, and let my mind circle the storm drain.
Item #: SCP-5000
Object Class: Neutalized Keter pending
Special Containment Procedures: Due to its public recognition, SCP-5000 is currently open to the public for camping and hiking. Under the guise of operation as a National Park, Foundation agents are to pose as NPS rangers, monitoring tourist influx in and out of the park. MTF Delta-9 ("Belongs In A Museum") are to infiltrate civilian archeology departments at universities around the world, and covertly monitor individuals who are knowledgeable on First Nation archeology. MTF Delta-9 are to perform their own research on migration patterns within Pre-Colombian societies using the resources of these universities, as well as general Foundation resources and Foundation employed anthropologists, sociologists, and archeologists.
No individual is to enter the cave system beneath Fajada Butte and the central wash, excepting members of MTF Delta-9. The entrance to the cave is blocked off with a large artificial boulder, and hiking in the area is closed to tourists.
All First Nation populations in the Southwestern United States are to be monitored.
Description: SCP-5000 is the collective designations for various Pre-Colombian pueblo ruins located within the Chaco Canyon, New Mexico. SCP-5000 is currently contained within the boundaries of Chaco Culture National Historical Park. The site has been preserved by the US Government since 1907, and it is well known within archeological circles as a frequently studied site. It is also a UNESCO World Heritage Site. It is believed at this time SCP-5000 was the site of anomalous religious practices, and there are still a number of mysteries surrounding the culture that lived there.
SCP-5000 primarily consists of a number of pueblo complexes, known as Great Houses, located within the canyon and on surrounding mesas. Each complex contains between 89 and 650 rooms, and at one point most were multi-story buildings after their construction in the 11th and 12th centuries. Many are built in a D-shape, and the largest have various plazas and circular pits calld kivas.6. Each of these pits contains a small cistern known as a sipapu. All of the sipapus within the Chaco pueblos lead down to a central, massive underground chamber beneath the ditch in the center of the canyon, commonly assumed to be a long-drained aquifer.
Archeological evidence indicates some structures were used as places of trade, and artifacts ranging from Alaska to South America to Quebec were discovered within the Great Houses. This theory can also be confirmed by the presence of large roads extending from the canyon outwards, known as the Great Chacoan Roads. Certain Great Houses may have had specific industrial functions; Pueblo Alto may have been used to process beads and turquoise, Kin Kletso may have been used to process obsidian, Casa Rinconada may have been used to process human bones.
Aside from evidence of massive trade, it is mostly still unknown what these structures were used for.Professor Stephen Lekson of University of Colorado Boulder, and Foundation archeological liaison, has publicly stated "What was Chaco? Opinions vary widely, perhaps wildly. Interpretations range from a valley of peaceful farming villages to the monumental capital of an empire." This is the primary idea amongst civilian archeologists. Foundation archeologists, however, have determined that the nature of SCP-5000 was as a regular gathering place for individuals throughout the Four Corners region, coming together for religious purposes.
Analysis of pot sherds and artifact fragments located within the kivas has determined that the majority of the structures located within SCP-5000 were only inhabited at very specific points of the year, likely the equinox, something which can be confirmed with civilian archeology of petroglyphs and structures. 12 Chacoan complexes were sited and aligned in coordination, and each is oriented along axes that mirrored the passing of the Sun and Moon at important times. The Great Houses of Pueblo Bonito and Chetro Ketl are situated along a precise east-west line capturing the passage of the equinox sun. Additional religious artifacts include evidence of prayer sticks decorated with beads, fur, and feathers, relics belonging to children who acted as priests, and petroglyphs depicting the Sun and Moon, various Kachina7 spirits, and a large spider.
There is still substantial oral tradition concerning this religion within the First Nation groups who hold SCP-5000 to be sacred. These groups include the Taos, Hopi, Zuni, Acoma, and especially the pueblos of Santa Clara and San Il Defonso, established 1300 and 1555 respectively. From interviews with some of the oldest members of these communities, the nature of the religion practiced at Chaco Canyon was a variant on the Pueblo religion, with greater emphasis placed on the Puebloan deity known in the Teresan Pueblo language as Sussistanako. Sussistanako is known as the creator of humans, identified as an earth goddess. In Puebloan mythology she is described as a large elderly female spider and is one of the most prominent gods. A similar figure is worshipped by groups as diverse as the Ojibwe Chippewa people of southern Canada and the Choctaw of Tennessee and Mississippi.
Beneath the central Great Kiva of Pueblo Bonito, Foundation archeologists discovered a small chamber adjacent to the sipapu. In it were 15 male skeletons, all well preserved. The remains of 14 genetically identical children were found lying in a circle with their heads facing the central skeleton Scraps of cloth nearby suggested they were dressed in ceremonial robes. The central skeleton is an adult male with gross physiological differences, including eight additional limbs. It appeared to have died from blunt force trauma to the skull.
Drone exploration of the sipapu found that it was directly connected to the massive central underground chamber. After a brief survey of the chamber, the drone located an exit from the tunnel by following a cave system up to a small, human-sized passage within the site of nearby rock formation Fajada Butte. Due to the characteristics described in Puebloan mythology and the presence of the gross physiological differences, it was expected that a Class V Ekhi-Erikesh disruption level entity or it’s corpse would be present, but instead the drone observed N O T H I N G.
Though some theorize that the canyon was abandoned due to overpopulation and expanding cultivation, it is unknown why the ancestral Puebloans abandoned SCP-5000 for the nearby dwellings at Mesa Verde.
Interviewed: Michele Rosenblum, a retired archeologist living in Pennsylvania
Interviewer: Dr. Theodore Christopher, Department of Archeology
Foreword: Rosenblum was contacted at her home in Pennsylvania after the Department of Archeology noted an article she published 40 years ago detailing inconsistencies in the popular academic interpretation of spider motifs throughout the Great Houses.
Interviewer: What can you tell me about the religion practiced at Chaco?
Rosenblum:
(Fill this part in with on Thursday)
Interviewer: Did you, or any of the other archeologists at the time enter the underground chamber beneath the arroyo?Rosenblum:
[Repeat as necessary]
Closing Statement: [Small summary and passage on what transpired afterward]
NOTICE
This file is currently restricted by order of the Foundation Regional Council of Latin America to personnel working outside of the council’ s jurisdiction. It is quarantined to all personnel in Central and South America. You are viewing a revised version, with sensitive and/or cognitohazardous data censored. You have access to all segments of this file with Level LA/4875/2 or lower requirements.
This quarantine is to continue indefinitely
You lost your childhood. What else is there to lose? Go on ahead, step through.
Item #: SCP-4875
Object Class: Keter
Special Containment Procedures: Persons theorized to be carriers for SCP-4875 are to be covertly tested on the Affective Neuroscience Personality Scale, and thereafter monitored if results rate them highly. Should subjects attempt to behave in a way consistent with SCP-4875, they are to be restrained and immobilized indefinitely or until amnesticized.
A Foundation-operated bot (ESTIBEN.aic) is to monitor internet traffic in Central and South America for conjunctive references to disappearances, missing persons, cameras and smartphones, deserts, nostalgia, depression, and cityscapes. ESTIBEN.aic is also to search video-sharing websites and social media for media containing depictions and/or recordings of SCP-4875-1. ESTIBEN.aic is to then notify Mobile Task Force Ni-13 ("Triskaidekaphobia"), who are authorized to amnesticize involved individuals and take physical evidence to Facility-578 for study.
No personnel assigned to either Facility-57 or MTF Ni-13 are to originate or hold citizenship in the Republic of Chile, the Republic of Peru, the Plurinational State of Bolivia, or the Argentine Republic.
It is recommended that personnel assigned to these positions should not have spent any time in these nations prior to assignment.
Update 12/13/2016: As of the events on 9/13/2016, should a subject affected by SCP-4875 be found, MTF Ni-13 is authorized to terminate on sight, and to distribute Class-C amnestics to all individuals connected with the subject.
No personnel stationed at Facility-57 are to have spent any time in the affected nations, including nonessential Level 0 janitorial, clerical, or catering staff. No personnel are allowed to leave the campus of Facility-57, and are to blindfolded when traveling through the rest of the country. Due to their responsibilities entailing them leaving the site regularly, members of MTF Ni-13 are to undergo biweekly psychological evaluations and therapy designed to reduce feelings of connection to their surrounding environment, families, and colleagues, as well as a therapeutic regimen of low-grade Class-A amnestics.
[ADDITIONAL DATA REDACTED BY ORDER OF THE REGIONAL COUNCIL OF LATIN AMERICA TO PERSONNEL LEVEL LA/4875/3 AND HIGHER]
Description: SCP-4875 is a theorized inactive compulsive effect residing within 13% of the population of Latin American countries. The country with the highest range of affected subjects is Chile, at 65% of cases originating there, with 25% originating from surrounding nations and the remaining 10% distributed throughout the rest of South, Central, and North America. SCP-4875 is activated through strong feelings of nostalgia, connection, and melancholy, with strong brain activity in the inferior frontal gyrus, substantia nigra, and cerebellum. All subjects rate highly on the Affective Neuroscience Personality Scale, which measures a person’s tendency towards sadness, even if previous applications of the test showed that they did not rate highly.
Once sufficient brain activity occurs, subjects affected by SCP-4875 experience a compulsion to walk away from their position toward an indeterminate central point, estimated by Foundation mathematicians to be located in the Atacama Desert. Subjects also experience several failures in the parts of the brain that deal with perception and fight-or-flight response, often speaking and reacting in a similar way to each other. After a minumum of thirty minutes of travel, the subject spontaneously enters SCP-4875-1, still affected by SCP-4875. Should affected individuals be unable to move, they will enter SCP-4875-1 after a similar thirty minute period. Subjects who are able to move but do not are unable to enter SCP-4875-1; all subjects must voluntarily move or be unable to.
SCP-4875-1 is an extra-dimensional location of indefinite size, with geology and weather patterns resembling that of the Atacama Desert. Radio, internet and satellite communication do not penetrate SCP-4875-1. It has variable characteristics, the most common being massive topographical anomalies, inconsistent geometry, a sky displaying both unknown constellations and light green hue, and a large number of worn-down buildings and structures constructed from a iron, steel, and an unknown metallic material. Some of these structures roughly match patterns of buildings in the Chilean city of Santiago. Individuals affected by SCP-4875 do not seem to be alarmed by these characteristics, save an attitude of docility and mild curiosity due to the perceptive failures. Direct footage of SCP_4875-1 has a moderate memetic effect, occasionally triggering more cases of SCP-4875. [REDACTED].
Between three minutes to two hours of travel within SCP-4875-1, all items present on the affected subject (e.g. phones, cameras, wallets, currency, etc.) will return to their last location prior entering SCP-4875-1, with the exception of clothing. All subjects affected by SCP-4875 are irrecoverable, and do not remanifest at any point.
SCP-4875-2 is an unknown hostile entity residing within SCP-4875-1. It is presumed to be sapient.
[ADDITIONAL INFORMATION REDACTED BY ORDER OF THE REGIONAL COUNCIL OF LATIN AMERICA]
Addendum 1 - Discovery: SCP-4875 was discovered on 2011/08/31, following the disappearance of Argentinian high school student Luca █████████. A cellphone was recovered in a public park three miles away by his family containing a 5 minute, 33 second long recording of the interior of SCP-4875-1, transcribed below. The original video was uploaded by the subject’s family to YouTube, gaining 660,750 views and triggering approximately twelve more SCP-4875 cases.
[BEGIN LOG]
TRANSLATED FROM SPANISH:
[0:00]: (Camera shows a distant view of the park with benches and trees. The image bobs up and down, likely due to the subject walking.)
[0:10]: (Camera focuses on a distant view of several tall metallic structures protruding from sand dunes. They are in a state of bad disrepair. The view shudders and blurs briefly before stabilizing,)
[0:15]: And…we're here. Very well.
[0:20]: Y'know? This reminds me of those times when I went with Valentín to school. There always was this wind, and a lot of dust between the school and us. It was fun. We talked lots and… (Ten second pause. Camera blurs, and focuses down on some dust on the subject's shoes.) What a pity he's not here anymore, right? What a goddamn shame. Ah, not a day goes by that I don't miss that asshole. Playing football, and gaming, and…
[0:44]: (Camera looks up to the horizon again. A clearer view of the metallic structures can be seen. They are towers constructed from rusted steel with numerous windows. Several are clustered around each other, with the outermost appearing more heavily degraded than the central ones. They have a number of inscriptions and symbols engraved, some of which correspond with real world logos, some of which are unknown. Text seen consists of the “Lorem ipsum” placeholder text.)
[0:59]: This collar I have, this… (Camera points down around to show the chest of the subject, from which a necklace with a cross hangs. Notably, the left arm of the cross is broken.) This was his.
[1:13]: (The wind picks up, creating a small sandstorm.) Now is when the van would come, the yellow Vitara. (Subject stops. He holds out the necklace with his right hand in front of the camera.) It’s because of the impact. It crashed hard, and he, uh, well, he got to be the cheese in the sandwich, so to say…heh.
[1:51]: (Subject is close to a previously unseen metal cabin, supported around five meters above ground by metal pillars. The pillars are encircled by metal stairs, ending at the door of the cabin.)
[1:56:] I really don’t know why I’m thinking about these kinds of things.
[2:17]: (Subject walks up the stairs, and the wind dies down. Throughout the ascension, the camera views thirteen structures similar to the stilted cabin in the distance, all on a large flat plain leading to the base of a mesa or butte. The wind picks up again. When the camera focuses again on the cabin, a sheet of metal can be seen detaching from it and being carried away by the wind. The subject observes the cabin silently for around a minute.)
[3:39]: Solemnity… (Subject hangs the necklace from a doorknob in the cabin's door. The wind pulls it, but it stays in place. The camera abruptly ducks, and turns around to observe the dunes and towers in the other direction.) This place is nice. I could see myself living here, between the sand and metal. Between the ground and sword. Very nice. Valentín, very nice.
[4:12]: (Camera moves slightly, and a bigger metal tower can be seen from afar. It is wider than the others, and has a more heavily rusted appearance except for the very top which seems to shine intensely.)
[4:20]: (Subject throws himself from the stairs to the ground, and there is a loud wet crunch.)
[4:22]: (The camera focuses on a break in the subject’s leg, initially zooming on the bone protuding through the wound before looking at the blood pooling in the dirt. There is no audible reaction. After ten seconds camera swings around towards the shining structure. Subject begins slowly pulling himself upwards, and begins slowly limp-crawling towards the structure)
[4:23]: Gravedigger, gravedigger, release him from this earth, won’t you? Can I stay here for him? It would be a comfort.
[7:50]: (Subject continues limp-crawling until recording ends.)
[END LOG]
Addendum 2 - Incidents:
Date: ██/██/2015
Affected Subject: D-4220
Notes: After being questioned for signs of SCP-ES-███ infection, SCP-4875 was triggered in D-4220, a native of Chile. Recognizing SCP-4875 activation, D-4220 was given a high definition camcorder to record the event, to which D-4220 consented. A 1 hour, 12 minute, 59 second log was recovered.
[BEGIN LOG]
TRANSLATED FROM SPANISH:
[0:00]: (The video begins at a point outside Facility-57, roughly a thirty minute walk from the entrance. D-4220 begins walking towards an open field.)
[0:08: (A flat, rocky desert. An artificial rectangular structure can be seen from afar. Due to the distance between the structure and D-4220, other details cannot be interpreted.)
[0:11]: A cactus softens my fingertips with its skin. They have skin, yes?
[0:34]: (D-4220 walks towards the structure. The wind intensifies slightly. The terrain begins to show a marked inclination downwards towards the structure. This is believed to be a topographical anomaly. D-4220 begins descent.)
[12:45]: And the dunes… (D-4220 stops descending, and the recording focuses on the structure. Between it and the subject stand a number of dunes. There were no dunes present before.)
[23:55]: (As D-4220 summits a dune, a blurred figure can be seen. The recording zooms in on it, showing that it is humanoid, and covered in rags. The figure seems to be burying something. While D-4220 descends from the dune, the figure begins walking away at greater speed than D-4220. D-4220 begins to slowly chase it. After ten minutes of pursuit, the figure is too far away to be recorded by the camera. The structure is no longer visible.)
[46:25]: What a shame, getting away so much… It's not good to raise a son like that, and even less when one's mother dies so soon in the morning. Tsk-tsk.
[51:12]: (D-4220 summits another dune, and the structure is visible again. The recording then pans, showing that D-4220 is in a huge crater. Around the crater, thirteen squat rusty towers stand, their their tops shining intensely. They are markedly identical to the one in the initial video. Surrounding them are a sea of sand dunes. There is no trace of the rocky, flat landscape.)
[52:27]: Almost like home. Like when I brought Martín home and pushed him from the window. I always knew I did that because I missed mom and dad. They didn't hug me. (D-4220 keeps walking towards the structure.)
[57:23]: (The structure, now recognizable as a derelict, rusted building resembling a factory, is only a few meters away.)
[57:50]: Thirteeen monkeys dancing in the tree.
[58:12]: (D-4220 enters the structure. It is dark, illuminated only through skylights in the roof. There is no machinery, although outlines in the ground show that something was recently removed. A rusted pillar can be seen about ten meters away.)
[59:22]: Singing and praying, begging for rain, dying in thirst.
[1:05:00]: (D-4220 reaches the pillar. A metal plaque is engraved at the height of the camera, reading "Bárbara Castillo," and a key hangs from a small hook on the plaque. D-4220 examines the pillar.)
[1:07:14]: Each one singing, their hands in their ears, mouth and eyes, the childhood I lost… Yes, I accept the offer. Of course I do. What am I, a crazy person?
[1:07:20]: (A distorted shriek can be heard somewhere below the camera.)
[1:12:57]: And then when the lightning strikes the tree…!?
[1:12:59]: (There is a bright light, and a crashing impact is heard, immediately followed by high-pitched child-like laughter, The recording ends.)
[END LOG]
Childhood is the greatest gift. Taking it away from a child is crime.
I'll give them their childhood back. I'll allow them to live.
Date: ██/██/2015
Affected Subject: Dr. Martín Quintana
Notes: Dr. Quintana became affected by SCP-4875 sometime after the death of his father, Iván Pérez. Pérez was a political dissident during the Pinochet regime and escaped death on multiple occasions. A 43 minute, 50 second video log was recovered from a cellphone in his house, two days after the incident took place.
[BEGIN LOG]
TRANSLATED FROM SPANISH:
[0:00]: (The recording begins with a black screen, due to the camera being obstructed.)
[0:05]: [in English] I’m oh so glad I have my wits about me to record today.
[0:12]: (After twelve seconds from start, Dr. Quintana removes the obstruction, his hand, showing a desert plain. A large number of metal towers are dispersed throughout, mimicking the layout and architecture of the city center of Santiago. One in the distance appears to mimic the Torre Entel, a notable communications tower and landmark. A few buildings appears to have apparently broken in half. The towers show a number of windows, but the insides are too dark to observe.)
[0:17]: Ah, my city, my city where I was born…
[0:30]: (Subject walks between the towers. Some crevices and cracks can be seen in the ground, through which sand falls. Ten large cracks can be observed.)
[0:47]: Although I wasn't really born here. I was born afar, but I died later and was born here later, too late to be a kid, too soon to be a man. Bad times. They threw them from helicopters, right?
[1:13]: (The density of the buildings diminishes. The layout no longer resembles Santiago. Between two collapsed towers, a massive metal human hand of similar size to the buildings juts from the rock. It has thirteen fingers. It appears to be resting on top of a half-buried tower similar to those seen in the first recovered video. Dr. Quintana observes quietly for thirteen minutes.)
[13:21]: A hand of thirteen fingers offers me something. I take its hand, and accept its offer.
[13:30]: (The camera turns abruptly, and focuses on a particularly high building similar in construction to the Gran Torre Santiago skyscraper. After thirteen seconds, it collapses and crumbles, producing a massive cloud of dust. A large fissure opens in the ground as it falls. Half of the crumbled building remains on the sand, while the other half plunges into the fissure.)
[17:45]: (The voice of Dr. Quintana becomes agitated.) No, this is not my home. It's a home made for me. Lorem ipsum dolor sit amet… A home made for me. (Dr. Quintana walks towards the collapsed tower.)
[23:12]: (As Dr. Quintana reaches the structure, a huddled humanoid figure can be seen beside it.)
[24:17]: Mother why did you leave so soon? Couldn't you leave me my home? I would have built an altar for you to live. I know it wasn’t our choice, but…
[25:30]: (Dr. Quintana kneels in front of the figure. Long, blonde hair covers the figure's face, and it is now distinguishable as female.)
[25:47]: Perhaps…perhaps…perhaps… (The recording enters a hole in the rubble of the collapsed tower. The interior is identical to that of a train, entirely metallic.) There is no ten, all my ten is now dead.
[26:00]: (Dr. Quintana enters the tower through a window, and walks straight for ten minutes. The interior displays impossible geometry and seems to have elongated.)
[36:34]: Wait, what the fuck? My house, where's my house? My house! (Dr. Quintana attempts to run in the opposite direction, towards the entrance.) This is not my house! Where is this place?!
[37:43]: Deals cannot be undone.9
[38:00]: (Dr. Quintana briefly screams. There is a distorted, guttural scream from somewhere off camera. The camera falls to the ground. There is a brief liquid dribble followed by a wet snap.)
[38:13]: (Recording ends.)
[END LOG]
Addendum 3 - Recovered Recording:
Recovered 13/9/16. Found on the phone of Julián Barbas, age thirteen. Important, be very careful. This is much worse than we thought. Was Julián always thirteen? It’s spreading. We didn’t think it was memetic, but any of us could be infected. Anyone in Latin America could be walking into this thing’s maw. Again, I repeat this. Was the boy always thirteen?!
[BEGIN LOG]
[0:07]
[0:00]: (Log begins in the ruins of a building. The camera turns gradually to show the outside of what seems to be a metallic school. Around the school are a number of collapsed buildings made of metal bricks. This is the only known instance of SCP-4875-1 that is not a desert, being instead akin to an abandoned city.)
[0:13]: (The camera points up, focusing on the sun, which is at high noon. This is the first recording of SCP-4875 in which a light source is visible. The sun is dim against the greenish sky, so the constellations are still visible.)
[0:31]: (A high pitched, distorted voice speaks. It is unknown who it belongs to, but it does not seem to be the affected subject speaking.) Come, get closer.
[1:13]: (The subject walks towards the school. As they do, the sunlight becomes pink and dimmer, as if the sun was setting.)
[1:30]: Because it's what I want to do. Give everyone what they deserve.
[2:13]: (The subject enters the school. The interior is identical to Facility-13.10 The subject continues walking through the halls.)
[2:15]
[2:26]: (The camera focuses on the open door of a women’s bathroom, at the end of a hall.) I like rewarding those that put effort into accomplishing things. (The voice begins to snicker, and then laughs. It originates from an unknown point ahead of the subject. They walk towards the bathroom. The hall seems to elongate as they walk.)
[3:00]: (The subject stops and looks inside the bathroom. The interior is metallic and rusted. Three cubicles are on the right, with toilets in them. Only one of the cubicles has a door, it being intact, seemingly clean and rust-free.)
[3:05]: (The subject begins opening the intact door, very slowly.)
[3:10]: I offer you a special deal.
[3:11]: (The recording stops.)
[END LOG]
Item #: SCP-XXXX
Object Class: Euclid
Special Containment Procedures: SCP-XXXX is to be kept in an aquatic specimen tank without a lid. This tank is to be kept in the middle of an 27 meter containment chamber and provided with ample light. Tank environment is to be furnished with animal and plant life appropriate to the continental shelf of Queensland, Australia. SCP-XXXX is to be fed a diet of benthic crustaceans and mollusks appropriate to the region and the tank is to be cleaned and maintained by two C-Class personnel.
No personnel assigned to SCP-XXXX are to have a history of violent, racist or depraved behavior. All personnel at Site-140 are to undergo mandatory meditative sessions at least twice daily and subjected to mandatory evaluations by the onsite psychologist following an interaction with SCP-XXXX or a Roth event. It is recommended that all personnel have at least a basic knowledge of 1970s and 1980s exploitation films across a variety of genres.
All non-anomalous clothes generated by a Roth event are allowed to be kept in a storage closet at Site-140. Any anomalous blood and viscera generated by a Roth event are to be stored in secure containers in Site-140's medical wing. Blood sufficiently generated from a Roth event has been approved for use in on-site blood transfusion in the medical wing. Several biohazard containers have been placed in SCP-XXXX's containment chamber to collect said blood should a Roth event arise.
As of ██/██/2015 SCP-XXX has requested access to a biography of American actor Charles Bronson. Despite approval from Site-140's psychologist, request was denied due to security concerns.
Description: SCP-XXXX is a Pale Tropical Skate (Dipturus apricus) of the type endemic to northeastern Australia. SCP-XXXX is able to breath air through a rudimentary set of lungs, in addition to possessing a mammalian vocal chord system trough which it can communicate. SCP-XXXX is sapient, and claims to be American filmmaker and historian Quentin Tarantino, noted director of action films and crime dramas1.
SCP-XXXX's knowledge and speech patterns match that of Mr. Tarantino, with SCP-XXXX displaying accurate memories of growing up in Torrance, California, working as a video store clerk and shooting several films. However, several of SCP-XXXX's statements correspond with no known events in the life of Tarantino; SCP-XXXX claims to be ██ years older than Tarantino and reports that it has recently retired from filmmaking to become an author. In addition, it reports that its last film depicted the assassination of President Lincoln by his vice president during the invasion of America by [REDACTED], but no records or copies of such a film exist.
SCP-XXXX occasionally exhibits a mild reality-warping effect which causes individuals within a 27 meter range of it to undergo a Roth event. During a Roth event, individuals will experience a higher proclivity towards violence and racial prejudice, regardless of earlier beliefs. Individuals who already shared these characteristics will find their violent tendencies multiplied, and will become extremely hostile. All affected share an impulse to engage in extreme acts of violence towards each other and those outside the Roth event range. These extreme acts can generate anomalously excessive amounts of blood and viscera from minor injuries perpetrated, more so than is normal for these injuries. Personnel who survive these events often report severe injuries and major psychological trauma. SCP-XXXX often shows extreme distress and/or pleasure during a Roth event. Psychological review pending.
Individuals’ clothes will often morph during a Roth event, becoming costumes from a variety of eras. The most common costume has been a simple black suit and black pants, though costumes observed have included:
▪ Yellow and maroon suits, with wide ties, ankle-length suede coats, and fedoras.2
▪ American and German military uniforms from World War II
▪ White karategi and judogi
▪ Stereotypical cowboy costumes
▪ Filthy, torn trenchcoats, often bloodstained.
▪ [REDACTED]
These costumes seem to have no anomalous properties of their own outside of a Roth event and match fabrics and designs dating to to their respective decades. Any blood and viscera also seem to be of average human origin, matching the person they originated from.
Approximately █% of times during a Roth event an entity, designated SCP-XXXX-A will manifest during the ensuing melee. This entity seems to be a human female of African descent, who bares a resemblance to American actor Pam Grier. SCP-XXXX-A often manifests in a revealing outfit and bare feet, and carries two weapons resembling Smith & Wesson .44 Magnum revolvers. SCP-XXXX-A is extremely protective towards SCP-XXXX, and will protect SCP-XXXX's tank from being damaged before vanishing at the end of the Roth event. So far SCP-XXXX-A has not made any attempts to vocalize.
Mr. Tarantino was contacted by Foundation agents but had no knowledge of either SCP-XXXX nor any Roth events, although he stated that the situation reminded him of a horror film he had just watched and expressed a desire to meet SCP-XXXX-A. He was administered Class-B amnestics and released. When SCP-XXXX was informed of this, he simply said "yeah, that sounds like something I would do," but wouldn't elaborate. SCP-XXXX has not expressed distress at its form recently, although it mentions it finds its' marine diet to be tiresome3.
Addendum-1:
SCP-XXXX was recovered off the coast of ████████████, Queensland, Australia when local authorities reported a large green flash and sonic booms over the Great Barrier Reef. Personnel stationed at Site-140 nearby noticed the Kant counters used in the containment of SCP-████ were recording a level of .6 Humes, despite no activity from SCP-████. MTF-υ-32 ("The Cars That Ate Paris") were sent to investigate the surrounding area for the disturbance. A large crater was found in the middle of the seabed off ██████ Island, a popular tourist site. Approximately ██% of local marine life was found dead, although SCP-XXXX was found swimming erratically around the rubble, vocalizing it's distress. Civilians were evacuated and SCP-XXXX was contained.
This interview was conducted at Site-140 shortly following SCP-XXXX's containment.
Interviewed: SCP-XXXX
Interviewer: Dr. F████ Kephart.
<Begin Log, 06:01:36>
Dr. Kephart: So, you are Quentin Jerome Tarantino?
SCP-XXXX: Yes, I'm Quentin Tarantino, now fucking let me out of this tank! I'm a major Hollywood director and you can't do this shit to people! What happened to me?! Why can't I see correctly?
Dr. Kephart: You were transformed through an unknown process. SCP-XXXX, can you answer my questions please? I will explain everything. How did you come to believe you were Quentin Tarantino?
SCP-XXXX: I! Am! Tarantino! I am! I directed ten critically acclaimed films, I wrote several books on the history of film, I adore 1970s music, How much more do you want to know? All I know is, I was visiting this island to snorkel during my trip to Australia and the next thing I know is I'm rocketing around underwater.
Dr. Kephart: Why did you visit Australia?
SCP-XXXX: I was visiting Sydney to give the eulogy for my good friend George Miller and honor his work4 and I was taking some time off to sightsee. I flew up here to see the reefs before the [DATA EXPUNGED] army destroyed them. Before their generals ripped them and made them whole again. God, I wanted to film them so bad. And I did, you know.
Dr. Kephart: In [REDACTED], your last movie?
SCP-XXXX: Yeah, back when they were stopped by the Union and Confederate armies. But they just kept coming back, you know? All that violence, it's so interesting. I'm actually thankful that they let me make this. They normally hate cinema. Just last month they [DATA EXPUNGED] Spielberg before the Academy voters. But you remember this of course, right? Could you please tell me what happened to me now?
Dr. Kephart: Pretend I'm an idiot. Who is this army?
SCP-XXXX: Fine. [DATA EXPUNGED], okay? It's the [DATA EXPUNGED].
Dr. Kephart: I see.
SCP-XXXX: Yep.
(SCP-XXXX is silent for roughly 8 minutes, swimming around its tank.)
SCP-XXXX: (quietly) I'm a fish aren't I? I am a fucking fish in a fucking tank. It was that thing. The thing the army had. I had seen it on the news, so tall. And covered in [DATA EXPUNGED].
Dr. Kephart: SCP-████?
SCP-XXXX: Whatever you want to call it is fine. Don't think it ever had a name, really. I remember people screaming on the beach. A roar. They must have let it loose or some shit. You know what it can do to…things.
Dr. Kephart: I am aware. Thank you, SCP-XXXX for answering honestly. If you'd like, we can have an onsite psychologist give you a profile. I understand this must be tough.
(SCP-XXXX is silent for 1.5 minutes.)
SCP-XXXX: Sure, go ahead.
<End Log, 06:14:41>
Closing Statement: SCP-XXXX remained morose for three days and would not communicate, though it has seemingly improved since then. Dr. Kephart theorizes that, based on the information it provided, SCP-XXXX originated in an alternate universe where the [DATA EXPUNGED] reached the 21st century, but have held limited power since the mid 1800s. The information provided by SCP-XXXX has been vital in new containment procedures for SCP-████ as well as several other reality-bending entities.






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