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Item #: SCP-XXXX

Object Class: Keter

Special Containment Procedures: SCP-XXXX is currently only partially contained.

SCP-XXXX has two containment procedures (A and B). As of November 2018, containment procedure A is currently in effect. Procedure B is only to be initiated with the approval of the Ethics Committee.

Containment procedure A consists of standard Class-C memetic hazard prevention procedures. Web and culture sweepers are to search biweekly for the publication (official or unofficial) of any number of fictitious stories, delivered through any number of different mediums - including but not limited to: prose writing, poetry, visual art, theater, sculpture, film, and especially audiovisual storytelling -, sharing one or more characters or other unique elements which, when consumed as a set, match at least three of the criteria outlined in Dr. Willow's SCP-XXXX recognition and definition guide.

Any such set of stories are to be scrubbed from online sources, while any in-person presentation is to be allowed to continue, though any print publications are to be shut down discreetly. The objective of intervention is only to disrupt the consumption of relevant stories as a set: as such, it is acceptable for single stories (in any form) to continue to be accessible, so long as the cohesiveness of the relevant set of stories is disrupted.

Containment procedure A is not to be initiated on sets of stories directly or tangentially related to the indigenous American mythological character of Coyote, so long as those sets are primarily consumed as a group only on native American reservations.

Containment procedure B consists of standard Class-B memetic hazard prevention procedures, including their use on story-sets primarily existing on indigenous American reservations. Procedure B is only to initiated with the approval of the Ethics Committee, due to the cultural suppression necessary for it to be effective. Once initiated, procedure B is to be ended after approval from the project director, who is not to end or downgrade the procedure until SCP-XXXX has been neutralized. SCP-XXXX is not to be bargained with during this time; procedure B is to be a final resort.

Neutralization of the Group Of Interest known as the "Chaos Insurgency" is also encouraged as an additional containment measure.

Description: SCP-XXXX is a semi-sentient set of traditional and non-traditional cultural stories about the indigenous American mythological character "Coyote", whose meta-narrative characteristics mirror that of the character described.

The foremost of these characteristics is "being hard to pin down", as Doctor American Horse puts it. This presents an obvious problem for containing SCP-XXXX, but also for defining it.

Coyote is often a shapeshifter, and it is known that (as of July 2007 at the latest) SCP-XXXX can propagate itself through other media besides traditional storytelling, as well as stories not centered around Coyote (so long as the set of stories related to it share the other traits of SCP-XXXX).

Other definitive traits of SCP-XXXX story-sets are:
-Predictable Trickery: SCP-XXXX stories utilize dramatic irony heavily.
-Viscera: descriptions of gore, removal and exchanging of body parts, feces
-Bodily Transformation: shapeshifting, but also forcible transformation of others
-Sexual Humor: cuckoldry, phallic humor, and rape
-Subversion of Undeserving Authority: notably distinct from distain for authority
-Revivification: it is not so hard to come back from death (at least for some)

It should be noted that the "Coyote-Set" is most probably a separate anomaly from any other corporeal anomalies claiming to be the mythical character of "Coyote", though whether or not SCP-XXXX and other anomalies related to its subject matter are or have been in contact or whether SCP-XXXX is the result of action by another anomaly is still unknown.

Whether SCP-XXXX is fundamentally altered through narrative shapeshifting to propagate into more modern media, or if its fundamental characteristics remain unchanged by cultural developments and trends in media it abides in, is unknown.

History

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