/* source: http://ah-sandbox.wikidot.com/component:collapsible-sidebar-x1 */ #top-bar .open-menu a { position: fixed; top: 0.5em; left: 0.5em; z-index: 5; font-family: 'Nanum Gothic', san-serif; font-size: 30px; font-weight: 700; width: 30px; height: 30px; line-height: 0.9em; text-align: center; border: 0.2em solid #888; background-color: #fff; border-radius: 3em; color: #888; } @media (min-width: 768px) { #top-bar .mobile-top-bar { display: block; } #top-bar .mobile-top-bar li { display: none; } #main-content { max-width: 708px; margin: 0 auto; padding: 0; transition: max-width 0.2s ease-in-out; } #side-bar { display: block; position: fixed; top: 0; left: -20em; width: 17.75em; height: 100%; margin: 0; overflow-y: auto; z-index: 10; padding: 1em 1em 0 1em; background-color: rgba(0,0,0,0.1); transition: left 0.4s ease-in-out; scrollbar-width: thin; } #side-bar:target { left: 0; } #side-bar:focus-within:not(:target) { left: 0; } #side-bar:target .close-menu { display: block; position: fixed; width: 100%; height: 100%; top: 0; left: 0; margin-left: 19.75em; opacity: 0; z-index: -1; visibility: visible; } #side-bar:not(:target) .close-menu { display: none; } #top-bar .open-menu a:hover { text-decoration: none; } /* FIREFOX-SPECIFIC COMPATIBILITY METHOD */ @supports (-moz-appearance:none) { #top-bar .open-menu a { pointer-events: none; } #side-bar:not(:target) .close-menu { display: block; pointer-events: none; user-select: none; } /* This pseudo-element is meant to overlay the regular sidebar button so the fixed positioning (top, left, right and/or bottom) has to match */ #side-bar .close-menu::before { content: ""; position: fixed; z-index: 5; display: block; top: 0.5em; left: 0.5em; border: 0.2em solid transparent; width: 30px; height: 30px; font-size: 30px; line-height: 0.9em; pointer-events: all; cursor: pointer; } #side-bar:focus-within { left: 0; } #side-bar:focus-within .close-menu::before { pointer-events: none; } } }
/* BASALT Theme [2021 Wikidot Theme] By Liryn & Placeholder McD Based on: Paperstack Theme by EstrellaYoshte Minimal Theme by Stormbreath BLANKSTYLE CSS by Placeholder McD & HarryBlank PLACESTYLE CSS by Placeholder McD Simple Yonder Theme by EstrellaYoshte Tab animation by Croquembouche */ @import url('https://fonts.googleapis.com/css2?family=Work+Sans:ital,wght@0,100;0,200;0,300;0,400;0,500;0,600;0,700;0,800;0,900;1,100;1,200;1,300;1,400;1,500;1,600;1,700;1,800;1,900&display=swap'); @import url('https://fonts.googleapis.com/css2?family=Roboto:ital,wght@0,100;0,300;0,400;0,500;0,700;0,900;1,100;1,300;1,400;1,500;1,700;1,900&display=swap'); @import url('https://fonts.googleapis.com/css2?family=Fira+Code:wght@300;400;500;600;700&display=swap'); @import url('https://fonts.googleapis.com/css2?family=Inter:wght@100;200;300;400;500;600;700;800;900&display=swap'); @import url('https://fonts.googleapis.com/css2?family=Inter:wght@100;200;300;400;500;600;700;800;900&display=swap'); /* MAIN */ /* ======================= */ :root { --title: " SCP FOUNDATION"; --subtitle: " SECURE • CONTAIN • PROTECT"; --barColour: rgb(20, 20, 20); --fnColor: rgb(15, 15, 15); --fnLinger: 1s; --logo: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/basalt_logotype_black.png); --sidelogo: var(--logo); --sidesubtitle: var(--subtitle); --utilcolor: #FFF; --antiutilcolor: rgb(20, 20, 20); } body { background: rgb(255, 255, 255); font-family: 'Inter', sans-serif; } #main-content { top: -2.8rem; } #container-wrap-wrap { overflow-x: hidden; } /* ======================= */ /* HEADER & TOPBAR */ /* ======================= */ #extra-div-1 { z-index: 9; position: fixed; top: 0; left: 0; width: 1000vw; height: 5rem; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.3); background: white; } #extra-div-2 { z-index: 9; position: fixed; top: 0; left: 0; width: 1000vw; height: 5rem; } #extra-div-1::before { content: var(--title); position: fixed; left: 8.5rem; top: 0.7rem; color: black; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 27.45px; animation: slideLeft 1s; transition-duration: 0.3s; transition-property: transform; transform: translateZ(0); } #extra-div-2::before { content: var(--subtitle); position: fixed; font-size: 1.22em; left: 8.5rem; top: 2.5rem; color: #272842; font-family: 'Work Sans', sans-serif; font-weight: 700; animation: slideLeft 1s; } #u-header-link { display: block; position: fixed; top: 0.6rem; left: 8.3rem; height: 3.5rem; width: 15.7rem; z-index: 21; } .logo { z-index: 10; position: fixed; width: 4.5rem; height: 4.5rem; top: 0.2rem; left: 3.6rem; transition-duration: 0.3s; transition-property: transform; transform: translateZ(0); animation: slideLeft 1s; background-image: var(--logo); background-size: contain; background-repeat: no-repeat; background-position: center; } .logo:hover { transform: rotate(348deg); } #header { height: 5rem; } #header h1, #header h2 { display: none; } #top-bar { position: fixed; align-items: stretch; display: flex; flex-direction: row; justify-content: flex-start; text-transform: uppercase; font-family: 'Work Sans', sans-serif; font-weight: 800; animation: slideLeft 1s; top: 1.7rem; max-width: 50rem; min-width: 8rem; font-size: 90%; font-weight: 800; left: 25.4rem; } #top-bar div.open-menu a { display: none; } #top-bar ul { float: left; } #top-bar ul li ul { border: none; } #top-bar ul li.sfhover ul li a, #top-bar ul li:hover ul li a { background-color: #F4F4F4; } #top-bar ul li>a { border: none; } #top-bar a { filter: grayscale(100%) saturate(0%); -webkit-filter: grayscale(100%) saturate(0%); } #top-bar ul li.sfhover a:hover, #top-bar ul li:hover a:hover { background: #F4F4F4; } #top-bar ul li.sfhover a, #top-bar ul li:hover a { border: none; } #top-bar ul li>a { transition-duration: 0.3s; transition-property: transform; transform: translateZ(0); } #top-bar ul li>a:hover { transform: translate(0px, -3px); border: none; } #top-bar ul li ul li>a:hover { animation: none; } @keyframes translateTop { 0% { opacity: 1; } 100% { transform: translate(0px, -3px); } } @keyframes slideLeft { 0% { transform: translate(-200px, 0px); opacity: 0; } 100% { opacity: 1; } } @keyframes tilt { 0% { opacity: 1; } 100% { transform: rotate(360deg); } } #login-status { position: fixed; top: 0.65rem; right: 2rem; width: fit-content; font-size: 0.78em; text-align: center; color: transparent; } #login-status > a > strong { margin-right: 0.7rem; font-size: 0.7rem; } #login-status > span { color: #333; font-family: 'Work Sans', sans-serif; font-weight: 700; } #login-status span.printuser img { font-size: 0; transform: translate(6px, 5px); } #login-status a#my-account { display: none; } #account-topbutton { border: none; margin-left: -0.25rem; } div#search-top-box { width: 2rem; position: fixed; top: 0.76rem; right: 0.2rem; z-index: 21; } #search-top-box-input { display: none; } #search-top-box-form>input[type=submit], #search-top-box-form>input[type=submit]:hover, #search-top-box-form>input[type=submit]:focus, #search-top-box-form>input[type=submit]:target { background: url("data:image/svg+xml,%3Csvg%20xmlns%3D%22http%3A%2F%2Fwww.w3.org%2F2000%2Fsvg%22%20viewBox%3D%220%200%20512%20512%22%3E%3Cpath%20fill%3D%22%23ddd%22%20d%3D%22M505%20442.7L405.3%20343c-4.5-4.5-10.6-7-17-7H372c27.6-35.3%2044-79.7%2044-128C416%2093.1%20322.9%200%20208%200S0%2093.1%200%20208s93.1%20208%20208%20208c48.3%200%2092.7-16.4%20128-44v16.3c0%206.4%202.5%2012.5%207%2017l99.7%2099.7c9.4%209.4%2024.6%209.4%2033.9%200l28.3-28.3c9.4-9.4%209.4-24.6.1-34zM208%20336c-70.7%200-128-57.2-128-128%200-70.7%2057.2-128%20128-128%2070.7%200%20128%2057.2%20128%20128%200%2070.7-57.2%20128-128%20128z%22%2F%3E%3C%2Fsvg%3E") 50%/0.8rem no-repeat, #000 !important; border: none; border-radius: 30%; font-size: 0; height: 1.2rem; width: 1.2rem; margin-top: 0.2rem; } .mobile-top-bar { left: unset; } /* ======================= */ /* SIDEBAR */ /* ======================= */ #u-sb-button { display: block; position: fixed; top: 0.5rem; left: 0.9rem; height: 4rem; width: 45px; color: black; font-family: 'Work Sans', sans-serif; font-weight: 300; font-size: 2.5rem; text-decoration: none !important; z-index: 21; transition-duration: 0.3s; transition-property: transform; transform: translateZ(0); animation: slideLeft 1s; } #u-sb-button:hover { font-weight: 900; } #side-bar { box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.3); background: linear-gradient( 0deg, rgba(255, 255, 255, 1) 87%, rgba(250, 250, 250, 1) 100%); text-transform: uppercase; font-family: 'Work Sans', sans-serif; font-weight: 400 !important; overflow-x: hidden; } #side-bar::before { content: var(--sidesubtitle); background: var(--sidelogo); background-size: 4.5rem; background-repeat: no-repeat; background-position: top center; padding-bottom: 0.3rem; padding-top: 4.7rem; display: inline-block; border-bottom: double 5px black; font-family: 'Work Sans', sans-serif; font-weight: 800; text-align: center; margin-right: auto; margin-left: auto; width: 100%; text-transform: none; } #side-bar, #side-bar:target { z-index: 22; } #side-bar a { color: black; } #side-bar a:visited { color: black; } #side-bar img, iframe.scpnet-interwiki-frame { filter: grayscale(100%) saturate(0%); -webkit-filter: grayscale(100%) saturate(0%); } #side-bar .side-block { background: linear-gradient(180deg, rgba(255, 255, 255, 1) 0%, rgba(246, 246, 246, 1) 100%); border-color: transparent; border-radius: 0px; } #side-bar .side-block.media { background-color: white; border-bottom: solid 2px rgb(190, 190, 190); border-top: solid 2px rgb(190, 190, 190); margin-top: 1rem; } #side-bar .heading { color: black; border-bottom: solid 1px black; text-transform: uppercase; font-family: 'Work Sans', sans-serif; font-weight: 800; } #side-bar .collapsible-block-folded { background-image: url(https://scp-wiki.wdfiles.com/local--files/theme%3Aminimal/expand.png); } #side-bar .collapsible-block-unfolded-link { border-bottom: solid 1px black; } #side-bar .collapsible-block-unfolded-link .collapsible-block-link, #side-bar .collapsible-block-unfolded-link .collapsible-block-link:hover { color: black; } /* ======================= */ /* TABS */ /* ======================= */ ul.yui-nav a { font-family: 'Work Sans', sans-serif; padding: 3.5px; color: white; font-weight: 600; } .yui-navset .yui-nav .selected, .yui-navset .yui-navset-top .yui-nav .selected, .yui-navset .yui-nav a:hover, yui-navset .yui-nav a:active { color: white; background-color: black; } .yui-navset .yui-nav, .yui-navset .yui-navset-top .yui-nav { border: none; border-bottom: dotted 1px grey; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.3); } .yui-navset .yui-content>div { display: block; top: 0; overflow: hidden; transform-origin: 0 0; } .yui-navset-top a { transition-property: background, background-color; transition-duration: 0.2s; } /* Tab animation by Croquembouche */ /*---------------------------------------------*/ #page-content .yui-navset .yui-content>div[style*="none"] { display: block !important; flex: 0; max-height: 0; padding: 0 0.5em; border-width: 0; /* The following transition affects the one that DISAPPEARS */ transition: padding 0s linear 0.5s, border-width 0s linear 0.5s, flex 0.5s cubic-bezier(.18, .51, .54, .9) 0s; animation: tab-disappear 0.5s ease-in-out 0s 1 both; } #page-content .yui-navset .yui-content>div[style*="block"] { display: block !important; flex: 1; max-height: 9999rem; /* The following transition affects the one that APPEARS */ transition: padding 0s linear 0.5s, border-width 0s linear 0.5s, flex 0.5s cubic-bezier(.18, .51, .54, .9) 0.5s; animation: tab-appear 0.5s ease-in-out 0.5s 1 both; } @keyframes tab-disappear { 0% { max-height: 9999rem; } 1% { max-height: 100vh; } 100% { max-height: 0; } } @keyframes tab-appear { 0% { max-height: 0; } 99% { max-height: 100vh; } 100% { max-height: 9999rem; } } /*---------------------------------------------*/ .yui-navset .yui-content { background: transparent; box-shadow: none; border-bottom: dotted 4px grey; } /* ======================= */ /* TAGS */ /* ======================= */ #main-content .page-tags a { line-height: inherit; background-color: rgb(20, 20, 20); border-radius: 2px 6px; color: white; font-family: 'Work Sans', sans-serif; font-weight: 500; } .page-tags span { border-top: none; } /* ======================= */ /* CONTENT */ /* ======================= */ h1, h2, h3, h4, h5, h6 { font-family: 'Work Sans', sans-serif; font-weight: 800; text-transform: uppercase; color: black; letter-spacing: unset; } .top-left-box>.item { display: none; } hr { background-color: #333; } .info-container { padding-bottom: 8px } /* CONTENT > CUSTOM DIVS */ /* ======================= */ .document { background: white; box-shadow: 0 0 10px rgba(0, 0, 0, 0.3); margin: 26px auto 0; max-width: 550px; min-height: 300px; padding: 24px; padding-top: 50px; position: relative; width: 80%; } .document:before, .document:after { content: ""; height: 98%; position: absolute; width: 100%; z-index: -1; } .document:before { background: #fafafa; box-shadow: 0 0 8px rgba(0, 0, 0, 0.2); left: -5px; top: 4px; transform: rotate(-2.5deg); } .document:after { background: #f6f6f6; box-shadow: 0 0 3px rgba(0, 0, 0, 0.2); right: -3px; top: 1px; transform: rotate(1.4deg); } .darkdocument { background: rgb(30, 30, 30); box-shadow: 0 0 10px rgba(0, 0, 0, 0.3); margin: 26px auto 0; max-width: 550px; min-height: 300px; padding: 24px; padding-top: 50px; position: relative; width: 80%; color: #EDEDED; } .darkdocument:before, .darkdocument:after { content: ""; height: 98%; position: absolute; width: 100%; z-index: -1; } .darkdocument:before { background: rgb(25, 25, 25); box-shadow: 0 0 8px rgba(0, 0, 0, 0.2); left: -5px; top: 4px; transform: rotate(-2.5deg); } .darkdocument:after { background: rgb(25, 25, 25); box-shadow: 0 0 3px rgba(0, 0, 0, 0.2); right: -3px; top: 1px; transform: rotate(1.4deg); } .notation { border-left: solid 3px rgb(30, 30, 30); border-right: solid 3px rgb(30, 30, 30); padding: 25px 25px 25px 25px; box-shadow: 0px 0px 3px rgba(0, 0, 0, 0.3); width: 75%; margin: auto; background: #f7f7f7; } .modal { padding: 15px 15px 15px 15px; box-shadow: 0px 0px 3px rgba(0, 0, 0, 0.3); width: auto; margin: auto; background: rgb(253, 253, 253); border: solid 2px #5D5D5D; } .smallmodal { padding: 15px 15px 15px 15px; box-shadow: 0px 0px 3px rgba(0, 0, 0, 0.3); width: 75%; margin: auto; background: rgb(253, 253, 253); border: solid 2px #5D5D5D; } .jotting { padding: 5px 10px 5px 10px; box-shadow: 0px 0px 3px rgba(0, 0, 0, 0.3); width: 75%; margin: auto; background: #FDFDFD; border: dashed 0.1rem #5D5D5D; } .transcript { padding: 10px 10px 10px 10px; box-shadow: 0px 0px 3px rgba(0, 0, 0, 0.3); width: 80%; margin: auto; background: rgb(253, 253, 253); border: dotted 1px #5D5D5D; border-radius: 10px; } .papernote { background-color: #eaeeef; color: #21252E !important; padding: 0.1rem 0.5rem 0.5rem 0.5rem; box-shadow: 1px 1px 3px 2px rgb(0 0 0 / 30%); margin: auto; width: 65%; } .raisa_memo { background: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/RAISA_LIGHTLOGO.png) #fff3ad; background-size: contain; background-position: top center; background-repeat: no-repeat; font-family: 'Work Sans', sans-serif; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.5); width: 90%; min-height: 4rem; max-height: 100rem; margin-left: auto; margin-right: auto; text-align: center; padding: 10px 20px 20px 20px; word-break: break-word; } .raisa_memo>p:nth-child(1)::before { content: "NOTICE FROM THE RECORDS AND INFORMATION SECURITY ADMINISTRATION\00000a"; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 130%; text-align: center; margin-bottom: 1rem; padding-bottom: 0.3rem; border-bottom: dotted 0.13rem darkslategrey; max-width: 49rem; margin-left: auto; margin-right: auto; display: flex; flex-direction: column; align-content: stretch; align-items: center; } .classification_memo { background: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/CLASSIFICATION_LIGHTLOGO.png) #edf5f3; background-size: contain; background-position: top center; background-repeat: no-repeat; font-family: 'Work Sans', sans-serif; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.5); width: 90%; min-height: 4rem; max-height: 100rem; margin-left: auto; margin-right: auto; text-align: center; padding: 10px 20px 20px 20px; word-break: break-word; } .classification_memo>p:nth-child(1)::before { content: "CLASSIFICATION COMMITTEE MEMORANDUM\00000a"; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 130%; text-align: center; margin-bottom: 1rem; padding-bottom: 0.3rem; border-bottom: dotted 0.13rem darkslategrey; max-width: 49rem; margin-left: auto; margin-right: auto; display: flex; flex-direction: column; align-content: stretch; align-items: center; } .ettra_memo { background: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/ETTRA_LIGHTLOGO.png) #f5d7d7; background-size: contain; background-position: top center; background-repeat: no-repeat; font-family: 'Work Sans', sans-serif; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.5); width: 90%; min-height: 4rem; max-height: 100rem; margin-left: auto; margin-right: auto; text-align: center; padding: 10px 20px 20px 20px; word-break: break-word; } .ettra_memo>p:nth-child(1)::before { content: "NOTICE FROM THE EMERGENT THREAT TACTICAL RESPONSE AUTHORITY\00000a"; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 130%; text-align: center; margin-bottom: 1rem; padding-bottom: 0.3rem; border-bottom: dotted 0.13rem darkslategrey; max-width: 49rem; margin-left: auto; margin-right: auto; display: flex; flex-direction: column; align-content: stretch; align-items: center; } .ethics_memo { background: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/ETHICS_LIGHTLOGO.png) #ffdbc4; background-size: contain; background-position: top center; background-repeat: no-repeat; font-family: 'Work Sans', sans-serif; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.5); width: 90%; min-height: 4rem; max-height: 100rem; margin-left: auto; margin-right: auto; text-align: center; padding: 10px 20px 20px 20px; word-break: break-word; } .ethics_memo>p:nth-child(1)::before { content: "ETHICS COMMITTEE MEMORANDUM\00000a"; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 130%; text-align: center; margin-bottom: 1rem; padding-bottom: 0.3rem; border-bottom: dotted 0.13rem darkslategrey; max-width: 49rem; margin-left: auto; margin-right: auto; display: flex; flex-direction: column; align-content: stretch; align-items: center; } .temporal_memo { background: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/DELTA_T_LIGHTLOGO.png) #ffffff; background-size: contain; background-position: top center; background-repeat: no-repeat; font-family: 'Work Sans', sans-serif; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.16); border: double 3px lightgrey; width: 90%; min-height: 4rem; max-height: 100rem; margin-left: auto; margin-right: auto; text-align: center; padding: 10px 20px 20px 20px; word-break: break-word; } .temporal_memo>p:nth-child(1)::before { content: "THE TEMPORAL ANOMALIES DEPARTMENT\00000a"; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 130%; text-align: center; margin-bottom: 1rem; padding-bottom: 0.3rem; border-bottom: dotted 0.13rem darkslategrey; max-width: 49rem; margin-left: auto; margin-right: auto; display: flex; flex-direction: column; align-content: stretch; align-items: center; } .overwatch_memo { background: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/O5_LIGHTLOGO.png) #e3e3e3; background-size: contain; background-position: top center; background-repeat: no-repeat; font-family: 'Work Sans', sans-serif; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.5); width: 90%; min-height: 4rem; max-height: 100rem; margin-left: auto; margin-right: auto; text-align: center; padding: 10px 30px 20px 20px; word-break: break-word; } .overwatch_memo>p:nth-child(1)::before { content: "OVERWATCH COMMAND\00000a"; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 130%; text-align: center; margin-bottom: 1rem; padding-bottom: 0.55rem; border-bottom: dotted 0.13rem darkslategrey; max-width: 49rem; margin-left: auto; margin-right: auto; display: flex; flex-direction: column; align-content: stretch; align-items: center; } .miscomm_memo { background: url(https://scp-wiki.wikidot.com/local--files/theme:basalt/MISCOMM_LIGHTLOGO.png) #eeedfa; background-size: contain; background-position: top center; background-repeat: no-repeat; font-family: 'Work Sans', sans-serif; box-shadow: 0px 0px 5px rgba(0, 0, 0, 0.5); width: 90%; min-height: 4rem; max-height: 100rem; margin-left: auto; margin-right: auto; text-align: center; padding: 10px 30px 20px 20px; word-break: break-word; } .miscomm_memo>p:nth-child(1)::before { content: "NOTICE FROM THE DEPARTMENT OF MISCOMMUNICATIONS\00000a"; font-family: 'Work Sans', sans-serif; font-weight: 900; font-size: 130%; text-align: center; margin-bottom: 1rem; padding-bottom: 0.3rem; border-bottom: dotted 0.13rem darkslategrey; max-width: 49rem; margin-left: auto; margin-right: auto; display: flex; flex-direction: column; align-content: stretch; align-items: center; } .raisa_memo a, .temporal_memo a, .classification_memo a, .overwatch_memo a, .ettra_memo a, .ethics_memo a, .miscomm_memo a { font-weight: 700; } .bigtext { font-family: 'Work Sans', sans-serif; font-weight: 700; } .st { font-family: 'Work Sans', sans-serif; font-weight: 800; text-decoration: underline; } /* ======================= */ /* CONTENT > TABLES */ /* ======================= */ #page-content .wiki-content-table tr th { font-family: 'Work Sans', sans-serif; font-weight: 700; border: solid 1px #000; background-color: #aaa; } #page-content .wiki-content-table tr td { border: 1px #000 solid; } #page-content .table1 tr th { background-color: #D7EFE7; } #page-content .table1 .st { color: #D7EFE7; } #page-content .table2 tr th { background-color: #D8ECF4; } #page-content .table2 .st { color: #D8ECF4; } #page-content .table3 tr th { background-color: #FDF6D7; } #page-content .table3 .st { color: #FDF6D7; } #page-content .table4 tr th { background-color: #FFDABF; } #page-content .table4 .st { color: #FFDABF; } #page-content .table5 tr th { background-color: #F5D8E0; } #page-content .table5 .st { color: #F5D8E0; } #page-content .table6 tr th { background-color: rgba(146, 0, 255, 0.2); } #page-content .table6 .st { color: rgb(146, 0, 255); } .tableb .wiki-content-table { border-collapse: separate; border-spacing: 5px; padding-left: -100px; } .table1 .scp-image-block .scp-image-caption { background-color: #D7EFE7; color: black; } .table2 .scp-image-block .scp-image-caption { background-color: #D8ECF4; color: black; } .table3 .scp-image-block .scp-image-caption { background-color: #FDF6D7; color: black; } .table4 .scp-image-block .scp-image-caption { background-color: #FFDABF; color: black; } .table5 .scp-image-block .scp-image-caption { background-color: #F5D8E0; color: black; } .table6 .scp-image-block .scp-image-caption { background-color: rgba(146, 0, 255, 0.2); color: black; } /* ======================= */ /* CONTENT > RATING MODULE */ /* ======================= */ .rate-points { color: black !important; font-family: 'Work Sans', sans-serif; font-weight: 700; text-transform: uppercase; border: none; font-size: 90%; } .page-rate-widget-box .rateup, .page-rate-widget-box .ratedown, .page-rate-widget-box .cancel, .page-rate-widget-box .rate-points { border: none; } /* ======================= */ /* CONTENT > IMAGE BLOCK */ /* ======================= */ .scp-image-block img { background: white; } .scp-image-block.block-right { margin: 0em 0em 1em 2em; } .scp-image-block.block-center { max-width: 99% !important; } .scp-image-block { border: none; box-shadow: none; } .scp-image-block .scp-image-caption { border-top: none !important; margin-top: 8px; background-color: #292929; color: #ffffff; } .scp-image-block img, .scp-image-block .scp-image-caption { outline: solid 1px #444; box-shadow: 0px 0px 5px #999999; } .scp-image-block .scp-image-caption p { font-size: 110%; font-family: 'Work Sans', sans-serif; } /* ======================= */ /* CONTENT > LINKS */ /* ======================= */ a { color: #0645AD; } a.newpage { color: #CC2200; } a:visited { color: #0B0080; } .danger-diamond a, .danger-diamond a::selection { color: transparent; background: none; } .scp-image-block .scp-image-caption a { color: #c5c5c5; } /* ======================= */ /* CONTENT > SCROLLBAR */ /* ======================= */ ::-webkit-scrollbar { cursor: pointer; border: none; } ::-webkit-scrollbar-thumb { background: black; cursor: pointer; } ::-webkit-scrollbar-thumb:hover { background: rgb(45, 45, 45); } ::-webkit-scrollbar-track { background: white; } /* ======================= */ /* CONTENT > COLLAPSIBLES */ /* ======================= */ a.collapsible-block-link { font-family: 'Work Sans', sans-serif; font-weight: 600; color: white; padding-top: 4px; padding-bottom: 4px; padding-left: 7px; padding-right: 9px; background: rgb(20, 20, 20); border-radius: 3px; margin-top: 10px; margin-bottom: 10px; } /* ======================= */ /* CONTENT > PAGE TITLE / BREADCRUMBS */ /* ======================= */ #page-title, .meta-title { display: block !important; font-family: 'Work Sans', sans-serif; font-weight: 700; color: #252525; border: none; margin-top: 3rem; } #breadcrumbs { text-transform: uppercase; color: grey; font-weight: 600; font-family: 'Work Sans', sans-serif; margin-top: -1.5rem; font-size: 90%; } /* ======================= */ /* CONTENT > BETTERFOOTNOTES INTEGRATION */ /* ======================= */ .fnnum:hover { background: transparent; transform: scale(1.3); } .fnnum { transition-duration: 0.2s; transition-property: transform; transform: translateZ(0); } .fnnum::after { color: #3f21ff !important; } .fnnum:hover::after { color: white !important; } .fncon { background: rgb(25, 25, 25) !important; color: #EDEDED; border: 0.15rem solid rgb(20, 20, 20); border-radius: 2px; font-size: 90%; } /* ======================= */ /* @MEDIA QUERIES / MOBILE FORMATTING */ /* ======================= */ @media only screen and (max-width: 600px) { .scp-image-block.block-right { float: none; margin: 10px auto; } } @media (min-width: 768px) { #header, #top-bar { width: calc(100% - 4.4rem); max-width: calc(100% - 4.4rem); } #main-content { max-width: 95%; } } @media (max-width: 1120px) { #top-bar { font-weight: 600; font-size: 80%; } } @media (max-width: 1020px) { #top-bar { top: 3.2rem; left: 7.8rem; } #extra-div-1::before { top: 0.3rem; } #extra-div-2::before { top: 1.9rem; } #u-header-link { height: 2.5rem; } .document, .darkdocument { width: 95%; } } @media (max-width: 767px) { .mobile-top-bar { display: flex; justify-content: flex-start; max-width: 100%; width: 100%; flex-direction: row; } } @media (max-width: 500px) { .logo { display: none; } #top-bar { left: 3.6rem; } #extra-div-1::before, #extra-div-2::before { left: 4.2rem; } #u-header-link { left: 4rem; } .document, .darkdocument { width: auto; } } @media (max-width: 560px) { #login-status span.printuser { font-size: 0; } } @media (max-width: 430px) { #extra-div-1::before { font-size: 23.45px; top: 0.5rem; } #extra-div-2::before { font-size: 1em; top: 2.1rem; } #u-header-link { width: 13.5rem; } #login-status { right: 1.8rem; } } /* ======================= */ /* MISC */ /* ======================= */ .avatar-hover { display: none !important; } ::selection { background-color: rgba(0, 0, 255, 0.7); color: white; } select { font-family: 'Work Sans', sans-serif; font-weight: 600; border: solid 2px grey; cursor: pointer; border-radius: 5px; } body.wait { cursor: wait; } body.wait * { cursor: auto; } input { font-size: 90%; font-family: 'Work Sans', sans-serif; font-weight: 600; } #action-area > p { font-size: 90%; font-weight: 500; } #action-area > h1 { font-size: 150%; } div.buttons input, input.button, button, file, a.button { margin: 0 2px; border: 2px solid grey; cursor: pointer; } #who-rated-page-area > h2 { display: none; } #who-rated-page-area>div { column-count: 4; } @media (max-width: 900px) { #who-rated-page-area>div { column-count: 3; } } @media (max-width: 700px) { #who-rated-page-area>div { column-count: 2; } } @media (max-width: 540px) { #who-rated-page-area>div { column-count: 1; } } .pager .current { border-style: solid; outline: solid 1px rgb(250, 250, 250); } .pager a, .pager .current { border-style: double; border-width: 3px; text-transform: uppercase; background: none; color: inherit; } .pager a:hover, .pager .current:hover { text-decoration: none; cursor: pointer; } .pager .target { font-weight: 800; } .w-container { font-family: 'Work Sans', sans-serif; font-weight: 700; border-style: double !important; border-width: 4px !important; margin: auto; width: 90%; margin-top: 1rem; margin-bottom: 1rem; } .s-cell { font-size: 1.25rem !important; } .anom-bar-container, .anom-bar-container * { font-family: 'Work Sans', sans-serif !important; font-weight: 700; } #page-content div.warning-box div.text-number, #page-content div.warning div.text-number { font-size: 140%; font-weight: 400; } #page-content div.warning-box strong, #page-content div.warning strong { font-weight: 700; } #page-content div.warning-box div.text-top, #page-content div.warning div.text-top { font-weight: 800; } #page-content div.warning-box, #page-content div.warning { font-family: 'Work Sans', sans-serif !important; font-weight: 500; } .collection { font-family: 'Work Sans', sans-serif; color: #905c5c; } .footer-wikiwalk-nav { filter: drop-shadow(0px 0px 3px rgba(0, 0, 0, 0.5)); width: fit-content; margin: auto; margin-top: 1rem; } .footer-wikiwalk-nav p { color: #EDEDED; } .footer-wikiwalk-nav a, .footer-wikiwalk-nav p { border-radius: 10px; background: rgb(20, 20, 20); width: fit-content; margin: auto; font-family: 'Work Sans', sans-serif; font-weight: 800; padding: 0.5rem 0.5rem 0.5rem 0.5rem; } .footer-wikiwalk-nav a { color: #bdbdff; } .footer-wikiwalk-nav a:hover { text-decoration: underline; } /* MISC > WIKIDOT OWINDOW */ /* ======================= */ #owindow-1 { background: linear-gradient(180deg, rgba(255, 255, 255, 1) 0%, rgba(246, 246, 246, 1) 100%); } #owindow-1>div.title.modal-header { font-family: 'Work Sans', sans-serif; text-transform: uppercase; font-size: 90%; cursor: default; } #owindow-1>div.content.modal-body td.active>b { font-family: 'Work Sans', sans-serif; color: rgb(100, 100, 100); } #owindow-1>div.content.modal-body>table { max-height: 10rem; overflow: auto; display: block; } #owindow-1>div.content.modal-body>div { margin-top: 1.5rem !important; border-top: solid 0.2rem rgb(210, 210, 210); padding-top: 1rem; } #owindow-1>div.content.modal-body>div>div>a { background: #870000; } #owindow-1>div.content.modal-body>div>div>a:hover { background: #470000; } #owindow-1>div.content.modal-body>img { filter: drop-shadow(0.35rem 0.35rem 0.4rem rgba(0, 0, 0, 0.3)); padding: 0px 0px 0px 0px !important; background: none; background-color: transparent !important; margin-right: 1.7rem; } #owindow-1 { font-family: 'Work Sans', sans-serif; } /* ======================= */ /* MISC > EDIT BOX & PAGE SOURCE */ /* ======================= */ #lock-info { box-shadow: 0px 0px 4px #999999; background: white; font-family: 'Work Sans', sans-serif; font-weight: 500; margin-left: 1rem; font-size: 95%; border: solid 1px grey; color: #191919; } #edit-page-form>table.edit-page-bottomtable>tbody>tr>td:nth-child(1)>div.sub, #edit-page-form>table.form>tbody>tr>td:nth-child(1) { font-family: 'Work Sans', sans-serif; font-weight: 500; } #edit-page-form>table.edit-page-bottomtable>tbody>tr>td:nth-child(1)>div:nth-child(1) { font-family: 'Work Sans', sans-serif; font-weight: 600; } .wd-editor-toolbar-panel ul li a { height: 22px; width: 22px; padding: 0; margin: 0; display: block; border-radius: 2px; filter: invert(1), hue-rotate(180deg); filter: invert(1) hue-rotate( 180deg); } .wd-editor-toolbar-panel { margin-bottom: 0.5rem; } input#edit-page-title.text { border-radius: 4px; font-family: 'Work Sans', sans-serif; border: 2px solid #afafaf; } textarea { font-family: 'Roboto', sans-serif; padding: 5px 5px 5px 5px; font-size: 105%; border: 0.13rem solid #949494; background-color: #FFF; color: #000; border-radius: 2px; } .page-source { background: white; font-family: 'Inter', sans-serif; font-size: 105%; border: none; width: 80%; box-shadow: 0px 0px 4px #999999; padding: 18px 18px 18px 18px; word-break: break-word; } /* ======================= */ /* MISC > FONT SIZE/WEIGHT CHANGES */ /* ======================= */ #page-content strong { font-weight: 900; } #page-content { font-size: 100%; } /* ======================= */ #show-upload-button { float: unset; border-radius: 6px; border: solid 1px grey; font-size: 0.85rem; } .edit-help-34 { margin-top: 2px; font-family: 'Work Sans', sans-serif; font-size: 0.7rem; font-weight: 500; } .printuser a { font-family: 'Work Sans', sans-serif; font-weight: 700; } form, #action-area>p, table.page-files td span { font-family: 'Work Sans', sans-serif; } #action-area>table>thead>tr, #revision-list>table>tbody>tr:nth-child(1) { font-family: 'Work Sans', sans-serif; text-transform: uppercase; font-weight: 700; } #page-info { font-family: 'Work Sans', sans-serif; font-weight: 500; padding-bottom: 0.2rem; margin-bottom: 0.2rem; } #page-info::first-letter, a.btn.btn-default.button.button-close::first-letter, a.btn.btn-default.button.button-close-message::first-letter, a.btn.btn-default.button.button-cancel::first-letter, a.btn.btn-default.button.button-rename::first-letter, a.btn.btn-default.button.button-no\,-cancel::first-letter, #owindow-1 > div.button-bar.modal-footer > a.btn.btn-default.button.button-yes\,-delete::first-letter, #owindow-1 td::first-letter { text-transform: uppercase; } #owindow-1 td a::first-letter { text-transform: lowercase !important; } .button-bar.modal-footer a.btn.btn-danger, #owindow-1>div.content.modal-body>div>div>a { float: right !important; margin-top: -0.73rem; } td:nth-child(1)>a { font-family: 'Work Sans', sans-serif; font-weight: 600; } /* MISC > BUTTONS */ /* ======================= */ a.btn.btn-danger, a.btn.btn-primary, .btn-small, #owindow-1>div.button-bar.modal-footer>a, #edit-cancel-button, #edit-diff-button, #edit-preview-button, #edit-save-draft-button, #edit-save-continue-button, #edit-save-button, #owindow-1>div.content.modal-body>div>a.btn.btn-default { font-family: 'Work Sans', sans-serif; font-weight: 600 !important; font-size: 0.75rem; color: white; padding-top: 4px; padding-bottom: 4px; padding-left: 7px; padding-right: 9px; background: rgb(20, 20, 20); border-radius: 2px !important; cursor: pointer; width: fit-content !important; margin-top: 0.1rem; margin-bottom: 0.1rem; margin-left: 0.3rem; margin-right: 0.35rem; float: left; } a.collapsible-block-link:hover, a.btn.btn-danger:hover, a.btn.btn-primary:hover, .btn-small:hover, #owindow-1>div.button-bar.modal-footer>a:hover, #edit-cancel-button:hover, #edit-diff-button:hover, #edit-preview-button:hover, #edit-save-draft-button:hover, #edit-save-continue-button:hover, #edit-save-button:hover, #owindow-1>div.content.modal-body>div>a.btn.btn-default:hover { text-decoration: none; background: rgb(45, 45, 45); } #action-area > p:nth-child(5) > a:hover { text-decoration: none; background: rgb(45, 45, 45); } #action-area > p:nth-child(5) > a { font-family: 'Work Sans', sans-serif; font-weight: 600 !important; font-size: 0.75rem; color: white; padding-top: 4px; padding-bottom: 4px; padding-left: 7px; padding-right: 9px; background: rgb(20, 20, 20); border-radius: 2px !important; cursor: pointer; width: fit-content !important; margin-top: 0.1rem; margin-bottom: 0.1rem; margin-left: 0.3rem; margin-right: 0.35rem; } /* ======================= */ #footer, #license-area { font-family: 'Work Sans', sans-serif; font-weight: 500; } #page-content div.collapsible-block { margin-top: 13px; margin-bottom: 13px; } div.collapsible-block-content { animation: fade 0.4s; animation-fill-mode: forwards; } /* MISC > FOOTNOTES */ /* ======================= */ .hovertip { background: rgb(25, 25, 25) !important; border-radius: 2px; padding: 5px 5px 5px 5px; color: white; font-family: 'Work Sans', sans-serif; max-width: 400px; } .f-heading { text-transform: uppercase; font-weight: 900; font-size: 80%; } .footnotes-footer .title { font-size: 0px; color: transparent; margin-bottom: 15px; } .footnotes-footer .title:before { content: "Footnotes \0026 References"; color: rgb(25, 25, 25); text-transform: uppercase; font-weight: 900; font-size: 0.9rem; font-family: 'Work Sans', sans-serif; cursor: text; } .footnotes-footer a { color: black; font-weight: 700; font-family: 'Work Sans', sans-serif; } .footnotes-footer { border-left: solid 3px rgb(20, 20, 20); padding-left: 15px; margin-top: 6rem; } .footnote .f-footer, .equation .e-footer, .reference .r-footer { display: none; } /* ======================= */ #page-options-container a { color: rgb(45, 45, 45); font-family: 'Work Sans', sans-serif; font-weight: 800; font-size: 90%; text-transform: uppercase; } #page-options-container a:hover { text-decoration: none; color: rgb(2, 2, 2); } #page-info-break { height: 3rem; } .code pre, .code p, .code, tt { font-family: 'Fira Code', monospace; } #account-options { border: none; font-family: 'Work Sans', sans-serif; font-weight: 700; width: fit-content; box-shadow: 0px 0px 5px rgb(0 0 0 / 30%); padding: 5px 5px 5px 5px; text-transform: uppercase; } #account-options a { filter: grayscale(100%) saturate(0%); -webkit-filter: grayscale(100%) saturate(0%); color: grey; } /* Anendlessusername's invaluable correction of the ACS octagon! */ #page-content .quadrants>div { top: 2.25%; left: 18.5%; } /* WHEN YOU SEE IT... */ .licensebox .collapsible-block-link, .licensebox .collapsible-block-link:hover { background: none; text-transform: uppercase; font-weight: 700; } /* ---- WORDS NO LONGER BROKEN, THE CROQUEMBOUCHE HAS SPOKEN ---- */ #page-content span, #page-content a { word-break: normal !important; }
[[/collapsible]]
[[/=]]
WARNING: THE REQUESTED FILE IS LEVEL 6/XXXX CLASSIFIED
ANY ATTEMPT TO ACCESS THIS FILE WITHOUT PROPER LEVEL CLEARANCE WILL BE FLAGGED, RESULTING IN IMMEDIATE DISCIPLINARY ACTION, UP TO AND INCLUDING TERMINATION.
ALL SCP-XXXX RELATED MATERIALS REPRESENT SEVERE INFOHAZARDS.
PROCEED WITH CAUTION.
SCP-XXXX-β Entrance.
SPECIAL CONTAINMENT PROCEDURES:
OASS1-Protocol-XXXX is to maintain suppression and deletion of all Internet data associated with SCP-XXXX, SCP-XXXX-1, SCP-XXXX-A, and SCP-XXXX-A-1, and all SCP-XXXX related items. All procured SCP-XXXX materials are to be kept in LCU2-XXXX within the Memetic-Hold Wing, at Site-15. No personnel are to view any items with the SCP-XXXX designation without unanimous3 vote by the Overseer Council4. Under no circumstances should further duplication of SCP-XXXX related materials be performed without unanimous Overseer Approval.
A 1km perimeter exclusion-zone around SCP-XXXX-β is cordoned off by electrical-deterrent fencing as well as MTF personnel patrols. These patrols are to be supplied and maintained by way of high-altitude support envois, launched from Foundation carrier-ships anchored in international waters, currently stationed outside of Karachi, Pakistan as well as local Foundation support from Site-36. This exclusive area, designated SCP-XXXX-Δ, is to be inaccessible to all civilian and all SCP personnel. No less than 35 active MTF-Eta-105 operatives are to maintain a 24 hour patrol around SCP-XXXX-Δ. All persons attempting to access SCP-XXXX-Δ shall be detained or eliminated, with detained persons, amnesticized and released under MTF discretion. Operatives shall be exchanged on a monthly basis. Under no circumstances should an operative previously assigned to SCP-XXXX-Δ be assigned for a second operation. All MTF operatives shall have mandatory, bi-weekly, off-site psychological evaluations. Should an operative be observed experiencing any SCP-XXXX related symptoms, they shall be immediately amnesticized and reassigned.
GOI-XXXX is to be considered neutralized, however, given relation to other notable anomalous items, persons, locations and entities6, along with internal concern, attempts at research, discovery, and interdisciplinary studies are coinciding. These research attempts are, however, exclusively independent of accessing SCP-XXXX-β.
DESCRIPTION:
SCP-XXXX is the designation for a component-portion of The Demiurge7, that exists in an incorporeal form within SCP-XXXX-β. SCP-XXXX and its effects manifest as a cognitohazardous, psycho-spheric phenomena, originally thought to be emitting from SCP-XXXX-1, a late-mid 20th century painting by Thomas James, “The Eyes of God”. SCP-XXXX-1 is a 51cm x 41cm, unframed, hemp-canvas painting. SCP-XXXX-1 depicts a large copper-colored space on both sides of the canvas, each measuring about 19cm deep into the landscape. The 15cm in strip of canvas in the center contains two semi-oval shaped objects. The ink markings suggest that rather than being made by brush strokes, they were instead made by human fingertips. Concurrent DNA analysis of the ink of the piece indicates that the artwork was made with human blood.
Persons within viewing distance of SCP-XXXX-1 invariably experience a number of emotional, psychological, and physical conditions. Of these conditions included are:
- General Distress
- Hyperventilation
- Paranoia
- Panic Attacks
- Hallucinations
- Incoherence
- Disassociation
- Hypo/Hyperthermia
- Arrhythmia
- Hysterical Strength
- Self-Harm
- Autotermination8
The severity of these conditions increases with proximity and prolonged exposure to SCP-XXXX-1.
SCP-XXXX-A is the designation for CD-ROMs containing the original cut of the 1999 film, “Terror Town”, directed by Jonathan Winfrey. SCP-XXXX-A-1 instances are bootlegged digital file copies of SCP-XXXX-A.
SCP-XXXX-β is the designation for an underground temple within the SCP-XXXX-Δ exclusion area. The temple is located in the mid-southwestern area of the Taklamakan Desert, a part of the Tarim Basin, in Xinjiang, China and was discovered in 1973. The area’s previous inhabitants, designated GOI-XXXX9 occupied the area from about 1200 BCE until around 100 AD, at which time the population mysteriously vanished. It is etimated based on the size and scale of the city-ruins surrounding SCP-XXXX-β, that GOI-XXXX's population at its height was around 315,000 inhabitants. The inside of SCP-XXXX-β, as so far known, displays variable, non-Euclidian topologies along with psycho-spheric-cognitomemetic effects.
SCP-XXXX-Δ General Location.
NOTICE FROM THE FOUNDATION RECORDS AND INFORMATION SECURITY ADMINISTRATION
Nomenclature Addenda:
Per Foundation policy, in accordance with RAISA data management policy, referenced anomalies, associated instances, and effects, given the SCP designation, “SCP-XXXX”, within the current data file have been updated to reflect the most recent individual designations for all SCP-XXXX associated items, instances, and effects. Archived Data will, however, appear in its original form, regardless of updated designations.10
— Maria Jones, Director, RAISA
All relevant data and documentation is contained forthwith.
⚠️ Content warning: The data file you are about to access contains subject matter regarding “autotermination”. This file may be inappropriate and not suited for certain individuals sensitive to that subject matter. Please continue to read at your own discretion.
By logging in, you confirm that you understand the above statement.
To continue, please input Level 1 Credentials.
Access Client: ADMIN-00
File Access Logged 19 Aug 2022 07:24
2021-02-24 INCIDENT-XXXX
SCP-XXXX and related anomalies came to Foundation awareness after several online social media outlets were forced to remove disturbing content from their platforms, following the death of an online personality, Subject-XXXX-a11, amidst a growing online viral challenge.
The online trend known as, “The Terror Town Timer”, consisted of online personalities, henceforth known as “subjects”, watching an uncut and un-released version of the 1999 cult-horror film, “Terror Town”. The Terror Town Timer challenged subjects to pause the film between the time frame of 53:45 and 55:26.
Terror Town Film at - 54:01. Cognitohazardous material censured. Clearance Level
The scene follows the character Sara12, down a basement staircase, as she stops momentarily and crouches next to a wall in hopes to escape her pursuers. On the wall behind her, SCP-XXXX-1 can be seen hanging next to the actress.
Subjects involved with the online trend, were challenged to keep the image on their screen as long as possible, inevitably succumbing to the increasing effects of SCP-XXXX. Most subjects gave up under duress after about 20-30 minutes, however, Subject-XXXX-a was known for pushing the limits of online challenges. Their stream had, at the time of recording, 1,094 concurrent viewers. Notable comments from viewers are provided herein.
Transcripts of online visual media from Subject-XXXX-a’s live stream:
2021-02-24 / 21:39:03
Start
00.00.00.00…
Subject-XXXX-a appears on screen within a small room, there is an unmade bed in the background. A comment section thread appears below a screen-capture box, letting the viewers see what Subject-XXXX-a is seeing.
Subject-XXXX-a: Hey there BMR fans! It’s Brad here. Thanks for coming back, if you’re new to the stream, please give me a like and a follow. But before we get into today’s stream, I want to take some time to thank the sponsors of today’s show, [REDACTED].
Ad removed for brevity.
00.02.15.17…
Subject-XXXX-a: Ok… so, today for “Watch Wednesday13”, we will be taking part in the Terror Town challenge. See, I guess what is happening is there’s a cut of the film, Terror Town, that was found at a garage sale, in like 2001, that has a never before seen… scene… Its brief, but from what people have said, it may or may not give people headaches and shit. Our goal today is to break Memeboi68+1’s record of forty-five minutes… And I do hope he’s gotten some help or whatever for whatever is going on in his life.
00.03.46.43…
Subject-XXXX-a: Alright, so here we are, we are supposed to pause when Sara hides behind this wall for a few seconds while running away from the town residents… Kinda get why this was cut… It doesn’t really do much for the story, she just cries and then stares past the camera for a bit… The acting here is really fucking good though, she looks really scared and in distress. The camera even shakes a bit.
00.03.47.66…
Subject-XXXX-a: Oh, I get why this was taken out! You can almost hear the director scream cut before the camera pops out of frame, and like a quick shot of the crew walking up the stairs of the basement… Fuck, I’m dehydrated, excuse me a minute, gonna grab a Gatorade, not sponsored.
Subject-XXXX-a laughs and exits the room.
00.03.49.10… - 00.03.51.11…
Subject-XXXX-a returns with a sports drink. Subject rewinds the film to the appropriate pause point, stopping at 53:47.
Subject-XXXX-a: Man, must have had too much Baileys last night, also not sponsored. My head is pounding again. How y’all doing out there in the stream?
Comment thread is seen filling up with comments.
Comments of Note:
Username | Time | Comment |
finefeature | 21:43:16 | Oh man, he’s starting to feel it! |
Marksgraves12 | 21:44:00 | dude, idk if it just placebo or what, but my head is starting to hurt |
Felinegud | 21:44:06 | same here, having trouble concentrating |
finefeature | 21:44:16 | yall are just being suggested, nothing here |
tubularboy16 | 21:45:02 | IDK dude, my head is starting to spin |
waturcolerspaintz | 21:45:45 | isn’t this the same thing that happened to wendyreviews and memeboi? |
kenji76 | 21:46:21 | should we be concerned? Is this shit real? |
finefeature | 21:47:01 | yall weak, I anti feel shit, keep going Brad! |
waturcolerspaintz has left the stream. |
00.09.00.16…
Subject-XXXX-a scratches their head and wipes a small amount of perspiration from their brow.
Subject-XXXX-a: Thanks “feature”! I’m gonna give it my best, despite a small hangover coming back!
Subject-XXXX-a continues to view SCP-XXXX-A-1 over the course of approximately 1 hour, slowly and steadily showing signs of increasing SCP-XXXX effects.
00.17.04.19…
Subject-XXXX-a: You know what… (Subject looks to their left.) What? (Subject looks to his right.)
Subject-XXXX-a laughs into their hands with a muffled giggle for 16 seconds.
00.17.20.07…
Subject-XXXX-a: (Startled.) You!
Comments of Note:
Username | Time | Comment |
maniamovies | 21:57:13 | Man, this is starting to get to me. |
finefeature | 22:00:16 | I’m here for this, #1 BMR fan! |
tubularboy16 | 22:01:12 | I can’t watch this anymore… |
tubularboy16 has left the stream. | ||
kenji76 | 22:02:47 | srsly tho, should we be worried? He’s kinda scaring me… |
Felinegud | 22:04:33 | fr, my eyes are starting to hurt from watching this, g2g |
Felinegud has left the stream. |
00.23.17.07…
Subject-XXXX-a: Jesus, this was harder than I thought it was going to be… I… (Subject pauses for 7 seconds) I was told that the reason this… I was told the reason this is hard to watch is because…
Subject-XXXX-a ducks from view for 3 minutes and 20 seconds, then pops back into frame.
00.26.32.44…
Subject-XXXX-a: So like he just said, the editor’s soul is stuck in this shot, cause he died while editing it and…
Subject-XXXX-a wanders out of frame, and three thuds can be heard. Subject returns 1 minute and 12 seconds later. Their hand is bloodied.
Subject-XXXX-a: Oh, man mom’s not gonna like those holes in the face, of the face, of the face, of the face, of my, her, his, its wall.
00.31.23.17…
Comments of Note:
Username | Time | Comment |
kenji76 | 22:15:22 | This is getting unhinged, my head is spinning. And this legit doesn’t feel safe |
finefeature | 22:15:30 | Yeah, im not feeling 2 good anymore either |
kenji76 | 22:15:46 | hey, brad, I think you should stop… |
kenji76 | 22:15 52 | we are starting to get worried. |
maniamovies has left the stream. |
00.37.13.07…
Subject-XXXX-a: Just f-y-i guys, I can barely read the screen anymore, everything is getting blurry.
00.40.10.44…
Subject-XXXX-a: It’s getting hard to see. (Subject removes their glasses, stares at them, and discards the glasses.) I… uh… gotta go get something.
Subject-XXXX-a stands up and walks out of frame. Rustling of objects can be heard.
Subject-XXXX-a: (From off-screen.) I know, I know… Shut up! It’s in here somewhere, I just… Ah! There we go.
00.46.21.02…
Subject-XXXX-a returns to frame holding a small caliber handgun. Subject places the firearm on the floor, out of view.
Subject-XXXX-a: That’s better, the voices are quiet now. They whisper, no longer yelling.
Comments of Note:
Username | Time | Comment |
kenji76 | 22:26:03 | no n non non no no no no |
finefeature | 22:26:13 | BRAD THIS ISNT FUN ANYMORE WHAT ARE YOU DOING? |
kenji76 | 22:27:00 | please STOP. youve proved your poin, you beat the record |
kenji76 | 22:27:11 | alright, im flagging and reporting this |
finefeature | 22:30:01 | good call, maybe someone can reach him. |
kenji76 | 22:30:06 | @mod |
*mod:43687 has entered the chat* | ||
MOD-43687 | 22:30:33 | Thank you for contacting SlipStream account service management. What seems to be the issue with the current stream? |
00.50.23.46…
Subject-XXXX-a: I can’t… I see a vast whiteness. Shhh… Can you hear it, too? It speaks.
Comments of Note:
Username | Time | Comment |
kenji76 | 22:30:43 | @mod hey so, im not sure if you are a bot or not, but BMR has a gun and is acting strange |
kenji76 | 22:30:52 | we are worried for his safety |
mod43687 | 22:30:55 | Thank you for contacting SlipStream account service management. We are investigating the current stream. |
finefeature | 22:31:01 | fuck, a bot. @mod please someone help! |
*mod:43432 has entered the chat* | ||
MOD-43432 | 22:31:05 | Thank you for contacting SlipStream account service management. What seems to be the issue with the current stream? |
finefeature | 22:31:05 | dear god |
00.52.22.86…
Last living image of Subject-XXXX-a before autotermination. Firearm is censured as sensitive material.
Subject-XXXX-a puts their hand to their face and begins mumbling.
Subject-XXXX-a: We see without eyes. Speak without sense. We hear only the echoes of our own cries. The sights, we were never supposed to see… I… I can’t see anything but the eyes… I can’t hear anything but this voice… it calls to me.
Subject-XXXX-a picks up the firearm and places the muzzle to their left eye and pulls the trigger, immediately terminating the subject.
Live steam continues for 1 hours and 11 minutes before the hosting site terminate the feed under notification by authorities.
End
Post “2021-02-24 INCIDENT-XXXX” all SCP-XXXX materials were subject to OASS protocols, dubbed, OASS-Protocol-XXXX. OASS has identified and scrubbed 135,478 online photos, videos, streams, and other content with associated SCP-XXXX material. Viewers, family, and friends of Subject-XXXX-a were contacted and summarily given standard amnesticization protocols, thus negating Subject-XXXX-a from recent memory. Administered individuals have come to believe that Subject-XXXX-a passed away peacefully in their sleep due to aneurism on 2021-01-22. Assignment to an applicable research team was conducted.
To continue, please input Level 2 Credentials.
Access Client: ADMIN-00
File Access Logged 19 Aug 2022 07:24
ARCHIVED EMAILS 2021-02-25 to 2021-03-02
To: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
From: noitadnuof.pcs.eruces|sysaaa#noitadnuof.pcs.eruces|sysaaa
Date: 25-02-2021
Subject: Anomaly Assignment SCP-XXXX
Researcher YU,
On behalf of the ADMINISTRATOR, You have been selected by AAASys14 for PROJECT HEAD on SCP-XXXX. Your qualifications in the following fields were considered necessary for the purposes of this assignment:
- PHD, PSYCOLOGY
- MS, BEHAVIORAL SCIENCES
- MEMETIC RESISTANCE RATING: 3.5
- LEVEL 4 COGNITOHAZARD TRAINING AND INOCULATION
- APPROPRIATE TEAM NETWORKS
SCP-XXXX is currently theorized to be a cognitohazardous/memetic message embedded within a film. Please see attached transcript.
Please confirm receipt of this message, along with attached dossiers of your Selected Team Members.
Secure. Contain. Protect.
-AAAS, OC
Attached Files:
2021-02-24 INCIDENT-XXXX
To: noitadnuof.pcs.eruces|sysaaa#noitadnuof.pcs.eruces|sysaaa
From: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
Date: 25-02-2021
Subject: RE: Anomaly Assignment SCP-XXXX
I, Wyndham Yu, ACCEPT Project Head proposal for SCP-XXXX. Please find attached profiles for my Selected Team Members.
Attached Files:
Pierre, Clara - Administrative Liaison
Williams, Marie - Clinical Psycho-Studies
Tokel, Usamu - Memetic Arts & History
Fogel, Scott - Esoteric Occult Studies
LT. Stephens, Jack - Tactical Command & Operations
To: noitadnuof.pcs.eruces|aralcerreip#noitadnuof.pcs.eruces|aralcerreip, noitadnuof.pcs.eruces|eiramsmailliw#noitadnuof.pcs.eruces|eiramsmailliw, noitadnuof.pcs.eruces|umasulekot#noitadnuof.pcs.eruces|umasulekot, noitadnuof.pcs.eruces|ttocslegof#noitadnuof.pcs.eruces|ttocslegof, noitadnuof.pcs.eruces|kcajsnehpets#noitadnuof.pcs.eruces|kcajsnehpets
From: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
Date: 26-02-2021
Subject: Team Assignments
Team,
Welcome, and I hope everyone is doing well. As site has still gone ahead with the “work from home” model, we will be engaging primarily through email, until this thing blows over, all non-essential “site specific” tasks will be performed off-site. What follows will be the first of your individual assignments. Some of you will be on hold until further notice, and some of you will have a heavily accelerated workload, especially over this weekend.
Marie and Usamu, you both, will have special privileges to view and use the live video document. Please do not exceed 15 minutes viewing time per 24 hours.
Assignments:
- Usamu - Please go ahead and track down leads on the production of SCP-XXXX. I want you to also, scan the SCP-XXXX video footage for hazardous information.
- Clara - Once Usamu has production history, please reach out to production members for interviews.
- Marie - You will need to be on-site. I want you to go ahead and start testing processes using recovered SCP-XXXX materials, using Usamu’s scans.
Scott, Jack - please sit tight as more information becomes available.
I have gone ahead and created a member group for emailing purposes, please use noitadnuof.pcs.eruces|maeT.XXXX#noitadnuof.pcs.eruces|maeT.XXXX for all further communications.
Attached is the transcript of the February 24th incident.
I am confident in your individual abilities and look forward to progressing forward and ultimately figuring out what SCP-XXXX is and how to mitigate its influence.
-Wyndham
Attached Files:
2021-02-24 INCIDENT-XXXX
2021-02-24 INCIDENT-XXXX-VID
To: noitadnuof.pcs.eruces|maeT.XXXX#noitadnuof.pcs.eruces|maeT.XXXX
From: noitadnuof.pcs.eruces|umasulekot#noitadnuof.pcs.eruces|umasulekot
Date: 27-02-2021
Subject: Production
Hello All,
So, just to cut straight to the chase, looks like the film the subjects are viewing is an unreleased cut of a late 90s movie, Terror Town. In this cut there is a scene that contains a cognitohazardous painting. The artist is currently unknown. As you can see by the attached the broadband B-L15 memetic-spectrograph, attached here, the highest concentration of infohazardous material is located to the upper-left, above the shoulder of the actress.
Quick research into the production of the film says it was produced and distributed by a small independent film studio in Glendale, CA. Company’s name is, well… was, “Werehouse Productions”.
They went belly up after an office fire, shortly before the release of Terror Town. Police records show that one person was killed, two were injured, some evidence recovered.
Clara - The PA16 for the film, Marci Bergeron, is local and can be reached at Hi-Point Studios. We’re gonna want to find out where that painting is.
-Usamu Tokel
SCP-XXXX-BLMS-2021.jpeg
SCP-XXXX under Berryman—Langford Memetic Spectrograph 2021.
To: noitadnuof.pcs.eruces|maeT.XXXX#noitadnuof.pcs.eruces|maeT.XXXX
From: noitadnuof.pcs.eruces|aralcerreip#noitadnuof.pcs.eruces|aralcerreip
Date: 28-02-2021
Subject: Interviewee Acquisition
Evening Team,
Hope everyone is well. Just a primer, as I think the attached interview log will speak for itself, this woman was near impossible to get a hold of. Once I did, whew, she did NOT want to talk about Terror Town or the fire. It took some serious pressure and ultimately monetary compensation to get her to talk.
@tokelusamu Thanks for the heads up. I am currently conducting a search for a one, Mrs. Meredith James. I’ll keep everyone posted.
@williamsmarie I’ve sent you a package with some recovered police evidence for your use. Hope it yields some insights.
@yuwyndham you’re really going to want to read this interview ASAP. There are some disturbing patterns emerging that are going to need answers as we move forward.
Also, just a heads up, I will be needing an authorized FEPO17 for the 80k payment from our research budget. If administration wants answers, they got to be willing to pay.
Everyone, please find attached.
-Clara Pierre
Attached Files:
FEPO_REQ-XXXX-CPierre
INTERVIEW LOG-XXXX 2021-02-28
To: noitadnuof.pcs.eruces|maeT.XXXX#noitadnuof.pcs.eruces|maeT.XXXX
From: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
Date: 01-03-2021
Subject: RE: Interviewee Acquisition
Good Monday Morning Clara!
Thank you for your persistence. That’s the kind of attitude that gets answers!
Please find attached your FEPO.
-Wyndham
Attached Files:
FPEO-XXXX-CPierre
To: noitadnuof.pcs.eruces|maeT.XXXX#noitadnuof.pcs.eruces|maeT.XXXX
From: noitadnuof.pcs.eruces|eiramsmailliw#noitadnuof.pcs.eruces|eiramsmailliw
Date: 02-03-2021
Subject: Current Testing Results
Team,
Dr. Yu, thank you for having me aboard.
Everyone, attached you will find preliminary testing results. Thank you, as well to Clara for the additional material and support.
I can confidently say that given the testimony from Clara’s interview and the data contained within the SCP-XXXX testing log, there is some deep memetic/cognitohazardous information hidden within the video and intensified on the painting. Please review as soon as possible. I can personally attest to feeling some of SCP-XXXX’s influence.
@pierreclara Let me know how the search for Mrs. James goes, that painting seems to be of upmost importance.
I’ll be taking the next few days to clear my head.
-Marie Williams, MD
Attached Files:
TESTING LOG-XXXX 2021-03-02
CONTENTS OF SELECTED FILES
INTERVIEW LOG-XXXX 2021-02-28
Interviewer: Clara Pierre
Interviewee: Marci Bergeron
Date: 28-02-2021
Location: Cellular Call18
Foreword: Subject answered the phone on first & second contact however, promptly hung up after mention of the “Terror Town” film. Only after the 7th attempt did the subject answer and provide information in exchange for compensation.
Begin
19:30:14…
Bergeron: Stop fucking calling me!
Pierre: Money!
Bergeron: Huh?
Pierre: I will offer you money.
Bergeron: There’s not eno…
Pierre: Fifty thousand.
Bergeron: One hundred.
Pierre: Seventy.
Bergeron: Meet me at eighty and you got it.
Pierre: Done.
Bergeron: How do I know you’ll own up to your end?
Pierre: Mrs. Bergeron, please check your bank statement immediately, you will see that we have already deposited twenty grand.
The sound of the phone being shuffled about, followed by a distant and audible gasp can be heard.
Bergeron: Ok, alright, but… How… But how did you do that?
Pierre: Mrs. Bergeron, when my people want answers, we find a way. When we are finished you will receive the other sixty, deal?
Bergeron: Umm… fine, deal.
Pierre: Perfect, well, Mrs. Bergeron, as I mentioned, last we spoke, you are aware that in the past week a small viral trend has been increasing, that involves watching a new cut of Terror Town, correct?
Bergeron: Yes, I’ve heard some stories, but have been working too much to pay attention.
Pierre: Well, that’s why I’m calling. I need some information about this certain edit.
Bergeron: Okay, what do you want to know? Why?
Pierre: I’m conducting a small investigation into the trend, that’s all you need to know. What I need from you is; where was the basement scene shot? Why was the basement scene cut from the film? And what happened at Werehouse Productions?
Bergeron: Well, all principle filming took place north-west of Santa Clarita, in the rurals near Castaic, it was easy cause’ the TMZ19 made costs significantly reduced. I can’t quite remember where the house was, but I remember who owned it.
Pierre: Who owned the house?
Bergeron: Old bird, Meredith James. Wife of some obscure artist. Home was littered with random papers and odd paintings. Super off putting, hence, why it was chosen.
Pierre: Interesting, so why was that basement scene cut?
Bergeron: Jon20 hated it, told us that it literally pained him to look at it. And, honestly, me too. Everything about that shot was just… wrong.
Pierre: What was wrong with it?
Bergeron: First off, it was the shoot itself. Everything was going swimmingly, we were four days ahead of schedule, which… Listen, if you know anything about independent film, if your shoot is four days ahead, you might as well be winning an Oscar, or a Razzie, and given Joan’s performance, we were thinking the former.. Not only that, but we were also well within budget.
Pierre: Sounds like you’re about to tell me something, well… happened?
Bergeron: Bingo. You’re smart, for a faceless voice. Then came the basement shot. The house was scouted beforehand by the AD21 and LMS22, Gertrude and Phyllis, they came back saying this place was creepy and disturbing.
Pierre: In what way?
Bergeron: In the best ways. They said just being around the house was strange, and when touring the basement, Mrs. James, the owner, said she never liked going down there, ever since she hung her late husband’s last painting. The girls thought it was perfectly creepy.
Pierre: So what happened the day of the shoot?
Bergeron: Well, since it was a small tracking scene… all that was needed was to have the camera follow Joan down the stairs, stop at a dividing wall, act surprised and run back up the stairs when a bang on the window was heard.
Pierre: Safe to say that’s not what happened, correct?
Bergeron: Well, we got perfect tracking, and hell, when Joan stopped by that wall and crouched down and began weeping. I no longer thought we were doing B-movie material. It was so visceral, so real…
Interviewee goes quiet for 9 seconds.
Pierre: Mrs. Bergeron?
Bergeron: Oh, yeah, yes, so we all started to feel sick, like the old house may have had black mold or something. Gertrude decided it wasn’t safe, so Jon called cut, and we headed up the stairs, some of that I think it made the rough. I still think it a shame sometimes.
Pierre: What’s that?
Bergeron: Joan, poor Joan. Best acting of her career, thrown into the bin. Girl was pushing forty, and this might have been her best. But, ultimately, we binned the scene after the fire. We barely got the movie to release.
Pierre: Because of the fire? What happened?
Bergeron: I imagine you already know most of it, it was a mild story in the industry. There are police reports you can read for information… What do you want?
Pierre: What happened to William Mulligan?
Interviewee gasps. Her speech is cracked and broken.
Bergeron: Billy… Billy was… was our… my… chief editor, one of my best friends.
Pierre: What happened to…
Bergeron: I think you goddamn know what happened to Billy! What do you need? Tear me apart? Open old wounds! I still have the scars… my hands…
Interviewee is heard sobbing.
Pierre: I know that the fire originated from Williams’s editing room. I know that he was the only person who died in the fire while two others attempted to save him.
Interviewee sniffles.
Bergeron: So what the fuck more could you want? He’s dead, I can’t change that.
Pierre: Marci, I am just looking for answers… doesn’t Billy deserve answers?
Bergeron: You don’t get to call him that! You don’t! You don’t… you don’t understand.
Pierre: Help me understand.
Interviewee sniffles and clears her throat.
Bergeron: Like I said that scene, that one scene, was Joan’s best, and Billy… Well, Billy had a thing for Joan.
Pierre: Okay?
Interviewee sniffles and sighs.
Bergeron: So, although Jon wanted the scene trashed for brevity, Billy took it upon himself to try and make the shot fit in somehow. He spent almost three days in and out of the editing bay with the reel. I guess he thought he might impress Joan if he could get her great acting in there.
Pierre: The film was in tape form, not digital?
Bergeron: No, the idea was to make a throw-back to eighties cinema, so we shot in classic 35mm. Then it was Billy’s job to get it in digital.
Pierre: So what happened on that third day in the editing bay?
Bergeron: Smoke alarms started going off. Gertrude and I started to go from office to office telling everyone that it wasn't a drill, and to vacate the building… Then we got to the editing room… There was so much smoke, it was hard to see.
Interviewee sniffles.
Bergeron: I went in first. Gertrude stayed outside holding the door. Maybe she was scared, maybe she wanted to make sure I could see the way out. Maybe, I don’t know, never asked.
Pierre: What was in the editing room?
Bergeron: Billy. He… he…
Interviewee beings to lightly weep.
Bergeron: He had the tape wrapped all around him. The tape was on fire. He was on fire… It's so flammable… He… he… was laughing.
Pierre: Mrs. Bergeron, that should be impossible. The fire would have sucked all oxygen from the air. He would not be able to operate his lungs in a manner for laughing. Are you sure?
Bergeron: I know what I saw! His eyes…
Pierre: What about his eyes?
Bergeron: His eyes were gone or black or… not… there… and… and his laugh was, it was different, deeper… distorted. When he spoke, his voice was coming not from his mouth, but from around him.
Pierre: What the voice say?
Bergeron: He…
Interviewee sniffles.
Bergeron: He… It said, "My eyes are open, for when I was once blind, now I see. See me as I see… and weep."
Interviewee weeps.
Bergeron: I tried to help him. I tried to get the tape off of him, but it was too hot. He just stood there laughing, until…
Pierre: Until what?
Bergeron: He just stopped and collapsed. The flames just consumed him and grew bigger, brighter, hotter. The whole room was on fire. I was so scared, I ran… I…
Pierre: Take your time.
Bergeron: I left him… I left him to d… let him die.
Pierre: There was nothing you could have done.
Bergeron: I…
Interviewee sniffles.
Bergeron: Are we done here?
Pierre: Marci, I just need to know one more thing.
Bergeron: What?
Pierre: How did William’s edit survive? Did not almost the entire office burn down?
Bergeron: I don’t know. Billy was known to take work home with him. Maybe some was taken into evidence by police? I don’t know.
Pierre: I see.
Bergeron: Can… Can I go now? This has been too much.
Pierre: I think I have all I need. Thank you Mrs. Bergeron for your time. Funds should already be in your…
Interviewee abruptly disconnects call.
19:39:01…
End
Closing Interviewer Remarks: It would seem that subject William Mulligan had extreme prolonged, yet intermittent exposure to SCP-XXXX, thus causing his eventual autotermination. If what Subject-XXXX-a commented on is correct, it can be reasoned that a copy of SCP-XXXX-A must have been found by some anonymous persons in the early 2000s, via sale, auction, or giving away of the deceased’s belongings. We have subsequently used our agents within the LAPD to locate and secure recovered DVD copies of Terror Town found at the scene of the Werehouse Productions fire.
TESTING LOG-XXXX 2021-03-02
Clinical Researcher: Marie Williams
Ethics Committee Member: Jennifer Lam
Security Detail: Agent Diem Chao
Date: 02-03-2021
Location: Secure Facility Site-15, Data Testing Division
Foreword: For clear and consistent nomenclature, we will be labeling the anomaly as “SCP-XXXX”. The retrieved items themselves, will be designated as such:
- DVD version of SCP-XXXX shall be referred to as XXXX-A
- Digital file of SCP-XXXX shall be referred to as XXXX-A-1
- Additionally created files shall be referred to as XXXX-A-1-a, XXXX-A-1-b… etc.
Testing Parameters:
- Chosen D-Class subjects will be single use to negate possible compounding exposure effects.
- All subjects will be restrained in standardized confinement chairs.
- To ensure direct and consistent exposure and observation of SCP-XXXX materials, subject’s eyes will be held open via speculum.
- SCP-XXXX materials will be displayed on a standard 140cm LCD TV screen.
- Only the SCP-XXXX portion of the frame will be shown.
- Ethics Committee Member shall be given express oversight to terminate any and all testing at their discretion.
Test No. | Subject | Age | Sex | Item | Viewing Distance | Exposure Time |
---|
1 | D-97862 | 34 | M | XXXX-A | 3m | 10min |
Results | ||||||
Subject reported a feeling of unease after 5 minutes. At the 10 minute mark, the subject was sweating, coinciding with a body temperature of 38.5. Breathing was elevated. | ||||||
Comments | ||||||
Nothing to note on Test 1. Next test, sexes will be exchanged, keeping age, distance, and duration the same. |
2 | D-24364 | 34 | F | XXXX-A | 3m | 10min |
Results: | ||||||
Results mirror Test 1. Female body temperature reached 38.2 | ||||||
Comments: | ||||||
Conclusions can be made in regard to sex. In next test, we will vary age, a young subject will be sourced. |
3 | D-52393 | 18 | M | XXXX-A | 3m | 10min |
Results: | ||||||
Results mirror Test 1 & 2. Body temperature reached 38.9 | ||||||
Comments: | ||||||
Next test will determine if the other end of the age spectrum is effected, to eliminate age as a variable. |
4 | D-76353 | 71 | M | XXXX-A | 3m | 10min |
Results: | ||||||
Results mirror Test 1, 2 & 3. Body temperature reached 38.6 | ||||||
Comments: | ||||||
It can be concluded that age & sex do not affect the way in which SCP-XXXX influences subjects. Next we will vary the distance. |
5 | D-63828 | 26 | F | XXXX-A | 15m | 10min |
Results: | ||||||
Subject showed less distress than previous tests, complained of headache after 7 minutes. Body temperature stayed constant at 37.2. | ||||||
Comments: | ||||||
It is evident that distance plays a role in the severity of SCP-XXXX effects. It can be extrapolated that if a subject is closer, the effects would be increase. Next variable to test will be duration. |
6 | D-73637 | 28 | M | XXXX-A | 3m | 30min |
Results: | ||||||
After 12 minutes, subject’s body temperature rose and stayed steady at 39.2. After 22 minutes, subject violently shook restraints and started speaking to themself, after which subject started screaming, until falling into incoherence. | ||||||
Comments: | ||||||
Duration seems to play a large role in how SCP-XXXX affects subjects. Some comments of note made by subject are contained within Researcher Notes. Next test will minimize distance and maximize duration. |
Researcher’s Notes
Of note, subject made the following statements:
- “Close them! Close them! Close them!”
- “Don’t let the eyes see me!”
7 | D-45363 | 33 | M | XXXX-A | 1m | 30min |
Results: | ||||||
After 7 minutes, the subject’s body temperature rose to 39.8. After 17 minutes, subject started to converse with no one, similar to Test 6 in regards subject matter, however, the tone of speech was deeper than subject’s normal speaking voice, as well as being very disjointed and sporadic. | ||||||
Comments: | ||||||
It would seem that the onset and progression of SCP-XXXX effects are proportional to the amount of direct observation of the film. Next test will test the SCP-XXXX-1 material using same baseline as Test 1. |
Researcher’s Notes
Of note, subject made the following statements:
- “I can feel the hate, it is betrayal.”
- “We are blind.” Said over and over until removed from room.
8 | D-66382 | 34 | M | XXXX-A-1 | 3m | 10min |
Results: | ||||||
At 5 minutes, subject’s temperature rose sharply to 39.1 At 9 minutes subject reported seeing lights and shadows that were not there. Subject laughed and screamed for the last minute of exposure. | ||||||
Comments: | ||||||
There may be a correlation to severity of SCP-XXXX effects and the manner in which they are propagated. I.E. If a copy of the film reel containing SCP-XXXX material has been digitized into MPEG-2 DVD, the effects, thusly are compounded. It could be right to assume that effects of SCP-XXXX-A, given a format of increasing resolution and compression over digitized film, also increase. With this hypothesis, We have taken the SCP-XXXX-A-1 file used by Subject-XXXX-a and increased the file resolution to a MP4. This file will be known as SCP-XXXX-A-1-a. |
9 | D-13263 | 33 | F | XXXX-A-1-a | 3m | 10min |
Results: | ||||||
Subject, after 4 minutes of exposure, started hyperventilating. Body temperature reached 40.3. At 6 minutes subject shook violently enough for one of the arm restraints to break. Subject started to scream, tore off the speculum, and attempted to enucleate both of their eyes. Security team was able to subdue subject and test was terminated at 8 minutes per ECM, Jennifer Lam. | ||||||
Comments: | ||||||
Per ECM, further testing on higher resolution versions on SCP-XXXX-A-1 shall not be performed. Next test will use a 1 to 1, direct copy of SCP-XXXX-A-1, SCP-XXXX-A-1-b. |
10 | D-89383 | 32 | M | XXXX-A-1-b | 3m | 10min |
Results: | ||||||
Results closely mirror occurrences in Test 9. Subject was unable to break restraints due to an increased capacity harnesses. By 7 minutes, subject had screamed with enough force, they had undergone muscle tension dysphonia, to such an extent to render themself mute. As of compiling test results, subject has not regained the ablity to speak. | ||||||
Comments: | ||||||
It would seem that SCP-XXXX effects compound upon making a duplicate. We will confirm this in next test by way of using a still photograph of the SCP-XXXX-A-1 material, SCP-XXXX-A-1-c |
11 | D-36383 | 40 | F | SCP-XXXX-A-1-c | 3m | 10min |
Results: | ||||||
At 6 minutes, despite heightened security protocols, subject was able to contort their body in unnatural ways, freeing their legs from restraints. Subject was able to sprint, with confinement chair still attached to themself, to the left wall of the testing chamber and began to impact their head against said wall. This action resulted in severe blunt force trauma to the frontal skull structure. Security along with necessitated back up was able to detain subject shortly after, with Agent Chao sustaining some minor injuries. Blood loss and internal damage ultimately lead to the later expiration of the subject. | ||||||
Comments: | ||||||
Per ECM, no further testing of duplicates, copies, or facsimiles of SCP-XXXX materials is to occur. Per ECM, “It is pretty clear that simulacra of SCP-XXXX only heighten the effects. To continue down this path would steer us away from cold, and into cruel.” Next test will aim to determine if the state of subjects is caused visually or by some other means, a blind D-Class will be sourced. |
Researcher’s Notes
That last one was rough. Having taken the photograph myself, I can add that upon viewing and exposing myself to SCP-XXXX material, I have been having trouble concentrating. I feel as though my professional tone in these testing compilations is lacking, and sometimes I think I can hear distant whispering. Lam has recommended amnestic treatment; however, I am unsure if that will work.
12 | D-77383 | 29 | M | XXXX-A-1 | 3m | 10min |
Results: | ||||||
Subject remained unaffected until 9 minutes into the test. Subject then began to claim to see the SCP-XXXX cognitohazard as well as hear voices. Subject began laughing with their voice slowly turning down in pitch until their voice was a low rumble. Subject expired at the conclusion of the test. | ||||||
Comments: | ||||||
It would be evident that the memetic effect is able to propagate into the conscious/subconscious mind, most likely by way of psycho-spheric methodologies. |
Researcher’s Notes
I received Class-D amnestic treatment, under the guidance of ECM Lam. For now the voices and whispers have stopped, and I have elected to not consume any more SCP-XXXX material. I think I have enough testing to start recommending preliminary Containment Procedures.
Testing Conclusions: SCP-XXXX seems to be a strong candidate for an intense memetic/cognitohazarous containment regiment. Recommended OASS Protocols, as well as High-Level Access to contained items. Duplication of any kinds, should be strictly avoided. SCP-XXXX seems to have psycho-sheperic connections, it might be reasoned that the primary driver of the anomaly exists there. The anomaly, if resultant of anything conscious or sapient within the psycho-space, may have negative relations with having its likeness propagated and observed, thus its effects. Determining how, why, and where the Thomas James painting came to be, will yield the most answers in endeavors on containing the phenomena.
To continue, please input Level 3 Credentials.
Access Client: ADMIN-00
File Access Logged 19 Aug 2022 07:24
ARCHIVED EMAILS 2021-03-04 to 2021-03-05
To: noitadnuof.pcs.eruces|maeT.XXXX#noitadnuof.pcs.eruces|maeT.XXXX
From: noitadnuof.pcs.eruces|aralcerreip#noitadnuof.pcs.eruces|aralcerreip
Date: 04-03-2021
Subject: Interviewee Acquisition-2
Team,
Using LA county public records, I was able to track down and interview Mrs. Meredith James, as well as locate the house in which the Terror Town scene was shot. Mrs. James currently resides in a nursing home in Glendale. The home has been on the market, with no prospective buyers, for 12 years. The home is now a hot spot for squatters, drug use, and other illicit activities.
Currently there have been 27 recorded deaths in the home since it was forfeited. Almost all of these deaths have been attributed to overdose and suicide, with only a 2 being interpersonal homicide, and in most of those cases, the perpetrator had committed suicide shortly after. Locals call the home “cursed”. It’s easy to reason the painting may have something to do with this.
The home can be located at:
████ ███ ████████ rd.
Santa Clarita, CA
Attached is my interview with Mrs. Meredith James. I am currently waiting on her estate to send me the letter from her late husband. I will also be trying to find out more about a Dr. Vivian Marshall, a preliminary search reveals no such person employed in USC records.
-Clara Pierre
Attached Files:
INTERVIEW LOG-XXXX 2021-03-03
To: noitadnuof.pcs.eruces|maeT.XXXX#noitadnuof.pcs.eruces|maeT.XXXX
From: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
Date: 04-03-2021
Subject: RE: Interviewee Acquisition-2
Clara,
Thank you for this. Please update us with Thomas James’s letter as soon as you receive them.
Team,
In the meantime, let’s get after that painting.
@fogelscott please track down any research materials concerning “Vivian Marshall”’s expedition to China. I expect this to be a front.
@stephensjack and @tokelusamu I would like you two, on a plain-clothes, low-engagement reconnoiter/infiltration of the property.
Usamu, you will accompany Lt. Stephens on this as the item retrieval member, your expertise in memetic studies provides you with a level 2.5 MRR23 and appropriate inoculations for this task. Please remove the SCP-XXXX painting from the property in the most expeditious manner.
-Wyndham
To: noitadnuof.pcs.eruces|kcajsnehpets#noitadnuof.pcs.eruces|kcajsnehpets
From: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
Date: 04-03-2021
Subject: Item Retrieval
Jack, I want to empathize “low-engagement”. We don’t need a shootout and/or a bunch of dead junkies on our hands. We will not be classifying this as an official MTF mission. This is a simple item recovery, and there’s no need to involve SD24 or oversight. I am definitely not about to file all the accompanying paperwork for an MTF mission just for this. You know how I feel about that damned form. Just don’t screw this one up, ya know? Where a lot of people don’t, I still trust you.
To: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
CC: noitadnuof.pcs.eruces|umasulekot#noitadnuof.pcs.eruces|umasulekot
From: noitadnuof.pcs.eruces|kcajsnehpets#noitadnuof.pcs.eruces|kcajsnehpets
Date: 04-03-2021
Subject: RE: Item Retrieval
Hams,
Of course, we will keep this as mum as possible, but getting in quietly may take a bit longer.
What I propose it that my new friend and I spend a few days mingling with the locals, making friends, and trying the local cuisine, if you catch my drift. Full immersion, to say, to not draw suspicion. Once in, we can grab the painting and waltz out, no issues.
Usamu, any objections?
Hams?
To: noitadnuof.pcs.eruces|kcajsnehpets#noitadnuof.pcs.eruces|kcajsnehpets
CC: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
From: noitadnuof.pcs.eruces|umasulekot#noitadnuof.pcs.eruces|umasulekot
Date: 04-03-2021
Subject: RE: RE: Item Retrieval
Jack,
I see nothing wrong with this, as long as Dr. Yu is on board. Wouldn’t be my first time imbedding with shady sorts, used to run counter-intelligence from within AWCY.
-Usamu
To: noitadnuof.pcs.eruces|umasulekot#noitadnuof.pcs.eruces|umasulekot
CC: noitadnuof.pcs.eruces|kcajsnehpets#noitadnuof.pcs.eruces|kcajsnehpets
From: noitadnuof.pcs.eruces|mahdnywuy#noitadnuof.pcs.eruces|mahdnywuy
Date: 04-03-2021
Subject: RE: RE: RE: Item Retrieval
Jack & Usamu,
This is approved. Get after that picture.
-Wyndham
CONTENTS OF SELECTED FILES
INTERVIEW LOG-XXXX 2021-03-03
Interviewer: Clara Pierre
Interviewee: Meredith James
Date: 03-03-2021
Location: Broadway Manor Care Facility, ███ █ ███████, Glendale, CA
Foreword: Interviewer, Clara Pierre was able to locate and meet face to face with Mrs. Meredith James, wife of the late Thomas James, the artist behind the SCP-XXXX painting. Interviewee is 88 years of age, suffering from severe bodily aging, as well as having anterograde amnesia with the onset of mixed dementia. Interviewee can recall items from her past, however, keeping the interviewee on subject and present in the moment proved difficult.
Begin
13:31:17…
Pierre: Thank you for meeting me Mrs. James.
James: Oh yes, my pleasure. Why are we meeting again?
Pierre: I am here to talk with you about your late husband, Thomas, I’m writing a paper.
James: Oh, my! How I’ve missed him! How is he? Is he back from the desert?
Pierre: No, Mrs. James, I think you remember that he is no longer with us, correct?
Interviewee sighs.
James: Oh… oh yes, I know. He…
Pierre: That is correct. Where did he go?
James: Who?
Pierre: Your husband, Thomas, where did he go?
James: Oh…hmm…. He was in the desert.
Pierre: Do you know which desert?
James: No… I can’t remember. He… His friend at USC25, Vivian… hmm… Mar… Marsouix… no Marshalls… Vivian Marshalls brought Thomas to the desert.
Pierre: Who is Vivian Marshalls?
James: An old friend of Thomas’s.
Pierre: What did he do?
James: Brought Thomas to the desert.
Pierre: No, Mrs. Thomas, was was Mr. Marshalls’s reason for bringing Thomas to the desert.
James: Thomas was an artist. The expedition needed an artist.
Pierre: What expedition?
James: Vivian had found something, something in the desert. Something he had been looking for.
Pierre: What was that?
James: I don’t know… I..
Pierre: So why was Thomas needed for this expedition?
James: Thomas was an artist. The expedition needed an artist!
Interviewer sighs. Interviewee continues.
James: But… I… I don’t know… But he went, and came back… a body.
Interviewee appears upset.
Pierre: How did he die?
James: I don’t know… Pause. All the consulate sent me was his body and his things… Pause.… a letter and a painting.
Pierre: What consulate?
James: I think it was Chinese.
Pierre: What was in the letter?
James: I… I… I never could bring myself to read it. My Thomas left on a plane and ascended high into the clouds to meet God. That is how I want to remember him.
Pierre: What about the painting?
James: What painting?
Pierre: You said there was a painting sent back with Thomas’s body. What was that painting?
James: I did? There was?
Interviewee pauses.
James: Oh yes, that painting! An ugly thing, made me sad just to look at. Put the damned thing in the basement. Gave me heartache just to be around it.
Pierre: But you couldn’t get rid of it?
James: Heavens no! It was the last of him that I had!
Pierre: So you never read his letter?
James: No.
Pierre: Where is it now?
James: Where is what?
Pierre: The letter?
James: What letter?
Pierre: Thomas’s letter, from his time in the desert?
Interviewee appears distant.
Pierre: Mrs. James?
James: Oh, yes, Thomas came back with a letter!
Pierre: And where is it?
James: Oh, I’d imagine with the estate, Hathaway… they helped me consolidate everything after… after I sold the house.
Pierre: Mrs. James, may I request a copy of the letter for my own purposes?
James: What for dear? The words of a lost love?
Pierre: Like I said, I’m doing an independent research paper, focused on unappreciated artists of the mid-century.
James: I guess then, what do you need from me?
Pierre: Just sign this.
James: Sign what?
Pierre: This form relinquishes said items into my care for acquisition and study.
James: The study of what?
Pierre: Of your late husband’s letter and painting.
James: Why would you want those things?
Pierre: Mrs. James, please sign right here.
James: Okay, if you say so. Just don’t look too hard.
interviewer and interviewee both pause.
Pierre: Look hard for what?
James: What answers you may find. They aren’t meant for you.
Pierre: What do you mean?
James: About what?
Interviewee pauses and is distant.
Pierre: About… never mind. It was nice to meet you Mrs. James.
James: Nice to meet you, too… who are you?
Pierre: Just a passerby. Goodbye Mrs. James.
James: Safe travels!
13:40:08…
End
Closing Interviewer Remarks: Mrs. James subsequently relinquished control of her late husband’s letter and painting into Foundation custody. It is apparent that the Interviewee has undergone mild to severe mental degradation, whether this is resultant of proximity and exposure to SCP-XXXX or just normal aging, it can not be ignored that a person within SCP-XXXX proximity for such an extended period of time, regardless of exposure, has had increased mental deficiencies accumulated over the years. Proper investigation into the purported Marshall expedition is currently underway.
ITEM ACQUISITION VIDEO TRANSCRIPT-XXXX 2021-03-08