Per 
Class: Euclid
SCP is to be kept in a standard humanoid containment chamber. It is allowed to request materials for its chambers, which must first be approved by Dr. Jones. Requests have included:
a sumo brand bean bag chair (approved)
Computer with internet access (approved, access limited and monitored)
Cassette tapes of underground punk band ███ ████ (approved, effects monitored)
Set of drums (denied)
Keyboard (denied)
Guitar (denied)
Cannabis, smoking apparatus, and lighter (approved, on contingency of good behavior)
The genitals of Dr. Jones in a ziplock bag (denied, cannabis privileges revoked)
All personnel entering the chamber must wear foundation approved audio deadening apparatus, effectively rendering them deaf, for the duration of their time with SCP. Early in containment, SCP was required to be in a straightjacket or similar restraints during questioning. After better behavior and as per request, SCP can communicate through written or typed english and is beginning to show a rudimentary grasp of sign language. Further training is helpful, but not required.
Description:
SCP is a 16 (at time of initial containment, now ██) year old caucasian male and the former drummer of underground punk band ███ ████. SCP was born and raised in ██████, Ohio, and interviews with parents and colleagues along with deep review of SCP’s history and physiology have revealed no explanation for its anomalous properties.
When given means of creating a beat, SCP is able to convince anyone who listens to “stick it to the man,” often leading to the destruction of property and in some cases, the violent termination of local authority figures. SCP was discovered after playing a street show in a college town which lead to the deaths of [DATA EXPUNGED] local cops, managers of local businesses, and professors at the nearby university.
The affected members of the audience, hereafter SCP-1, exhibit qualities that can be best likened to the phenomena of “hysterical strength.” SCP-1 has been known to show increased resistance to trauma, heightened speed, agility, and strength, along with deadened pain responses, allowing them to perform feats such as jumping through windows and falling from what should have been fatal heights. SCP-1 will calm down if sedated or bound for six hours, in the meantime, it will do anything it can to escape.
SCP claims to be able to control this ability, but testing has not confirmed this. SCP was found to be the only one in the band who displayed this property after the band was taken in for questioning and limited experimentation. SCPs bandmates given class A amnesiacs and released, believing that SCP died in the chaos. They have since released an album titled “█████”, SCPs legal name, in memorial. Albums released after the detainment of SCP have seen a severe drop in what was already low quality popularity and consistent audience.
Note: Be professional. This is the SCP foundation, not [EXPLETIVE DELETED] itunes. — Dr. Jones
Testing log:
█-█-200██ — first test objective, determining activation of SCP-1 state
SCP, one (1) ████ brand drum set, D class personnel (restrained prior to testing)
SCP instructed to play as it pleased while D class listened.
SCP performs several different beats and rhythms of varying complexities and speed on a standard drum set. Reactions fairly uniform, with subjects introduced to SCP after it had been allowed to play for an extended period of time showing signs of SCP-1 state slightly earlier and to a slightly higher degree. SCP claimed this was due to being “in his flow.”
█-█-200█ — second test objective: same as first
SCP was left to its own devices at a standard desk, with a D-class personnel there to “monitor” its behavior. D class was fitted with a tranquilizer set to release on the command of Dr. Jones to prevent harm to SCP.
SCP creates beat with items such as hands, pencils, the desk, and paperweight. Reaction consistent. Further testing into lower limit of the “drumset” needed approved.
█-█-200█ — continued efforts of first two tests.
SCP, one (1) ███ keyboard, D class personnel
SCP given keyboard, prior investigation showing that it had limited experience with the instrument. Effect similar, but to a lesser degree — D class calmed down after two hours instead of usual six and took longer to reach full SCP-1 state. Requesting approval of keyboard for SCP to practice on in order to ascertain whether this is due to the change of instrument or SCPs inexperience with it.
Request denied. Possibility of SCP achieving competency at instrument and finding a means of piping the sound outside of containment poses too high of a risk.
Dr. Jones has interviewed SCP near daily, in part to fulfill SCP’s social needs, as continued limited social contact has proven to make SCP more prone to outbursts. The following interviews are those deemed as helpful in understanding the general nature of SCP.
Interview log:
Interview 1, two days after initial containment.
Jones: So, SCP —
SCP: [EXPLETIVE DELETED] off, dude, seriously? You're not even going to use my [EXPLETIVE DELETED] name?
Jones: You understand the need to remain professional.
SCP: No the [EXPLETIVE DELETED] I don't, [EXPLETIVE DELETED].
Jones: Clearly. At this point, Dr Jones sighs heavily. Will you cooperate if I use your legal name?
SCP: i don't have to do [EXPLETIVE DELETED] for you, [EXPLETIVE DELETED].
Jones: Fantastic. So, SCP, can you tell us when your properties first manifested?
SCP: Alright, yeah. It was, I dunno, a month or two ago.
Jones: interesting. Under what conditions?
SCP: Well … it wasn't drums.
Jones: What was used to invoke the SCP-1 reaction?
SCP: Your mom’s bed hittin’ the wall, [EXPLETIVE DELETED]!
SCP begins laughing and poorly miming copulation, occasionally impersonating the sound of female sexual pleasure.
Jones: Alright, we’re done here.
[end log]
Six months after initial containment. SCP at this point allowed to communicate via pen and paper due to good behavior. Dr. Jones has been studying SCP since initial containment and has elected to use its legal name, █████, despite dissuasion by other members of SCP staff. For flow of reading, differentiation is made between Dr. Jones’ verbal communication and SCPs written ones is only as necessary. Phrasing and grammatical structure taken directly from document written by SCP.
Jones: Good morning, ███.
SCP: way too [EXPLETIVE DELETED] early for an interview old man
Jones: I understand that you like to sleep in, however, this takes precedence.
SCP: Rolls eyes, mutters inaudibly, gives a very aggressive thumbs up.
Jones: Today we’re going to be talking about your music. At this point, Dr. Jones places a cassette tape on the table. This is your first album, ███ ██ ████?
SCP: hell yeah dude I’ve been asking for that
Jones: And you can have it, if you answer my questions. The cassette is placed in a cassette player and played. Track five, ███ ██, is played. This is the song you played that triggered the incident leading to your containment?
SCP: After a moment of listening, nods. ████ shredded that [EXPLETIVE DELETED]
Jones: I’m sure he did.
At this point, a guard leads D-018248378 in. D-018248378 is not wearing any form of audio inhibitors and is in handcuffs. SCP is unaware of anyone else in the room. The recording reaches a drum heavy portion, which SCP nods along to, smiling. No change in D-018248378’s behavior. Dr Jones places two drumsticks on the table.
Jones: Can you recreate this portion for me?
SCP seems startled, but quickly picks up and begins drumming on the table. D-018248378 begins twitching, attempting to break restraints and attack the guard holding him. SCP does not notice, appearing to be fully enrapt in drumming. D-018248378 terminated after managing to escape bonds and attack guard. SCP stops drumming upon hearing the conflict.
SCP: now out loud. What the [EXPLETIVE DELETED]?!
Jones: Please remain calm.
SCP: You just [EXPLETIVE DELETED] killed him!
Jones: He was hostile. It was the safest option.
SCP: You can’t just [EXPLETIVE DELETED] kill people, dude!
Jones: ████, I can't hear what you’re saying.
SCP: SCP raises middle finger to Dr. Jones. Read that, you mother[EXPLETIVE DELETED] psycho!
Jones: I’m going to move on. Remember, your cooperation means you get the tape. You’ve claimed to have control over this ability before. Did you intend to turn D-018248378 hostile?
SCP: After a moment, SCP picks up the pen again. Following communication is written. I didn’t know he was there.
Jones: So, causing this aggression is your default?
SCP: i can control it
Jones: You haven’t demonstrated this so far.
SCP: [EXPLETIVE DELETED] you i can control it you haven’t given me a chance
Jones: I think we’re done for today, █████.
SCP stands from chair and attempts to block exit, indicating the second to last line on the paper repeatedly. Removed by guard mentioned prior and recontained.
[end log]
Interview 3:
Almost a full year after initial containment. Dr. Jones is helping SCP practice sign language skills in order to further ease communication. ASL translated to english for ease of reading, similar to last interview.
Jones: What do you want to talk about, █████?
SCP: Music.
Jones: Very surprising.
SCP: SCP smiles at this. Shut up.
Jones: I see you have been listening to █████ a lot. Note — this refers to the album released by SCPs former band members in memoriam of SCP.
SCP: Nods. It’s weird to hear your friends talk about you being dead, I guess.
Jones: I can assume.
SCP: Will you be honest with me?
Jones: To the best of my ability.
SCP: I’m not going home, am I?
Jones: After a long pause. You’re too dangerous. We can’t release you until we understand the source of your ability. At this rate, we are no closer, and have no proof that you can truly control your abilities.
SCP: After a long pause. I’m trying.
Jones: I know.
After limited conversation, SCP retired to its’ room early.
[end log]
After the last interview, SCP has shown signs of depression and a lack of its former sarcasm and crude sense of humor. Dr. Jones has recommended talk therapy, but this is not considered a priority at the moment. Dr. Jones has been noted as showing some paternal inclinations towards SCP. Further development of these habits will be met with his reassignment to a different project to maintain professionalism.
