Per 
Here's a quick summary of what she pitched:
She wanted a humanoid Euclid that essentially could step into paintings. It could walk through the environments depicted in these paintings as if they were real. Paintings of an ocean, for example, would threaten the SCP with drowning. Here are a few notable conditions of this ability:
1. Any and all objects, while within the painting, would be augmented to the painter's perspective. (i.e. If the SCP loved cheescake, but the painter thinks it taste like rotten eggs, then the painter painted a picture of cheesecake, the SCP could eat it but would comment it would taste like rotten eggs.) (Another example would be if an Author only read a summary of a book, then painted a painting of the book, the SCP's attempt to read it would only yield a very rough version of the book with constant plot holes and missing characters)
2. All people met in these paintings could be interacted with, but would only be about as lively and complex as the painter depicted them. For example, when the SCP enters a photo from a photographer who simply took a photo for a couple bucks and put no thought into it, all the people would be eerily hollow and void and put the SCP in notable discomfort.
3.It could retrieve objects from these paintings and bring them out, being as functional and real as the real thing. Books can be read, balls can be bounced, scissors can snip, etc. This is, until, the SCP stops making contact with that object. Upon being disconnected from the retrieved object, the object will then become solid and instantly become composed entirely of solid old paint.