ORPANDA

Item #: SCP-XXXX

Object Class: Safe

Special Containment Procedures: SCP-xxxx is kept on Site-xx, After initial testing revealed SCP-xxxx posed no danger to staff members, SCP-xxxx has been places on a counter in the left wing cafeteria of the facility, where it has been placed behind a glass pane and labeled, so not to confuse the staff. Staff members have also been warned to watch their step, in order not to accidentally crush SCP-xxxx-1 instances. In the event that a Staff member hurts, or finds a hurt SCP-xxxx instance or sees SCP-xxxx-1 instances leaving the cafeteria, they are to contact Dr. Nilsson or one of her research assistants.
Description: SCP-xxxx is an anomaly contained inside of a 3ft tall play stage, made out of wood and fabric curtaining. SCP-xxxx is a door on the left side of the stage. If viewed from the outside, SCP-xxxx appears to be a normal, tiny door, However, if viewed from inside of the stage, SCP-xxxx leads to a wall of soft clay. View Addendum xxxx-1 for updated information.

Instances of SCP-xxxx-1 manifest from this soft clay wall. SCP-xxxx-1 are sentient, humanoid clay figures, who are capable of communication through psychic means. If SCP-xxxx-1 instances notice they are being observed, they will attempt to put on a play for whoever is observing them. There are 3 known plays that SCP-xxxx-1 instances are known to preform. When the instances are done with the play, they will ask for feedback on their performance. The next time SCP-xxxx-1 Instances preform, the play will change based on the feedback they revive.

SCP-xxxx-1 Instances will enter and exit our world through SCP-xxxx. While there are "blank" versions of SCP-xxxx-1, there are 5 instances of SCP-xxxx-1 which seem to repeat. Each repeating instance seems to have some unique feature which separates it from the blank versions of instances.

Addendum xxxx.1: Upon further investigation, and interviews with the SCP-xxxx-1 instances, SCP-xxxx has been re-designated from the door to the clay wall itself. SCP-xxxx lives in a separate dimension, and is capable of location inside of said dimension

The SCP-xxxx-1 instances are all separate consciousnesses which inhabit SCP-xxxx. SCP-xxxx-1 seems to be capable of creating new consciousnesses, but it is unclear how this process occurs. SCP-xxxx acts much like a hivemind, if a hivemind were capable of having multiple personalities.

Ademdum xxxx.2: The five known instances of SCP-xxxx-1 and their preferred designations are listed bellow.

xxxx-1A (Director): SCP-xxxx-1A can be identified by it's right hand, which resembles a megaphone, and lacks the three fingers and thumb typical of SCP-xxxx-1 instances. 1a seems to be the defacto leader of the instances. They act as the director, and only seem to take the role of a narrator in the plays. 1A is the instance most commonly seen by staff, and is always extremely amicable in interactions.

xxxx-1B (Chief): SCP-xxxx-1B can be identified by its chest and neck, which sport a triangular protrusion that vaguely resembles a bandana. 1B seems to have no interest in interacting with foundation staff outside of performances. It often plays the role of the main charterer.

xxxx-1C (Bub): SCP-xxxx-1C can be identified by the three horns protruding from the front of it's face. 1C often plays the role of the villain, but has showed nothing but has shown nothing but civility to the staff it interacts with. 1C has proven hard to gain information from, however, because it only speaks in limerick.

xxxx-1D (Falcon): SCP-xxxx-1D can be identified by the fact that it has four, not two, arms on both sides. It plays a number of different characters within the plays. While it is normally friendly with staff, it seems to have taken certain criticisms as insults, and has become unfriendly to a few researchers.

+ Transcript of Video xxxx-3

*1A enters the stage*

1A: Good evening ladies and gentleman. We are happy to present the most important show in our catalog. This is no mere work of fiction- this is the story of our history and our purpose.

*1D enters the stage*

1A: This is the Lomelord- our creator. He was a creature much like yourself with a telent to make works of art that could move and make all who saw them feel a great sense of joy. But he always felt a great sense of shame, and felt as though his work was never good enough. So nearing the end of his life he began to work on a final project- a piece of art that actually lives.

*Blanks xxxx-1 instances begin to appear on the stage, whit cloth sheets over their head.*

1A: The Lomelord spent months and months creating us- ideas put into clay, living thoughts. He created us. He created a home for us. And then he was no more. And we were here

*1D is carried offsatge by 2 blank xxxx-1 instances. 1B enters the stage*

1A: and then there we were. Back in the old days there were many of us. We communicated easily. Wherever you went in our world, We could find another of us. We created ideas, which are us, are part of us, and can move without us.

*blank -1 interests circle 1A and 1B*

1A- but the Lomelord had expended all of his final energy in creating us. Without him to maintain our world, our world began to fall into disarray.

*blank -1 instances leave the stage, and only 1A and 1B remain*

1A- and then it was just us. For years we have wandered our lands for years looking for the rest of us. But in all this time we haven’t found a single clue, a single piece of evidence to suggest there’s someone else out there. We are alone. We are the last too tell our story.

*1A and 1B exit the stage, and do not come back out for audience engagement*