Havana Cafe, 16 hours to "The Run"
Monday's happy hours in the cafe have just ended. That was the cue for the group to leave for The Igloo next door. It was not the cold beer one could get there on the cheap that brought them there. Well, it was part of it, but The Igloo's draw was its anartist clientele and the club scene. It was last Tuesday when a girl named Nejala invigorated the spirits of three regulars so much, that they've decided to pursue greater things in life. Of course, all of this would not happen without help of a pair of well known non-anomalous substances, but it's the vision that counts, doesn't it?
The vision was clear: to smash chequerboards on canvases in the middle of the city. They'd dress up in chequerboard outfits and splat over their anomalous canvases to symbolize humanity breaking through the possible into the impossible. Eviva l'arte! The rebirth of humanity not only in the image of anomalous, but through the anomalous! All this were to happen tomorrow.
A newcomer to the group, Rejuf, was being introduced to the workings of the spectacle. If it weren't for him, there'd only be enough canvases for the members of the group and no runways. To him, this had to be a public participation, not just a public performance. After all, it was about everyone and not only them. The lack of time forced their hand in terms of number of the canvases and the quality of the runways, but it did not matter one bit. It had to be tomorrow, and it had to be world-shattering.
The Great Square of Minsk, one hour to "The Run"
I sure wish I were my gloves now. Laughing at my right hand hidden in my pocket and miserable left one from the safety of my cosy cupboard.
"Hi! Have you ever thought yourself a piece of art?"
Shucks. If I keep doing these long "i"s no one will grab a leaflet. No one grabs a leaflet, no one thinks themselves a piece of art. No one…
"Look at you! I think I read about you right here!"
That was out of my comfort zone. Right. I need a smoke. The show's not on for another hour anyway. Rest of the Eye Opening Team can handle preparations for "The Run".
So… It's been a wild week even for my standards. If someone were to tell me that I'd do a candy flip with three people I just met, in a place I've never been to before, just because I misread the address, I'd piss myself laughing. I wanted to take part in a poetry slam next door, but what I found in The Igloo literally slammed me through the reality I once knew. Forking smashed the doors of perception. Seen the true colours of the world for the first time.
"We'd get more out of Curiosity if it were to explore Earth properly, trust me."
Doing the inner dialogue out loud again! Name's Nejala and I'm a forking ditz, nice to meet you. Too bad Rejuf's nowhere to be seen, eh. I better get back to preaching, can't let down the Slam Penguins.
A tree on The Great Square of Minsk, half an hour to "The Run"
The canvases have been set up in a chequerboard fashion on the square. Fourteen of them, with every single one having a runway of sorts ending with a makeshift wooden ramp in front of them.
At a glance, it might seem that someone set up a rushed skate park in the middle of Minsk's main square. In the past, such thing would quickly be dealt with, but since L's death entire country seemingly let out a loud sigh of relief and law became a mere suggestion. There was more rules, sure, but society wasn't concerned with assembly permits.
Maybe if it was, Slam Penguins, a week-old anartist group with religious undertones would not be able to set up fourteen canvases of anomalous nature on one of the most populated streets of Minsk.
Tramway number 4, fifteen minutes to "The Run"
Blaming the traffic jam would make for a great excuse for the jam my head is. I don't see this getting me to "The Run" any faster nor making me smarter though. So I guess back to self-loathing. Here it comes.
Welcome back, the compulsive thought of: "Hey, how would you introduce yourself, eh?" No one much, name's Rejuf and I'm just yours truly aspiring anartist with an amazing score of having just started yesterday. Call me "Slammer", 'cause I'm one of 'em. Yikes. That brings up an image of a different kind of slamming… I lack confidence even in my damn head. Been going to that poetry slam place for months and I never did actually slam anything. No. Head, stop. Honestly, I'd never be doing this performance if not the need for physical contact. Yeah, I do believe that this is going to change everything, yeah I do believe that we're going to make a difference and wherever we end up is preferable to this.
Hmpf. At this pace, I'll be late at least fifteen minutes. Imagine I fail to slam this, too.
The Great Square of Minsk, five minutes to "The Run"
Where the hell is Rejuf? Not that we can't do "The Run" with just seven of us, some folk seem keen on trying our canvases out. Fourteen salvations. Fourteen works of art. Fourteen hammer swings at the glass of false reality. Fourteen accusations, fourteen shrieks, fourteen glares! Fourteen steps to leave humanity's teens!
How come anart failed to awaken people up? It's been around for at least two centuries now! Somehow it's all around us, most of it beneath the thinnest of surfaces, with zero attention given to it. Alright, I'm fresh to this but how come I mistook it for technology? Glitches in the matrix? Coincidences? Drunken and drugged spiels? Why when I started asking people older than me about it, they admitted to knowing about anomalies but none of them found it something to worry their heads about? Who's drunk and who's drugged here? The impossible neatly fits into the possible, the possibilities of the anomalous are limitless… No more questions, no more worries, no more doubts!
"The Run" is about to begin. A week ago I wanted to try my hand at slam poetry. A week later, I'm trying to go beyond humanity. Nothing is impossible.
A tree on The Great Square of Minsk, "The Run"
The preaching coming out from the loudspeaker finally died down. The group has ran out of leaflets quarter of an hour ago already, and has mostly concerned itself with emotional outbursts and chain smoking. The time of salvation has come, as they said. Eight of nine Penguins were slowly approaching the runways. Their chequerboard outfits shone in the cold, winter Minskian sun. Probably something to do with them being created out of plastic table covers.
The most curious sight is the six bystanders, now performers in "The Run". Only notable thing shared between them would be some degree of boredom and stillness felt in their lives. Not for long, because as they have been told, "The Run" is going to end life as they know it. It's going to bring out the art of their true being to the entire of humanity. Their life shall usher in the rebirth of the humankind.
All it would take, they were told, is to run into the canvas. Let it take you and show the world your true self. Penguins thought they found their fellow-travellers in vision. The only thing they shared was sheer curiosity.
That feeling was quickly felt by the crowd around the chessboard-like space created by the canvases and the runways. While every single participant started when the People's Clock rang midday, they approached the canvases in different ways. Most of them ran, of course, and those changed into blobs of paint mid-run, just to be thrown by their momentum onto the canvas. More cautious ones were seemingly pulled onto the canvas after they got turned into paint while strolling the runway.
The Great Square of Minsk, three minutes after "The Run"
Yeah, I fucking knew it. I did a run while they did "The Run". Fourteen paintsplosions have gone to the other side, higher plane, a lower ring of hell, another life, you name it. They aren't around, that's for sure.
Slam Penguins are gone. Guess who's around? Yours truly, looking like I'm the only one who showed up for the Annual Chequerboard Enthusiasts Meetup. Y'know, what we wanted to do is to slam the board on the canvases to bits. What I wanted is to slam myself on canvas. Smash the Board of Reality that humanity plays on. I can't imagine Nejala being in my situation. Her zeal and devotion were unmatched. All those people are doing is just shooting pictures, posing with the canvases, dancing to TikToks and wondering what did Banksy mean by this.
Scratch that, there's five guys trying to wrangle one of the canvases somewhere. Is that… Yup. That's vomit. I'm done. Slam Penguins are done. Back to regular slamming. It's Tuesday, after all.
The Great Square of Minsk, one hour to "The Run"
I sure wish I were my gloves now. Laughing at my right hand hidden in my pocket and miserable left one from the safety of my cosy cupboard.
"Hi! Have you ever thought yourself a piece of art?"
Shucks. If I keep doing these long "i"s no one will grab a leaflet. No one grabs a leaflet, no one thinks themselves a piece of art. No one…
"Look at you! I think I read about you right here!"
That was out of my comfort zone. Right. I need a smoke. The show's not on for another hour anyway. Rest of the Eye Opening Team can handle preparations for "The Run".
So… It's been a wild week even for my standards. If someone were to tell me that I'd do a candy flip with three people I just met, in a place I've never been to before, just because I misread the address, I'd piss myself laughing. I wanted to take part in a poetry slam next door, but what I found in The Igloo literally slammed me through the reality I once knew. Forking smashed the doors of perception. Seen the true colours of the world for the first time.
"We'd get more out of Curiosity if it were to explore Earth properly, trust me."
Doing the inner dialogue out loud again! Name's Nejala and I'm a forking ditz, nice to meet you. Too bad Rejuf's nowhere to be seen, eh. I better get back to preaching, can't let down the Slam Penguins.
A tree on The Great Square of Minsk, half an hour to "The Run"
The canvases have been set up in a chequerboard fashion on the square. Fourteen of them, with every single one having a runway of sorts ending with a makeshift wooden ramp in front of them.
At a glance, it might seem that someone set up a rushed skate park in the middle of Minsk's main square. In the past, such thing would quickly be dealt with, but since L's death entire country seemingly let out a loud sigh of relief and law became a mere suggestion. There was more rules, sure, but society wasn't concerned with assembly permits.
Maybe if it was, Slam Penguins, a week-old anartist group with religious undertones would not be able to set up fourteen canvases of anomalous nature on one of the most populated streets of Minsk.
Tramway number 4, fifteen minutes to "The Run"
Blaming the traffic jam would make for a great excuse for the jam my head is. I don't see this getting me to "The Run" any faster nor making me smarter though. So I guess back to self-loathing. Here it comes.
Welcome back, the compulsive thought of: "Hey, how would you introduce yourself, eh?" No one much, name's Rejuf and I'm just yours truly aspiring anartist with an amazing score of having just started yesterday. Call me "Slammer", 'cause I'm one of 'em. Yikes. That brings up an image of a different kind of slamming… I lack confidence even in my damn head. Been going to that poetry slam place for months and I never did actually slam anything. No. Head, stop. Honestly, I'd never be doing this performance if not the need for physical contact. Yeah, I do believe that this is going to change everything, yeah I do believe that we're going to make a difference and wherever we end up is preferable to this.
Hmpf. At this pace, I'll be late at least fifteen minutes. Imagine I fail to slam this, too.
The Great Square of Minsk, five minutes to "The Run"
Where the hell is Rejuf? Not that we can't do "The Run" with just seven of us, some folk seem keen on trying our canvases out. Fourteen salvations. Fourteen works of art. Fourteen hammer swings at the glass of false reality. Fourteen accusations, fourteen shrieks, fourteen glares! Fourteen steps to leave humanity's teens!
How come anart failed to awaken people up? It's been around for at least two centuries now! Somehow it's all around us, most of it beneath the thinnest of surfaces, with zero attention given to it. Alright, I'm fresh to this but how come I mistook it for technology? Glitches in the matrix? Coincidences? Drunken and drugged spiels? Why when I started asking people older than me about it, they admitted to knowing about anomalies but none of them found it something to worry their heads about? Who's drunk and who's drugged here? The impossible neatly fits into possible, the possibilities of the anomalous are limitless… No more questions, no more worries, no more doubts!
"The Run" is about to begin. A week ago I wanted to try my hand at slam poetry. A week later, I'm trying to go beyond humanity. Nothing is impossible.
A tree on The Great Square of Minsk, "The Run"
The preaching coming out from the loudspeaker finally died down. The group has ran out of leaflets quarter of an hour ago already, and has mostly concerned itself with emotional outbursts and chain smoking. The time of salvation has come, as they said. Eight of nine Penguins were slowly approaching the runways. Their chequerboard outfits shone in the cold, winter Minskian sun. Probably something to do with them being created out of plastic table covers.
The most curious sight is the six bystanders, now performers in "The Run". Only notable thing shared between them would be some degree of boredom and stillness felt in their lives. Not for long, because as they have been told, "The Run" is going to end life as they know it. It's going to bring out the art of their true being to entire of humanity. Their life shall usher in the rebirth of the humankind.
All it would take, they were told, is to run into the canvas. Let it take you and show the world your true self. Penguins thought they found their fellow-travellers in vision. The only thing they shared was sheer curiosity.
The Great Square of Minsk, three minutes after "The Run"
Yeah, I fucking knew it. I did a run while they did "The Run". Fourteen paintsplosions have gone to the other side, higher plane, a lower ring of hell, another life, you name it. They aren't around, that's for sure.
Slam Penguins are gone. Guess who's around? Yours truly, looking like I'm the only one who showed up for the Annual Chequerboard Enthusiasts Meetup. Y'know, what we wanted to do is to slam the board on the canvases to bits. What I wanted is to slam myself on canvas. Smash the Board of Reality that humanity plays on. I can't imagine Nejala being in my situation. Her zeal and devotion were unmatched. All those people are doing is just shooting pictures, posing with the canvases, dancing to TikToks and wondering what did Banksy mean by this.
Scratch that, there's five guys trying to wrangle one of the canvases somewhere. Is that… Yup. That's vomit. I'm done. Slam Penguins are done. Back to regular slamming. It's Tuesday, after all.
Seeking Greenlights: Yes
Page Type: Tale
Genre (Optional): Art/Religious/Regret
Elevator Pitch: Small anartist cult is holding a public performance of attaining salvation. There are huge anomalous canvasses to explode on, enough for the entire group and some convinced bystanders. Things go very well, but one of the cultists got there a little bit too late.
Central Narrative: First, we get first-person narrative of a girl burning with religious-artsy zeal giving out leaflets at the performance called "The Run". She goes through her views on art, it's place in the world and how anomalous art changed her perception of what is the true reason for art. She recounts meeting the first three cultists, how she was dazed by their vision, how the cult grew to be nine members strong. How she believes that people shall change their views on their lives once it's done. It jumps here to another first-person narrative, now from the perspective of a young man, a cultist late to the performance. His thoughts race around the question whether he'll get there in time for "The Run" so he can run with others. He knows that it doesn't matter when he runs into the canvas but nonetheless is scared to do it alone. What appeals to him the most is the communal feeling of taking part in a ceremony. He wants to show his true colours to the world but doesn't want to be seen as a coward. He is not a coward, you see, because if he does complete "The Run", he never was one. When he finally arrives at the square where the performance is held, it's already over, every canvass exploded over. He looks over the fourteen canvases, painted with different paints but always in something best described as splashes. He looks around and sees people taking fast photos or recordings and going their merry way. "They have given all and what they've got back is not more than a curious glance" he thinks to himself. "Even the impossible doesn't surprise people. Breaking the veil. We wanted them to reflect. Change. Embrace the truth of who they are. Preferably not as extremely as we would but we wanted to make the world a better place. There has to be a way to rekindle the spirit of human imagination. Turning into objects condemned us into subjugation. The author has to be present."
Hook/Attention-Grabber: Sheer oddity of the cult, (first-person narrative?)
CURRENT:
Seeking Greenlights: Yes
Page Type: SCP Article
Genre: Mystery/Art
Elevator Pitch: Item: Oil paint kit, the tubes are anomalous. They turn social workers, aspiring and those with history of such work into XXX-1 instances. If they interview someone deemed a client they bring into existence XXX-2 instances, Pharaoh ants. Those only live in the room the interview was held in, forage but don't feed, one instance can recreate entire colony, when they die they turn into oil droplets. They dispose of any harmful pests to humans and their animal companions, putting them on small paintings of graveyards which they create on any surface, preferring window sills. Those graveyards have capacities which can't be worked out. When enough graveyards are full, another anomalous effect happens: residents recover more easily from illnesses, don't get sick as often, become more upbeat and pick up oil painting. Ants die if the room is not visited by an XXX-1 instance for a month. Any regular ways of getting rid of Pharaoh ants work. The ants are not noticed by social workers and their co-workers until they are presented with evidence - most commonly graveyard paintings.
Page Layout: Classic containment procedures -> description with a short experiment log table. Addendum.
Central Narrative: The Foundation has agents in social work institutions and this is how they come to learn about the item, those agents have also become XXX-1 instances. The anomalous effect works on rooms of SCPs when interviewed by an XXX-1 instance. Foundation found a flat where the kits were produced with a business card of "Poetry of Social Warmth" with a motto matching one on the kits saying "So we never become any degree of cold.", address corresponding to the flat, with e-mail responding with an apology. After some time, every single e-mail which messaged that e-mail received newsletter with offering of the item as "helps social workers do their job" and an announcement of a pencil set "helping kindergarten teachers do their job". XXX-1 instances can be neutralized by use of strong amnestics so they forget all their past, current or planned career in social work. Personality altering can be needed for the neutralization to occur fully.
Hook/Attention-Grabber: Involvement of intent of a group, what is to be done with (XXX-1) instances.
Additional Notes: I'm scared.
Seeking Greenlights: Yes
Page Type: SCP Article
Genre: Other: Mystery/Wholesome (?)
Elevator Pitch: The items are small oil paint kits containing 6 paint tubes. It does have a date of production and a motto saying "So we never become any degree of cold". The tubes (SCP) are what does elicit anomalous occurrences - if they are in the same room as a social worker, aspiring social worker or someone who had worked as a social worker, they will make it so these people become source of another anomalous quality (XXX-1). Namely, when those people interview someone who could be acknowledged as a client they bring into existence a colony of anomalous Pharaoh ants (XXX-2). Those ants are the same as regular ones, but they never leave the room they were created in, forage but don't need to feed, a single instance and reproduce into entire colony, when they die they turn into oil paint droplets. They dispose of any pests harmful to humans or their animal companions, even things as small as mites and somehow create small paintings on any surfaces, especially on window sills, depicting graveyards known and unknown, where they put the dead pests on. Graveyards seem to have a capacity, but means by which it is determined is unknown. Those ants self-terminate if no (XXX-1) instance visits the room where they live for a month. Any conventional ways of getting rid of regular Pharaoh ants works. Social workers and people co-working with them will fail to notice the ants (XXX-2) and require some evidence to become aware of them, with graveyard depictions being the most common way noted. When there are enough full graveyards in a room another anomalous effect takes place: people living in them seem to become less prone to illness, recover from illnesses easier, become more upbeat and show interest in painting with oil paints.
Information about the anomaly comes from Foundation agents planted in various social work institutions. They have become XXX-1 instances and have proven to bring ants (XXX-2) into containment chambers of SCPs they interview. The Foundation has localized and secured a flat in which the item seemed to have been produced. There it recovered a business card of "Poetry of Social Warmth" with the box motto and matching address. E-mail attached responded to every message with an apology. Addendum: Recently, every single e-mail which sent a message to the group's e-mail received a newsletter offering the item and an announcement of a new one.
Page Layout: Classic containment procedures -> description with a short experiment log table.
Central Narrative:
Hook/Attention-Grabber: Involvement of intent, what is to be done with (XXX-1) instances.
Additional Notes:
Item: Oil paint kit, the tubes are anomalous. They turn social workers, aspiring and those with history of such work into XXX-1 instances. If they interview someone deemed a client they bring into existence XXX-2 instances, Pharaoh ants. Those only live in the room the interview was held in, forage but don't feed, one instance can recreate entire colony, when they die they turn into oil droplets. They dispose of any harmful pests to humans and their animal companions, putting them on small paintings of graveyards which they create on any surface, preferring window sills. Those graveyards have capacities which can't be worked out. When enough graveyards are full, another anomalous effect happens: residents recover more easily from illnesses, don't get sick as often, become more upbeat and pick up oil painting. Ants die if the room is not visited by an XXX-1 instance for a month. Any regular ways of getting rid of Pharaoh ants work. The Foundation has agents in social work institutions and this is how they come to learn about the item, those agents have also become XXX-1 instances. The anomalous effect works on rooms of SCPs when interviewed by an XXX-1 instance.
Discovery proposals
Foundation found a flat where the kits were produced with a business card of "Poetry of Social Warmth" with a motto matching one on the kits saying "So we never become any degree of cold.", address corresponding to the flat, with e-mail responding with an apology. After some time, every single e-mail which messaged that e-mail received newsletter with offering of the item as "helps social workers do their job" and an announcement of a pencil set "helping kindergarten teachers do their job". XXX-1 instances can be neutralized by use of strong amnestics so they forget all their past, current or planned career in social work. Personality altering can be needed for the neutralization to occur fully.
"We're terribly sorry, but our group has found itself in danger and had to cease activity for time being. "ku.oc.liamtoh|00yrteopfohtmrawylevol#ku.oc.liamtoh|00yrteopfohtmrawylevol"
Foundation has managed to l
Item #: SCP-TTT I'm an oil paint creating beneficial ants
Object Class: (Keter?)
Special Containment Procedures:
Any SCP-TTT instance is to be kept in a Standard Small Item Storage Room-121 on shelves for ease of access. No one who is, was or is planning to be a social worker can enter rooms with an SCP-TTT instance or otherwise they become an instance of SCP-TTT-1. Instances of SCP-TTT-1 seem to create SCP-TTT-2 in a room after interviewing someone considered a "client" (See: Addendum 1). SCP-TTT-2 does not ever leave the room in question and self-terminates after a month if no interview by a SCP-TTT-1 instance is held.
Description:
SCP-TTT
An anomalous oil paint kit with 6 pieces in each kit. Kits differ only in the creation date. Some kits have been secured in varying conditions, more are being produced. SCP-TTT-1 is the designation of oil paint ants that function just like usual Monomorium pharaonis (Pharaoh ants) species with some exceptions:
An SCP-TTT-1 instance is a human that now possesses the ability to bring SCP-TTT-2 into being by contact with their clients while performing interviews with them. This occurrence