Smooothcriminal Draft Page of Agony

Item #: SCP-XXXX

Object Class: Safe

Special Containment Procedures: SCP-XXXX is currently placed under the jurisdiction of the Archival Department. SCP-XXXX is contained within a lockbox

Interviewed: Junior Archivist Paul Carver

Interviewer: Senior Archivist Max Schultz

Foreword: JA P. Carver is interviewed by SA M. Schultz immediately following exposure to SCP-XXXX.

<Begin Log>

Max Schultz: Okay, the recorder is running. The current date is… 13/08/2018. Time is 16:33.

Paul Carver: Huh. Since when did the department have a recorder? I thought they only gave these things to the eggheads.

Max Schultz: Please refrain from smalltalk when the recorders running, Paul. The less tape I have to review later the better.

Paul Carver: Sure, sure.

Max Schultz: Thank you. Now, you just finished an interview with who exactly?

Paul Carver: Ricky.

Max Schultz: Can you state his full name and position for the recorder?

Paul Carver: Oh, yeah of course. Uh, Senior Archivist Ricardo Valde.

Max Schultz: And what exactly did he discuss with you?

Paul Carver: Family, childhood, medical history, grilled me real good about my commitment to my work and the department.

Max Schultz: Did he happen to present you with a book by any chance?

Paul Carver: Yeah he did, actually. Some dusty old tome filled with poems.

Max Schultz: And how did it make you feel?

Paul Carver: What?

Max Schultz: The book. Did it make you feel anything? A little off perhaps?

Paul Carver: Um, no? I mean, I felt a bit anxious handling it. It looked so old that if I put it down too hard it would turn to dust when it hit the table.

Max Schultz: Alright. Did you feel different in any way other than that?

Paul Carver: No. Why? Was I supposed to?

Max Schultz: No, no, nothing like that. Did Mr. Valde tell you to look at any page in particular?

Paul Carver: Yeah, he made me turn to some poem about kings or something.

Max Schultz: And did you read it?

Paul Carver: Yes.

Max Schultz: And?

Paul Carver: Well, it was ok I guess. Literature is not really my thing.

Max Schultz: Hmm, and did you read anything else in the book?

Paul Carver: No. I mean, I tried to flip through but every other page seemed to be gibberish.

Max Schultz: Interesting.

Paul Carver: More confusing than interesting to be honest.

<Schultz removes multiple sheets of paper and a pencil from his bag>

Paul Carver: Oh, I didn't know I had to write something.

Max Schultz: You don't. This is for me.

<Schultz begins to crudely draw a tree. Carver becomes visibly amused at the attempt.>

Paul Carver: Pfft. Wow, Max, your a real Picasso. If Picasso had Parkinsons and was my six year old nephew.

<Schultz holds the drawing up for Carver to see>

Max Schultz: Can you tell me what this looks like?

Paul Carver: An abstract masterpiece.

Max Schultz: Be serious, Carver. What does it look like?

Paul Carver: Sigh A tree?

Max Schultz: So we both agree that this image is supposed to be a tree?

Paul Carver: Is this a test?

Max Schultz: Is. It. A. Tree.

Paul Carver: Yes.

Max Schultz: Yes, what?

Paul Carver: Yes, it is a tree.

Max Schultz: Good. Can you spell tree?

Paul Carver: What the fuck is this? Kindergarten?

Max Schultz: Just do it, Paul.

Paul Carver: Fine. T. R. E. E. Tree. Do I get a lollipop or something now, Mr. Teacher?

Max Schultz: I can do without the sarcasm, Paul.

<Schultz takes another piece of paper and writes the word TREE on it before holding it up for Carver to see>

Max Schultz: What does this say?

<Exactly 1 minute and 32 seconds of silence passes>

Max Schultz: Paul?

Paul Carver: Hmm?

Max Schultz: Can you tell me what it says on the piece of paper here?

Paul Carver: No.

Max Schultz: No?

Paul Carver: It's just… gibberish.

Max Schultz: What do you mean by gibberish?

Paul Carver: I mean that there is no word. It's just a bunch of lines drawn together. It's totally nonsensical, it doesn't mean anything.

Max Schultz: Okay… How about this.

<Schultz reaches into his pocket and places an ID tag with Paul Carver's face and name onto the table>

Max Schultz: