Per 
Object class: Euclid.
Special containment procedures: SCP-XXXX is contained within a
Standard Secure Humanoid Containment Cell. The cell must be
sanitized and thoroughly cleaned at least once a day. Personnel must
go through an airlock and be sanitized before entering the cell of
SCP-XXXX.
No personnel may enter without being escorted by a minimum
of four guards and should a violent altercation occur the cell
must be sanitized immediately.
Any instance of SCP-XXXX-1 must be incinerated and all personell
entering the cell of SCP-XXXX must be escored by atleast two armed
guards.
Description:
SCP-XXXX is a human male, current age unknown, and the
Foundation has not yet specified SCP-XXXX’s country of
origin. SCP-XXXX appears to be Caucasian and answers to the
name of Elliot even though it wishes to be called by the title of
“Grand sculptor”.
SCP-XXXX is roughly 2.4 meters tall, its body is covered by
deformities and scar tissues believed to be caused by the
subject itself. Its face is badly misshapen, the arms are covered
with scars and SCP-XXXX have undergone some kind of surgery
replacing it’s fingers with a variety of surgical instruments.
These instruments include, but are not limited to, the following:
A scalpel.
A pair of surgical scissors.
A retractor.
Two syringes with a unknown liquid inside.
A dilator.
A specula.
A cranial drill – the Foundation has not yet discovered what energy
source powers this drill.
A set of suction tips and tubes used for removal of body fluids.
SCP-XXXX can replace these instruments at will and displays an
enormous variety of instruments from different time periods if human
history. It can also change these tools into human fingers, as many as
9 on each hand have been observed.
Witnesses to SCP-XXXX replacing one of the instruments have described
the procedure by comparing it to how one folds different tools on a swiss
army knife. How SCP-XXXX attained this ability is currently unknown and
when asked the subject refuses to give any information concerning the
origin of its hands.
SCP-XXXX frequently asks for materials to make his sculptures, these
materials are mostly meat from humans, cows, sharks, goliath birdeaters
(Theraphosa blondi) or octopus. These materials are needed for making
the sculptures which have been named SCP-XXXX-1 instances.
These creations resemble statues of various forms, SCP-XXXX have stated its
preferred artistic period to be the renaissance and have named Michelangelo
as one of its biggest inspirations. It has shown a moderate disgust towards
the artistic periods after the introduction of modernism in the early 20th
century calling them degenerates.
Most notable concerning SCP-XXXX creations is that despite
not having circulatory or respiratory systems or even a functional
brain systems the beings are somewhat alive. The creations can
take many forms, anything from fleshy, formless masses.
While others are more similar to humans, however badly disfigured and
often with more limbs than humans have. Of these sculptures have an
intact head and the necessary parts they can speak. Although they talk
in a cohesive language the Foundation have yet been unable to identify
or understand it.
The sculptures have shown to inherent a certain degree of sentience
and while not all can move at all a large proportion of them are. If they
can they will try to add more mass to its body and will stop at nothing to
do so besides fire that destroys them.
Test logs I.G-034-I.G-039.
Upon capture a series of experiments were conducted by the Foundation
to see the effect of SCP-XXXX’s anomalous properties where it was given
different materials to make SCP-XXXX-1 instances.
Test log I.G-034:
SCP-XXXX was given 6 kilograms of ceramic clay and went on to create a
sculpture resembling a humanoid head with cephalopod limbs protruding
from the back of the skull to the forehead above the five eyes situated on
the forehead. When done SCP-XXXX expressed satisfaction of the workmanship
but dissatisfaction with the material – instead requesting human flesh to
recreate the sculpture “in a more suitable image” as was its 0own words.
When asked for what inspired or what it was supposed to be SCP-XXXX told
Foundation personnel it called the creation “the mouth” adding no further
explanation. Upon testing it was revealed the sculpture itself had anomalous
properties effecting the personnel around it. Several researchers reported a
disembodied voice emanating from somewhere far away unable to tell from
where, even though the voice was herd by several researchers at the same
time it has never been recorded and yet no one have been able to identify
the language spoken.
Test log I.G-035:
SCP-XXXX was given 12 steel bars weighing 1 kilo each and went on to
create something resembling a set of spirals in a conglomeration circling
each other. At the end of each spiral seven curved, sharp appendages
are protruding, resembling something akin to fingers. SCP-XXXX gave it
the name “the will of he”. Upon inspection it was discovered that the
object has a certain influence over the mind of those in its proximity.
Anyone affected by the object have an insatiable need to bring SCP-XXXX
more materials to work with – mostly flesh. The need is strong enough to
cause the affected parties to either trying to bring others to SCP-XXXX or
offer themselves as material.
Test log I.G-036: SCP-XXXX was given a deceased cat, through the process
the cat was being kept alive in a comatose state; the Foundation believes
the frequent injections from the syringe is the cause of this. SCP-XXXX went
on to create something resembling a mass of flesh and bones without any
apparent chape. When it was done the creation continued to stay alive after
one final injection at with it began to pulsate in a rhythmic fashion.
Upon investigation the instance was deemed hazardous do humans due to
it causing researchers to bleed out of their eyes, ears, mouth and lower orifices.
This bleeding continued until the subject was removed from the vicinity of the
object or was emptied of blood. The rhythmic beating of the object increased
during this process and absorbed the blood. A drone was sent in to retrieve the
object and it was incinerated. Further testing was terminated by the site
administrator (DATA EXPUNGED).
Incident rapport:
On January 26 (DATA EXPUNGED), a failed test unrelated to SCP-XXXX made it
breach containment in which SCP-XXXX attacked two staff members and dragged
their bodies back to the cell. When MTF-XX arrived SCP-XXXX had already begun
creating an SCP-XXXX-1 instance out of their deformed bodies. 7
What was left of the staff members had molf together into a semi-humanoid torso
measuring roughly 2.5 meters tall. The two craniums of the researchers formed one
rudimentary head with no eyes and one mouth capable of elongating its mouth to an
insatiable degree.
Even though the SCP-XXXX-1 instance were fairly immobile due to only having one
arm possessed an ability to affect the minds of the MTF team, causing them to
experiencing disturbing images in their minds that left the survivors scarred to the
point where they committed suicide after reports of nightmares and hallucinations.
Interviews with the survivors told the Foundation their dreams consisted of a dark
world under a starless sky where a figure of a immeasurable size watched them from
above as they wandered knee deep in a lake made of formless, screaming flesh.
Their hallucinations showed gnawing, laughing mouths, staring pale eyes and a voice
talking to them from a void in a language they couldn’t comprehend.
Interview with SCP-XXXX.
Interviewer: Dr. Martin Jones, site 146.
Interviewee: SCP-XXXX.
Begin log.
Interviewer: So, you’ve been reluctant to talk about yourself, who
you are or where you’re from. But I want to ask you about the sculptures
as you call them, what exactly are they?
Interviewee: It’s a pity no one appreciates or recognizes good art anymore.
Interviewer: I do agree I don’t have an degree in art, but I’m not interesting
in it either, I’m interested in what you are making, in terms of how and why.
Interviewee: Do you believe in something greater?
Interviewer: Pardon? What do you mean by “something greater”?
Interviewee: I think you know if you think about it, it has had many names
through the eons, many forms and many purposes. Always the same story,
it created us in its image, put us on this earth to rule it. Always the same image.
Interviewer: Do you mean a god? Are you religious?
Interviewee: One might say that, one might see me as a prophet, a Grand
Architect of something greater, put on this earth to continue its work.
Interviewer: What god are you talking about? What does it want and why
are you making those things on its behalf?
SCP-XXXX leans forward towards Dr. Martin Jones.
Interviewee: We think we are finished, that we’re as complete as we could be,
but that’s not true; in fact there’s a lot of work to do before we become the image
of the Greater one. That’s why I do this, it have told me to, until my work is done
I will continue until we are complete.
Interviewer: When are we complete?
Interviewee: When we are one with the greater, when we are the same,
when we are greater.
Interviewer: What do you mean by complete? When will we know when you
are finished?
Interviewee: You will know when you see it, and you will all become one
will the greater.
Interview addendum: SCP-XXXX is unwilling to answer any more questions
concerning the nature of the “greater one” or it’s subjects and why it want to
create them. Further questioning results in SCP-XXXX repeating itself over and
over again so the interview was ended.
