- —Little Mermaid—
- Rap Battle
- Crane freeclimb
- The Sorcerer Of Site-19
- Nikoĭ
- Entity-Centred Counselling Service
- Cliche-con
- Concubines v2
- The Extra-textual Travel Agency
- 3 Vignettes
- Characterisation
- Site-XX
- Fanfic: Paratextual Actuator
- Muse Triptych
- Fanfic Test Logs
- The Tenth Muse
- Free Will
- Plain White Sauce
- Clap-Clap-Rest
- Counselling Notes Format
- RCG
- SCP Dream Family
- Holiday In Lost Carcosa
- Nova Expressionism
- SCP-Roots
- Waggle Dance
- Heartwood Cycle
- SCP-xxx1
- Heartwood
- SCP-xxx2
- ...
- SCP-xxx0
The Little Mermaid, by Hans Christian Andersen
“Mommy, what’s a mesogloea?”
“Pardon?”
“I don’t like how this story starts out, it’s really weird. I don’t understand it. I asked for Little Mermaid. Put my Little Mermaid tape on, now. Please.”
The young mother took the headphones from her son and bent the band over her head.
Another cut here, and we can peel this flap back to expose the gastric cavity. Nothing out of the ordinary so far. Partially digested fish. Here. You see? This will give us a more precise indication of the time of death. We’ll take a sample. Like so. Scrape some of… That’s plenty. Now watch carefully as I transect this radial canal, and then you’re going to take the scalpel and do the next one yourself. Ready?
She furrowed her brow, slowly moving to eject the cassette from the player.
No indication of the presence of any of the cellular structures associated with effects of external ideotransmission. Ideoconduction. So far, at least. And if we were going to find them, this is where we’d expect them to be. Here… or… here. And we’ve already ruled out the rhopalium. This specimen appears to be a perfectly typical example of its speci… click kerchonk
The mother inspected the label: ‘The Little Mermaid: Hans Christian Andersen‘. Her own handwriting. She’d taped it from the radio herself, only the day before. They’d listened to the broadcast live, both enjoyed it very much, but, she supposed, she hadn’t listened back to the tape afterwards to check the recording. Cursing her technological ineptitude she resolved to replace her radio with a simpler model. A digital one would be nice. Her manicured fingernail scraped at the corner of the tape label as she apologised to her son.
He studied her face for a moment and announced that it didn’t matter- that he didn’t really enjoy fairytales that much anyway. She smiled broadly. His first kindly lie. She’d text his dad about it right away, she thought. And she did. He was almost as proud as she was.
—
“Good morning class. Is everybody well? Great. Now that we’ve all pretty much mastered the basics, we’re going to be learning to use some of the more advanced features of your eBraillers. Also I’ve borrowed an old Perkins and a SMART; I only have one of each, but I’ve got them for a few weeks so hopefully you’ll all get a chance to try them out. Now, I’m going to walk ‘round and hand o… what’s the matter? Class?”
—
Save for a brief dalliance with Buddhism in his formative years, Steve had a been an atheist all his life. Now that he was dead, he wasn’t sure what to believe. His death had been the culmination of a long, slow decline; he’d had plenty of time to come to terms with the prospect of void. Of null. Of non-existence. He wasn’t expecting an afterlife of any sort. Certainly not this.
Studying his left hand he could clearly make out the form of a wedding band through the stretched latex. Strange- he’d always worn his ring on the right.
His right hand shot into view, seemingly moving of its own volition. It was gloved in latex, with no ring, and was gripping a scalpel. His words came unbidden. Not his words- another man’s words, in another man’s voice, but coming from him. From the body he was occupying.
“This will give us a more precise indication of the time of death. We’ll take a sample. Like so. Scrape some of…”
A third hand entered his field of vision. It was gloved similarly, and wielding a tiny steel scoop with which it proceeded to collect a little of the gloop from the innards of the semi-dissected sea creature.
It was then that the stench hit him. It was fetid and fishy. Steve suddenly regretted cancelling his direct debit to the donkey sanctuary. This didn’t seem like the good ending.
“That’s plenty. Now watch carefully as I transect this radial canal, and then you’re going to take the scalpel and do the next one yourself. Ready?”
The limp squiddy thing flopped on the slab, tentacles splaying as he gripped it firmly by the middle bit. Even through the glove it felt wet, slightly slimy. He wasn’t certain whether he was experiencing tactile input or merely imagining the sensation. Before he could consider the philosophical implications of this, his scalpel hand set to work- quick, precise slices accompanied by a fleshy burbling.
“No indication of the presence of any of the cellular structures associated with effects of external ideotransmission. Ideoconduction. So far, at least. If we were going to find them, this is where we’d expect them to be. Here… or… here.”
The scalpel tip gestured deftly, pointing out parts of the thing’s anatomy.
“And we’ve already ruled out the rhopalium. This specimen appears to be a perfectly typical example of its species.”
Steve wondered what the rhopalium was. It sounded like the word ‘rope’, he supposed; maybe it was the tentacle part. He could see then that, indeed, several tentacles had been severed and were laying on the table with their insides exposed. He began to find himself rather enjoying the situation, peculiar as it was. It was better than non-existence, at least. He’d liked special interest documentaries since becoming bed-ridden, and he’d always had a taste for the gruesome. Steve wondered for how much longer this state of being would persist. No, better not to think about that.
Rhopalium. Huh.
The third hand reached out and took the scalpel.
“There you go. Now, you do what I just did. To that one there. After this we’re going to laterally bisect the mesogloea.”
—
“You know we both love you very much. We don’t love each other any more, and that’s not your fault, but both of us still love you. You know that, don’t you?”
“I know. That’s not why I’m crying.”
“Then what’s the matter?”
“They cut up the jellyfish. They cut him into bits and put him in the bin.”
The girl ceased her sign language for a moment to wipe away tears.
“They cut him into bits and put him in the bin. I heard it.”
Item #: SCP-XXXX
Object Class: Euclid
Description: SCP-XXXX is an incorporeal, sentient entity which demonstrates an ability to physically possess humans for variable periods of time. Once in possession of a viable host, the entity will proceed toward the nearest public space and commence an oratory. The proliferation and duration of possession events appears to positively correlate with SCP-XXXX’s esteem as perceived by those to whom it has most recently orated. The contents of its speeches have been shown to include sensitive information, including classified Foundation data, in addition to memetic infohazards and novel ideologies which are deemed incompatible with consensus normalcy.
Whilst the Foundation are not able to reliably predict which individuals will be affected by SCP-XXXX, through study of the kinetoglyphs used by the entity, specialists have developed a method of reliably inducing possession events in viable candidates.
SCP-XXXX has demonstrated a moderate capacity for the modal context of its oration to be influenced by the setting in which possession is induced.
Special Containment Procedures: On the fourteenth day of each calendar month, a suitable candidate is to be selected for the enactment of the containment procedure specified herein.
Only D-Class individuals consistently scoring 42 or above in manual dexterity tests are eligible for candidacy. High-dose opioids are to be administered to the chosen candidate prior to commencement.
Chosen candidates are to be equipped with a modified robotic manual rehabilitation glove which has been programmed to perform kinetoglyphic sequence xx, Eldritch Gangsigns. Immediately following commencement of the kinetoglyphic sequence the chosen candidate may demonstrate signs of distress; pending the onset of a possession event, staff are to repeatedly reassure the candidate that the procedure will cause no lasting damage to the muscles or tendons of their hand, and that any discomfort will prove fleeting.
Immediately following the onset of a possession event, candidates are to be placed into the recovery position. Care is to be taken to keep the candidates’ airways clear of vomit throughout. Should candidates begin to enter a seizure state, the use of physical restraints is permitted. Whilst candidates with a low muscle mass are preferred, they should be sufficiently robust to withstand the rigours of the process with a calculated approximate mortality risk not exceeding eight percent. Note that this requirement may be relaxed to a threshold of ten percent upon approval by the Ethics Committee, to be considered on a case-by-case basis.
Prior to the reawakening of former candidates as SCP-XXXX instances, an audience consisting of no fewer than 30 trained Foundation operatives is to gather within the performance space. Operatives are to wear contextually appropriate clothing, and are encouraged to partake in the moderate consumption of contextually appropriate alcoholic beverages.
Immediately following the reawakening of former candidates as SCP-XXXX instances, a klaxon will sound. This will serve as the signal for the assigned agent of STF [des] to enter the performance space. The agent should seek to convey an exaggerated sense of confidence as they enter the space, taking advantage of the awakening entity’s evident disorientation to gain a slight advantage from the outset. Care should be taken to keep this advantage slight; establishing a strong sense of SCP-XXXX as an underdog may harm the STF agent’s position in the perceived narrative of the rap battle which follows.
It is imperative that the agent be perceived as the winner of this conflict.
Addendum: Jerome Benten vs SCP-XXXX [Rematch]
Jerome Benten:
What’s ‘ethics’?
My squad’s dreaded.
My groupies, GRU-Ps, leave gods deaded.
And the Foundation’ll cover it up like cosmetics.SCP-XXXX:
This is pataphysic analytics; you ain’t got a cannon.
I keep it real with the tec like Doctor Scranton.JB: I wish those archaeologists woulda left him resting.
At least his lines are so forgettable this is amnestic testing.SCP-XXXX: It’s like the day they freed my spirit from Egyptian earth.
‘Coz I know that you dig this, so be careful who you dissin’, turd.JB: Disinterred? Oh, that was some cryptic wit.
Check out this simple shit: [The agent gestures with a vertical extension of his middle finger.] No mystic glyph.
I could neutralise 682 with a spinning fist. [The agent demonstrates a spinning backhand strike in the air, causing SCP-XXXX to flinch slightly.]
I could neutralise narrative anomalies with a scissor kick. Quick as this. [The agent demonstrates a rapid scissor kick move. SCP-XXXX shrugs before turning to face the crowd.]SCP-XXXX: This lyricist… Mr Fish…
The diss means if his schemes go sixteen then it’s a skip.
I ain’t here to stand around and shoot the shit, like, wait, eleven?
Stare and I’ll catch a case as long as eighty-seven’s.
I’m kinda like Rocky using eighty-seven for training sessions.
Whilst you keep going over the steps yet never make progression.
And I don’t even care what you claim that you could neutralise.
Your mistruths ain’t bad, but they ain’t good either: neutral lies.
Hold up. How’s it even relevant what you could neutralise?
Ain’t it your ethics committee, not you who decides?JB: Yeah, fair point. I’ve considered the notion.
Killing you? Well worth an instant demotion.
I bet the bredrin you’re possessing’s a more fitting opponent.
That D-Class would breeze past this twisted and broken typical token mythical spokesman ass anomaly. Easy.SCP-XXXX: Kid, wow, you should sit down, quick, now,
You need to have a little chat with yourself like Miss Chow.
Do you believe in parallel universes? Let me see…
Another thing: when I pun- shit’s fin. Like SPC.JB: How you on some cosmic shit, yet still ain’t made for stardom?
I’m a battle rap legend who was raised in Harlem.
Eldritch asylum-seeker; shoulda stayed in Arkham.
He’s like ‘f’nagth fnnu fnuh’… I’m like… ‘pardon?’SCP-XXXX: Forget about your champion’s cup, I’mma win the grail.
Kid your skills are frail and my will prevails.
The second you stepped in this ring, instant fail.
Now I got a little proposal of my own; I’mma lift the veil.JB: Now, you’re plainly a nerd with arrangement of words.
Foundation. We’re dealing with basic concerns.
Proposal? My terms of engagement are heard?
Wanna get our respect? This the stage where it’s earned.
Anomalous Eldritch oration’s preferred?
Not in rap battles. I take it you’ve learned?SCP-XXXX: Yeah I’ve trained and rehearsed.
You just wasted a verse. [The agent raises an eyebrow. SCP-XXXX nods.]
This news-feared… and the statement inferred
That with my-great lines I’d get brain from your bird. [The agent turns his back on SCP-XXXX and shakes his head.]
And you’re some kind of scientist, right? Known for diligence?
But every time you say ‘anomalous’ it just shows your ignorance. [The agent turns to face SCP-XXXX.]
Hey, wait, I’ll try this: he writes ‘skips’, dry scripts;
Literally… skippable would describe his.JB: That kinda wise quip isn’t well advised.
‘Skip’ since you’re gonna get jumped and then exorcised.SCP-XXXX: I’mma bury you in a black box…
And that’s fitting since before your raps drop you have to redact lots.
You’re a total Nobody, but, hats off.
Your click ain’t do shit, like Dado’s caps-lock.
What’s up with this man’s squad? Damn dogg.
One of your doctors… is a damn dog.JB: You’re less ‘Necronomicon’…
More ‘dressed for Comic-con’.
Think you bring forbidden knowledge?
Dogg I learned that shit in college.
Just beginner topics for a simple novice.
Hey I called this demon ‘dogg’ coz he’s still pissed about his Tinder-losses.SCP-XXXX: Your battle rap’s wack, stick to clinical tone.
I’ll manifest in your head whilst you’re sitting alone.JB: That’s a cliche effect; you’re a typical clone,
And we’ve got you contained with these lyrical flows.SCP-XXXX: Your team’s leaders are so wise; no lies…
They even forecast your score card: O-5.[SCP-XXXX accepts a bottle of consecrated Hennessy from a crowd member, wincing in pain as it swigs.]
SCP-XXXX: That ain’t X.O. Get it the fuck out of here.
[SCP-XXXX returns the bottle to the audience member and frowns.]
JB: I see past the D-Class host to your bleak heart’s hopes through your weak half-boasts, and that’s real.
Deep bars both, but we mean ours most, you could possess our best but can’t get how we feel.
Heed the mockery. You’re a freak anomaly in need of modesty, decent quality and speech economy.
You wanna orate to our nations and preach philosophies, heathen prophecies and secret properties of demonology?
…But instead you’re stuck rap battling me? getting beaten commonly? In a league for comedy?
That must suck, right?SCP-XXXX: You missed-a whole lot of things. That’s Wondertainment.
Toe tagged. Footnote: That’s an understatement.JB: Ok, word up to your lyrical style but dribbling bile’s a bad look.
Your possession session ends when you you get a tad shook.[SCP-XXXX wipes its chin with the sleeve of its hoodie.]
JB: They tried telling me not to battle a god;
Now I’m wrapping this up like a rag-an’-a-rock.[SCP-XXXX inspects the stain on its sleeve and shudders visibly.]
JB: Incorporeal, ‘coz you’re spirited but it’s not hard.
SCP-XXXX: Hey they call you the Jailers, but you ain’t got bars?
JB: You’re on some Eldritch shit, but don’t love crafting lines, right?
SCP-XXXX: Rewind… Your crew uses SCP 2k more than hindsight.[SCP-XXXX commences a manual kinetoglyphic sequence. The agent counters by inverting the polarity of his cap, turning its brim to the rear before yawning theatrically.]
JB: How can you be incorporeal and still get bodied?
SCP-XXXX: I’m gon’ containment breach a fresh posse in yo’ west lobby.
JB: No you’re not. And I don’t give a shit which elder god causes most anguish.
Hey I could even beat this thing in its own language. Check it out…[The agent performs a guttural staccato couplet, tinting the air with taupe and rust-orange rhymes in an A-A-B/A-B-B pattern, and causing many audience members to drop their drinks. The couplet translates as an assertion that the existence of the progenitor of SCP-XXXX neatly conforms to human systems of logic, and moreover could be fully comprehended by the average infant, who would suffer no ill-effects as a result.]
JB: And they’d dream about, like, pretty ponies and strawberry jell… Oh.
[SCP-XXXX drops to the ground and enters a seizure state, indicating the cessation of the current possession event, and resulting in the declaration of Sgt. Jerome Benten as the champion by default.]
Addendum-B: Jerome Benten vs SCP-XXXX [Second Rematch]
[SCP-XXXX:] Oh, you again?
For fuck’s sake.
Ain’t you got a mage to smite, or pataphysics play to write?
Yo, these are ageless rhymes v. the ancient kind.
My temper’ll shift; you’re a waste of time.
I don’t think your state of mind’s the same as mine.
Your squad’s not got a great design;
It’s strange to find the ‘theta’ sign.
I run through rounds with straighter lines.
I’d leave him leaning like that designation changed to ‘phi’.[JB:] I’m goddamn glad I set a day aside for deicide.
I’ll beat you so bad not even your name survives.
I ain’t ever let the fates decide my way in life.
I’ll take a knife, aim and slice, and if that ain’t suffice, this god’s getting maimed tonight like I staged a fight re-enacting the ancient pagan rites that they replaced with Christ’s.[SCP-XXXX:] You people treat D-class human beings like a cage of mice.
You’re cold and you’re cruel as a blade design that’s made of ice,
And trying to use that in a battle isn’t great advice.
I don’t think your founding statement’s right, stay precise:
You people live in the darkness where it’s safe to hide, coz you’re afraid of light,
So that others can live in the dark after you’ve made them blind.
Now you’re in the gravest plight and only acting like the bravest type coz you’re afraid of fright.**[SCP-XXXX:] That doesn’t make sense.
[JB:] Shut up.
[SCP-XXXX:] Sorry. Nice rhyme scheme.
Bet your pad has more weird shit in it than Site-Nineteen.
You forgot you got schooled coz your memory slipped
Like your ass passed a class back in seventy six.
I prolly possessed the Professors. Word, bro.
How my rap’s naturally captivating the first row. [SCP-XXXX gestures towards the frontline audience members, all of whom appear indifferent.]
Alex? Sylvia? Really? No-one?
‘Professors’? so ‘first row’, you know? ‘Rho-1’?
Ah forget it.[JB:] Yo, Rho-1..?
I like how you refrained from making a boat pun.
Good job there.
But me, I’m an actual professor. You just act scholarly.
I put beasts in their place. Wait… Attacks-honour-me.
I’m caging a lion, I’m chaining a titan,
Forever taming the raging environs,
I’m clai… [SCP-XXXX interrupts.][SCP-XXXX:] Forever taming the raging environs?
He’s forever chasing a changing horizon.
He’s caging a lion? Chaining a titan?
He can barely even ‘contain’ his excitement.
I thought holding shit down was his basic assignment?
When it’s time to battle… he restrains his politeness.
His facade’s just make-believe. Wait and see.
He’s got a whole nother persona online like Stacey Lee.[An audience member offers SCP-XXXX a bottle and is promptly declined.]
[JB:] Nah I’m not Stace Lee.
That ain’t me.
The name’s JB,
And I’m here to s… [SCP-XXXX interrupts.][SCP-XXXX:] Wow, what a great free’.
Sure you’re just JB and not Jay-Z?
I’m so afraid, damn, I should pray to JC.
Or that god with the elephant head, could he save me?[JB:] I met them all once. That was some strange tea.
Couple funny mushrooms in there. About eighty.
Mixed with blood, in some old cup from Camelot.
I comprehended Azathoth whilst zooming in on mandelbrots.
Ah, Azathoth… Now that’s a god.
He could fragment reality with one paradox.
He feasts on souls. You prefer a salad box.
You’re a joke bruv, stagger off and get in line for ragnarok.[SCP-XXXX:] I’ve been guiding your kind since times immemorial.
Now you won’t even look at me when I’m killin’ you. Coz I’m incorporeal.
I’ll possess the priest at your nan’s funeral.
I’ll tur… [JB interrupts.][JB:] You’ll possess the priest at my nan’s funeral?
That’s beautiful. It’s actually damn suitable.
You ain’t heard? She’s asked for a… rap musical.[SCP-XXXX:] Please stop.
[SCP-XXXX drops to the ground and begins to convulse, indicating the cessation of the current possession event, and resulting in the declaration of Sgt. Jerome Benten as the champion by default.]
Modified Obstruction lamp.
Here we have an example of pre year-zero technology. A most pertinent example. Look.
The Foundation manufactured tens of thousands of these units. It looks like a regular obstruction lamp, the type that was fitted to the tops of construction cranes and hoists. That is, until you crack open the plastic housing. Like this… See this part here? That’s a compact reality anchor. We can’t be certain whether Saint Strancton ever existed, but someone had to have designed the thing.
The idea was that one these would be fitted to every crane across the planet. In an age of such rampant expansion, of course that was never going to work out. The child was always going to make it into this world, sooner or later, don’t you think? The thing to remember- the Foundation had a whole lot of resources at their disposal, at the time. They had faced very many threats, and each time endured. Pre year-zero, there was a sense that anything was possible. The world was a very different place back then.
Me? Ha ha. Certainly not. How old do you think I am? Cheeky rascal.
Here, I’ll pass it around. Take a look, but please be careful not to drop it. As you can see, time hasn’t treated this item particularly kindly. The metal is flecked with rust. The plastic is extremely brittle. Be carefu.. whoops! Phew.
My apologies, just a little joke. There you go, take it.
Go-Pro
Everyone ready? Had a good look?
Right. Moving on, this curio is an ancient, head-mounted personal audiovisual recording device.
Is everyone here familiar with the story of the Bridlington machinarium?
Good. That’s good. I’ve heard several different versions told around the night fires. These kinds of tales tend to evolve with the retelling. All that we know for sure about the incident is contained in TurboSloth’s recording. He made it with one of these devices. Probably not this exact one, this is just an example. Only the audio layer of the recording has been preserved.
Listening station #1
This is it. The original recording. The unabridged audio clocks in at a little over two hours, but a lot of that is just heavy breathing as Sloth and Yikes free-climb the crane mast, so we’ve edited that out. Also some banter between the friends. We’ve left some in, for flavour, but most’s been cut.
Hey viewers. Welcome to another video. I’m sti…
Can everyone hear it ok? Come in a little closer. Ready? Great.
Hey viewers. Welcome to another video. I’m still here in Bridlington. Still banned from the town centre for another… eight hours. So I should probably lie low, right? The issue is…
Look at that! Who could resist such a thing? I’m gonna meet up with Mickey and Yikes at the foot of that bad boy, and we’ll see if we can make it to the top in time for sunset. This is going to be so sick.
- click -
S: It’s not too bad, honestly. Just hang down on one arm, drop, and roll out the landing.
M: Sketchy.
S: Yes fam! Nicely done.
- click -
Y: I reckon it’s 80 meters. Tha…
M: Shhh… did that prick over there spot us?
Y: He’s not even looking, I think we’re good.
- click-
M: Hey viewers. We’re here. Security is heavy as fuck!
S: Oi, you’re going to get my vid demonetised. I’ll do the intro.
M: … Fine.
S: We’re over the fence and ready to start the ascent. We’re gonna have to be quick about this, the place is crawling with security.
Y: This is such a bad idea.
M: Awful idea. I love it.
Y: Easy for you to say.
S: Viewers, it’s just me and Yikes for this one. Kes here is gonna get up on top of that shipping container and launch the drone when we’re near the top. Remember to check out his channel for footage. Link in the description.
M: Uh… yeah. Check it out. Or don’t. You know?
- click -
S: And, hnnnggh, phew. As you can see, we made it up the first section of the mast. About 20 meters off the ground. Nice view already huh? Look at that guy down there scratching his ass. They’ve got no idea we’re here.
Y: Oblivious.
S: Totally oblivious. And who’s this wrong ‘un hiding on the container roof? A thumbs-up from Mickey. Legend.
- click -
S: Windy.
Y: Windy.
S: You good?
Y: Uh huh. You?
S: Yep. Let’s keep going. We can chill for a bit when we reach the platform.
- click -
Y: No sign of the drone yet. I hope Mickey hasn’t been caught.
- click -
Y: Mad views bruh. Shall we chill here, or…
S: Haha, funny. You know the rule; when we hit a crane we’ve got to touch the beacon light on the end of the jib. Then we can relax.Y: Sure. I mean… I know how much you’re into obeying the rules.
- click -Y: And… tap. Fuck yeah! Harry, come. Touch the bulb thingie.
S: Ah man, stop swearing. I’mma have to bleep all that out of th… whoah fuck!
Y: Whoah! You good?
S: Oh my god, that was close! Fuck. That bracket was fucked. Fuck. I could’ve died right there. Haha!Y: Yikes. The lamp fixture just sheared right off as you grabbed hold.
S: Ah shit, they’re gonna do me for criminal damage. Man, I’m on bail. And if they didn’t already know we’re up here, they do now.
Y: This is bad. Let’s hide in the crane cabin and try to wait it out. That’s a thing, right?
S: Dude. Dude? Why’s the crane moving?
- click -S: Shhh, he’s in the cabin, operating the crane. Look.
Y: Check out this geezer’s garms. Haha. Fool’s wearing, like, this high-vis… bath robe? Dressing gown? What the actual fuck?
S: Whoah, no way. He is as well. That’s hilarious, let me get it in shot properly.
Y: So… Let me go over our situation for the viewers, yeah? We’re stuck up here with a metric shit-ton of pissed off security beneath us. The crane’s moving, my man in the fluorescent yellow priest threads somehow got up here and hopped in the cabin whilst we were out on the jib, erm, destroying the beacon lamp. And now, uh… Bruh, what now? We’re fucked, aren’t we?
Ahem. Ah. Ahem. Hi again. At that point the free-climbers switched memory card in their recorder, and… hey, why’s everyone staring at me, is there something on my… Oh, the outfit! Haha.
This is a replica of the high visibility robe worn by the crane operator. Does it suit me?
What was that, sweetie? You’d like to try it on? Well, I don’t think this one would fit you. Hmm, wait a second.
Dress-Up Trunk
In this trunk we’ve got replicas of the robe, in a range of sizes for children and adults, as well as some replicas of the type of pre year-zero clothing which would have been worn by TurboSloth, Yikes and Mickey. Also, we’ve got a few replica Go-Pros for you to try on.
Haha, this kid’s wasting no time.
Yes bruh, that looks proper sick! Dap me up real quick! Haha.
On the tripod to your left is a replica of a photographic camera. Notice the brand name ‘Cannon’. This is thought to have originated from the use of photographic technology as the primary weapons aboard the Fifthist battleship ‘Soul Stealer’ during the infamo… Ah, my apologies. That’s another story for another time…
Tuesdays, tours starting at eight, ten, twelve and two o’clock. 2 food units each for admission.
Anyways, feel free to try on the clothing. You can pretend to take photographs with the camera, if you like. All clothing is for sale. Actual replica photographs maybe commissioned from our resident sketch artist for a reasonable fee. Our pigments are made from sustainably sourced berries and charcoal only. Our premium goat hide will last longer than you do, guaranteed.
And over there we have… a replica crane section. Feel free to pose against the structure, however, climbing beyond the first horizontal bar will incur a penalty charge of two food units, and may result in enforced civil excommunication.
Hm?
Yeah, sorry kiddo, not my rules, I just work here. If you don’t like it, take it up with Darke.
Seriously though, don’t do that. Don’t ever do that. I mean it.
—
Hm?
Yes, yes of course. If you don’t want to know what happened next, you’re welcome to keep on playing dress-up over there. The tape’s cool though, the bigger kids are all coming over to listen.
Yes, you can keep your robe on. Maybe mommy will buy it for you, if you ask nicely.
Complaints procedure? Head office? Lady you’ve been reading too much period fiction.
Listening Station #2
Yes sweetie, you can press the button.
Great question. It’s a rune representing strength. See how the crane section is made from the same shapes? Early man would place this rune above the play button of their boomboxes for luck.
S: It’s so damn cold up here. I didn’t come equipped to pull an all-nighter.
Y: Me neither. I wish matey would get out of the operator cabin. Who starts working a crane at sunset? Is that even a thing?
S: Weird.
Y: Nah, you wanna see something properly weird? Look what this crane’s lifting.
S: No words. I’ve got no words bro. That’s crazy.
- click -
Y: Hey. Was this trunk here before?
S: No. But, yeah, I mean, it must have been.
Y: You open it up; you’re luckier than I am.
S: Ahh result! Check it out.
Y: Haha, yes! Warmth. Wait, I don’t believe it!
S: Haha. Bruh, we look ridiculous.
Y: And all who look upon him, from great distances, they shall know our lord is fully compliant with HSL.
S: Haha. That sounded proper good. Wait… Flay my flesh, that bone and sinew might stand to serve as Mekhane’s crane.
Y: Dude. Did you just make that up?
S: Yep. Haha.
Y: Crazy. Isn’t Mekhane from the bible or something? Sounds familiar.
S: Nope. I just made it up.
Y: Sick. You’re mad creative.
- click -
S: Viewers, shit’s gotten real in the past half hour. See those lights down there? I’m not sure if it’s workers or security, but more and more of them keep turning up.
Y: Matey boy’s still operating the crane. That means that they don’t know we’re up here, right?
S: Hmm, good point.
Y: We could climb down and hope nobody sees us. Or try to run.S: Yeah. We might have to.
- click -
S: We were talking off-cam and Yikes has a plan to get us out of here.
Y: A bad plan.
S: A plan. Every time the crane rotates to pick up another load, the far end of the arm passes over… that building. I hope the cam’s getting this ok, it’s pretty dark right now. The issue is, we’re not sure if we can take the drop. It looks like, maybe, six meters? Seven meters? Hard to tell, the perspective’s kinda…
Y: I’d sooner spend the night in a cell than die man, this is stupid. We don’t even know if there’ll be an unlocked roof hatch. I’ll offer to pay for the damned obstruction lamp. How much could it possibly cost?
- click -
Y: Don’t touch this thing. Look at my hand.
S: Ah, yeah, they grease the teeth. The runner too. Watch out for that. And if your hand gets trapped between here and here whilst it’s moving… game over.
- click -
S: Insane crane climb - chased by security.
Y: Crane climb escape from hi-vis cultists! Nearly died twice!
S: Roof gap jump from moving crane! Sketchiest escape yet.
Y: Sketchy crane climb and escape - broke off bulb and shit got real.
S: You can’t put the word ‘shit’ in a video title. Dude.
Y: Freeclimbers liberate Mekhane!
S: Slick callback humour. I’mma put this bit in the video.
- click -
Y: Viewers. Hey. This is a long ting, so we’re going to end this episode right here. Proper cliff hanger… crane hanger. Whatever. Thanks for watching. Check out part two for our escape. Or capture. Or death, maybe. Shit.
S: If we die then we won’t be able to upload the vid, will we? If they’re watching this then they’ll know that we didn’t die. This is why I don’t let you do the outros.
Y: One of us might die though. Yo… if I die, I want you to upload the footage.
S: Yeah, me too. If I die. No, I mean, we’re not gonna die. Neither of us.
Y: Uh huh. Last time you said that you broke your leg.
S: Exactly.
Y: Yo, you should cut it there and use that whole section as the outro, it’ll be dope.
- click -
S: Before we sign off, just going to show you the view again. Check it out.Y: Huh. Look how far the lights spread out. I never knew this town was so huge, and, like, densely populated.
S: Huh. It… isn’t.
- click -
The Sorcerer Of Site-19
Chaplain Chaplin pulled a crisp white lab coat over his crumpled cassock and cried. Tears felt appropriate, so he thought bleak thoughts until they began to flow freely. And he sat, and he cried, looking over the humble chapel of site-19 until his tears blurred the image to a blue-grey smudge. Then he stood, and he nodded, and he left the room. The door groaned closed behind him, as it had so many times before, and never would again. He stopped for a moment to savour its deep, oaken sigh. He responded with a little sigh of his own, hollow and weak in comparison. He nodded once more.
His boss’s office was just thirty paces down the corridor. No detour available; such a route would take him through a high-security area. ‘Insufficient clearance level. Sorry bud’. ‘You Shall Not Pass!’.
‘Abandon hope all ye who enter here‘.
He considered, there was a little loop he could do around the sta… no. No, he’d just get this over with. He headed toward the office door, rehearsing his words.
“I know we’ve had a complicated relationship over the years, but I do love you, really I do. I want you to know that. I never dreamt it would come to this”.
A little tug to his clerical collar, venting sweat.
…
Opened door. Entered office. Sat down briskly.
“I’ll do it. I’ll tell him”.
- - -
The chaplain was alone, as he’d requested. Alone, save for the room’s single camera and microphone, the presence of which he’d long since learned to ignore. The entire site was bristling with monitoring equipment; no place was sacred.
The vestibule air was cold and quiet, as he liked it to be. Quiet, save for the low purring of the hume limiter, and the slow, rhythmic click of the air-con. mmmmhmm-tk-tk-mmmmhmm-tk-tk. Necessary evils. He’d become accustomed.
He mouthed silently for a moment before his words were forthcoming- a badly dubbed mistranslation of a Bruce Lee soliloquy at the beginning of a pivotal fight scene. Anything but this:
Our Father In Heaven above, hallowed be thy name. I know we’ve had a complicated relationship over the years, but I do love you, really I do. I want you to know that. I never dreamt it would come to this.
We’re… We…
Concept-specific amnestic agents have been deployed at key strategic locations across the globe. We’re giving you 48 hours to comply with our demands. Failure to comply within the given timeframe will result in the release of said amnestic agents, resulting in your effective termination. Boreholes have been prepared for the disposal of your icons. Furnaces are fired to receive your holy texts.
Our demands are simple. [[We want the lizard dead.]] OR [[We require the practical technologies to heal our dying planet, be they sociological, physical, chemical, or biological. We, humankind, require the means to stave off the imminent destruction of the ecosystems upon which we have come to depend. Our scribes stand by.]] You have 48 hours to comply with our demands.
Amen.
mmmmhmm-tk-tk
Item #: SCP-XXXX
Object Class: Safe
Special Containment Procedures: Instances of SCP-XXXX product packaging are to be located, obtained, and contained in a storage locker within a secure facility.
Persistent olfactory and/or tactile hallucinations arising from exposure to this anomaly may be explained as one of several existing neurological disorders. Given that non-affiliated clinicians are likely to deliver a similar diagnosis, medical records are to be searched for sufferers of SCP-XXXX. This search is to be conducted by a crawler algorithm utilising the names of the aforementioned disorders as keywords, in addition to terms including ‘hay’ and ‘horse hair’.
Affected individuals are to receive extensive support for their condition where required, including amnestic rehabilitation and therapy sessions. Where traditional speech-based therapies are not suitable, play-therapy techniques are recommended.
The Foundation is to establish a small-scale equine breeding program in order to generate a supply of Fell ponies closely resembling Nikoĭ’s depiction. In the event that sufferers do not meet the minimum age requirement for their necessary level of amnestic medication, they may be provided with a Fell pony named Nikoĭ for purposes of para-mnestic validation.
Description: SCP-XXXX is an a mnestic anomaly causing affected individuals to experience false memories involving the ownership of a British Fell pony named Nikoĭ. The anomaly is a product of the GOI ‘Dr Wondertainment’, as indicated by the product packaging. This packaging takes the form of a small box constructed from glossy purple cardboard. The box front depicts Nikoĭ as an averagely-sized Fell pony with blood bay coloration, and bearing a white, diamond-shaped star marking upon his head. This depiction of Nikoĭ is consistent with the memories of affected individuals.
Above the picture is printed ‘Dr Wondertainment’s Mnestic Friends: Nikoĭ The Pony’. The space beneath the picture bears the words ‘Meet Nikoĭ the pony, the ultimate low-budget, responsibility-free pet. Can’t afford feed, stabling, vets’ fees? All Nikoĭ needs is love. Invite Nikoĭ in to graze the paddocks of your child’s mind- they’ll never feel lonely again.’
A minority of affected individuals are able to recall time spent bonding with their pet, riding him, feeding him and brushing his coat. These individuals tend to be the most potently impacted by their sense of loss, although a majority report experiencing some extent of grief, and approximately fifty percent recall attending a traumatic equine funeral service sometime prior to opening the product packaging. Those who recall the funeral whilst being unable to recall any details of the pony’s life report the rites as being a bizarre and disturbing, esoteric ritual.
Many affected individuals experience olfactory and/or tactile hallucinations, with frequencies differing from case to case. The olfactory hallucinations take the form of an occasional faint odour of hay. Over time this is replaced with a strong smell of cadaverous decay. These hallucinations tend to cessate naturally within 14 to 20 years of their onset. The tactile hallucinations cause affected individuals to occasionally experience objects as feeling like short, coarse hair over skin which is slightly warm to the touch. Reportedly this hair feels somewhat longer and softer during the winter months. The hallucinatory texture is reported to be gradually replaced with a sense of touching something cold, wet and fleshy, and eventually, some years later, with a sense of surfaces feeling hard and smooth as bone.
Update: SCP-XXXX has been re-marketed from an ‘Mnestic Friend’ to a ‘Life-Lesson In A Box’.
Update: SCP-XXXX has been discontinued.
Procedure XXXX: Entity-Centred Counselling
Required Staff:
1 site counsellor, extensively trained in the provision of the person-centred therapeutic model.
1 designated sitter, extensively trained in paramedics and traditional amazonian shamanism.
Required Apparatus:
1 standard paramedical kit.
1 vaporiser.
220mg dimethyltryptamine.
1 emergency scranton reality anchor, w/ activation switch behind break-glass.
Required Reading:
‘Person-Centred Counselling’ by Carl Rogers.
‘True Hallucinations’ by Terrence McKenna.
‘Dreamworlds And Pocket Dimensions’ by Dr Basil D. Winter.
‘Extra-experiential Empathy: Surviving Insights Into The Unknowable Mind’ by Ashley Ashtree-Groves.
‘The Orderly: Counselling Chaos Itself’ by Vilayanur Anand.
‘Eldritch Entities And The Person-Centred Model- Three Case Studies’ by Cassie C. Constantine.
‘At The Mountains Of Clinically-Diagnosed Psychotic Disorder’ by Alexandria Booker.
‘Inexplicable Or Just Misunderstood?’ by Suliman Norfolk.
Procedure:
The attendant clinical practitioner is to utilise the provided combustible hallucinogen and vaporiser in order to reach a threshold state of ideo-ontological plasticity wherein they may establish contact with the pseudo-malignant madness at the fringe of all existence. Practitioners are not to exceed their established threshold dose, due to the substance’s potential negative impact on their professional capabilities.
Practitioners are to probe the mind of madness itself, and, where practical, stage para-therapeutic interventions in order to combat this creeping chaos at source. Practitioners are to take care to safeguard their own sanity throughout this process, and must pass stringent psychological assessments prior to leaving the therapy room. Sitters are to activate reality anchors immediately in the event that the ontological barrier tissues become ruptured, bypassed, or otherwise breached.
Session Notes 23/12/2018 (Cliche-con 2019)
08:00 - 08:25
K has been practising his cognitive behavioural exercises between sessions, and feels that he is making progress. K hesitantly invited me to remove his hat and wear it myself, however experienced moderate anxiety when I did so. When questioned, K claimed that his ears were cold, and that he was concerned his hair was a mess. When prompted to elaborate, K reluctantly acknowledged that, being a sapient hat stand, he possesses neither ears nor hair. K became visibly upset, requesting that we conclude the session. As a parting thought, I encouraged K to focus on the qualities he does possess, such as his warm, caring personality and his fine wood grain.
09:30 - 10:50
Introductory session with E, who presents with feelings of inadequacy, expressing that she views herself as cliched. We spent the session discussing various facets of her character and backstory. The session over-ran by 20 minutes, owing to the time taken for the attendant pataphysicist to author E’s responses. Offer double slot next time? Consider: is E sapient, or is this pataphysicist my actual client here? Discuss with supervisor.
11:00 - 12:05
Introductory session with D, a former MTF leader who presents with P.T.S.D, including strong feelings of guilt, following the eradication of his team in a failed field operation. We discussed the successful missions undertaken by D and his team in the past, and the lasting positive impact of these operations. D expressed that he did not find this approach helpful. D stated that he still hears the spluttering of the steam engine, and sees the expressions on the faces of his flattened companions when he closes his eyes at night. Provided D with a toy compaction roller and accompanying cognitive behavioural exercise.
13:30 - 14:30
J continues to feel condescended by his colleagues in the janitorial department. Discussed the effectiveness of the coping strategies we developed last session. Discussed a potential update to J’s containment procedures- ‘SCP-XXXX is highly intelligent and possesses an emotional response roughly equivalent to that of a human adolescent. Whilst interaction is to be encouraged, staff are prohibited from condescending the Roomba.’
15:00 - 16:30
Major breakthrough today! S presented me with a document which she’d prepared in advance of the session. word salad. incomprehensible. S initially refused to speak, before posing me a riddle involving a ruby in the talons of a kingfisher at sunrise. Following my repeated failure to provide her with a satisfactory solution, S became visibly upset. I asked her if her cryptic behaviour could be some form of defence mechanism. This seemed to strike a chord. Investigate deeper implications next session.
Item #: SCP-XXXX
Object Class: Keter
Special Containment Procedures: Foundation web crawlers are to search for suspected instances of SCP-XXXX-1. Foundation operatives are to identify and investigate the authors of any such articles. Authors suffering from anomalous infatuation with SCP-XXXX will be detained, amnestically rehabilitated, and, if possible, released.
An experimental campaign will attempt to popularise the use of condoms within works of erotic fiction.
Description: SCP-XXXX is a fictitious female character, the appearance and personality of whom are consistently portrayed by each of her authors independently.
SCP-XXXX-1 is the collective designation for the anomalously inspired works of erotic fiction in which an original male character engages in acts of copulation with SCP-XXXX. Whilst these frequently include such elements as anal penetration, oral sex and various modes of fetish play, the articles universally feature at least one ejaculation event capable of resulting in insemination.
Authors affected by this anomaly are always individuals who identify as male, and need not be capable of producing semen.
The articles are sometimes published on the internet, or circulated in physical format amongst a peer group, and sometimes simply saved as a digital document, or written on paper and kept by the author. Regardless, the authors thereafter tend to exhibit a strong infatuation with SCP-XXXX. They commonly create numerous images of her, write sentimental poetry in dedication, and author further prose featuring her as a central character. Notably, authors exhibit no compulsion effects beyond those associated with the neurochemistry of love, and exhibit unconditional positive regard for their creation. Many represent themselves in their works, and subsequently demonstrate difficulties in differentiating between reality and the content of their prose. This has resulted in affected authors leaving their partners and children so as to be alone with their beloved creation. They then tend to cite their former families as fictional characters from a scrapped draft of a story loosely based upon the life of a deceased acquaintance, or invent some similar justification for their residual memories. Failure to develop any such coping mechanism invariably leads to severe and debilitating cognitive dissonance.
Affected authors tend to spend the majority of their waking life writing. It is common for their work to take the form of a fictionalised autobiography, inventing details such the day they met SCP-XXXX, the development of their relationship, and the birth of their first child together.
Item #: SCP-XXXX
Object Class: Safe
Special Containment Procedures: All secured instances of SCP-XXXX are to be held in a containment locker suitable for the storage of safe anomalous objects. An exclusion radius of 70cm is to be maintained, specifically with regard to other written materials and known possible ideoconductors. Efforts are to focus on the acquisition of unsecured instances, along with the identification of the anomaly’s source or manufacturer.
Affected written materials are to be held in containment lockers suitable for the storage of safe anomalous objects.
The anomalous properties of instances may be neutralised via the liberal application of pesticide/fungicide CO-147-I, or incineration. Given the ease of containment, this strategy is not deemed necessary at this time.
Description: SCP-XXXX is the collective designation for instances of a glossy, trifold pamphlet advertising an organisation which call themselves ‘The Extratextual Travel Agency’.
The front fold bears a colour photograph of a large library atrium, along with the words ‘The Extratextual Travel Agency. What’s your E.T.A? Call today. Hey.’ No contact details are included.
Any relatively wealthy characters present in the narrative of any works of literature within approximately 65cm of an instance of SCP-XXXX prove able to migrate to the narrative of an adjacent work.
The interior fold of the pamphlet claims that travel is via traditional or luxury carriages drawn by book mites, word weevils, or packs of erroneous apostrophes. The agency advertise that they are happy to complete copyright clearance forms on the behalf of their customers, and will act as an intermediary between customers and intertextual border control. Furthermore, the pamphlet’s reverse advertises a currency conversion service with extremely competitive exchange rates, boasting that they handle currencies ranging from silver stags to oxygen credits, from cursed doubloons to trilithium crystals.
Examples of affected works include:
•Animal Farm, by George Orwell.
The character Peppa Pig from the children’s book series of the same name joins the farm, and proceeds to teach Napoleon Pig a valuable lesson regarding the redemptive power of friendship and the value of social equality.
•Under Milkwood, by Dylan Thomas.
The character Captain Ahab from the adjacent novel Moby Dick appears in a short scene near the beginning of the narrative. Captain Ahab appears to be enraged and refuses to listen as a Welsh villager patiently attempts to explain silent ‘h’s.
•The Colour of Magic, by Terry Pratchett.
The character Harry Potter from the popular book series of the same name enrols on a course of further education at the unseen university, and gains an array of amusingly shaped scars courtesy of Rincewind’s ineptitude. Harry decides to retire from wizardry and gets a job stacking shelves in Ankh-Morpork, alongside Gandalf, Prospero, and the Wicked Witch of the West.
•Pride And Prejudice, by Jane Austin.
In a pivotal scene part-way through the novel, Miss Bennet takes afternoon tea with comic book hero Judge Dread. They retire to the orangery for crumpets, where Miss Bennet shyly requests a ride on his motorcycle. Mr Darcy struggles to compete with the gruff and muscular stranger, ultimately proving unsuccessful and deciding he wasn’t that into Miss Bennet anyway.
•A Song Of Ice And Fire series, by George R.R. Martin.
Mr Darcy appears in scenes at regular intervals throughout the narrative of the series. The character makes awkward and ultimately ineffectual advances toward almost every adult female character featured in the series. Mr Darcy is eaten by a dragon in the epilogue of A Dream Of Spring.
•The Complete Memoirs of Jay Gatsby, by Siegfried Sassoon. (Formerly The Complete Memoirs of George Sherston)
The character of George Sherston is replaced by that of Jay Gatsby, the protagonist of The Great Gatsby. Disillusioned with his privileged position and the affluent lifestyle his status demands, the veteran major returns to the battlefield. The final journal entry, addressed to Daisy, suggests that Gatsby is about to undertake an assault which he doubts he will survive. Gatsby expresses that he has made peace with himself, and that he feels that, if he were to die, his life would’ve had meaning. An additional note bequeaths his considerable personal wealth to the war effort.
Update: In addition to the above, the following affected works have been identified:
•Disneyland Florida Holiday Brochure.
The cast of Disney characters is supplemented by many of the former denizens of hell who appear to have migrated from an adjacent copy of Dante’s Inferno.
•Under Milkwood, by Dylan Thomas.
The character Freddy Krueger, having migrated from an adjacent novelisation of ‘A Nightmare On Elm Street’, makes numerous appearances in the dream sequences which open the narrative. The remaining pages are blank.
•The King James Bible, various authors.
Each apostle in turn references the bothersome attentions of a certain scholar who tends to follow them around taking notes, asking repetitive questions, and generally getting in the way. The individual is named as Professor Robert Langdon, protagonist of The DaVinci Code.
•Why The Allies Lost, by Richard Overy (originally titled Why The Allies Won).
The book narrates a fictionalised account of how the Nazi forces were able to thwart the Allied D-Day operations of World War II via extraordinary logistic feats. Vast numbers of Nazi infantrymen appear to have been transported from the adjacent book The Rise And Fall Of The Third Reich directly into a passage describing the geographic features of Normandy’s beaches.
•The Rise And Fall Of The Third Reich, by William L. Shirer.
A work of micro-fiction in which Adolph Hitler is born and immediately executed by an Allied commando posing as a maternity nurse. The commando appears to originate from the adjacent work Why The Allies Won (previously titled Why The Allies Lost, originally titled Why The Allies Won).
•The John Lennon Story, by John Swenson.
The fictionalised biography describes an anecdote that John would often tell his closest friends, regarding an occasion when, whilst tripping on L.S.D in his bedroom shortly after the release of Rubber Soul, he was visited by an aged incarnation of his band mate George Harrison. As John would tell it, the elderly apparition of George warned him of a murder attempt which would be made on him by a deranged fan, and the information helped him avoid the location of his premature demise. The apparition appears to be an instance of George Harrison who has travelled from the final chapter of the book to a chapter near the start in order to issue John a warning. The book lists the numerous humanitarian causes championed by John, especially in his later life, and includes a transcript of an interview he gave to the BBC concerning his Nobel Peace Prize.
•300 600 1200 2400, by Frank Miller.
The Spartan forces from 8 adjacent copies of the graphic novel 300 appear to consolidate in a single copy, and, with their combined strength, achieve a decisive victory at the battle of Thermopylae.
•300 0 834, by Frank Miller.
The Spartan survivors of the above instance of the battle of Thermopylae move on to a second copy of the book, fighting the battle once more and achieving a Pyrrhic victory.
•[Please update this document to include any further instances of affected works directly above this bullet point]
[tag as open collaboration]
Update: Following a prolonged period of exposure to other works, instances of SCP-XXXX often demonstrate a marked shift in effect, causing the narratives of works within their area of effect to be completely stripped of assets via the introduction of a combined mercenary force. This army has been observed to include The Golden Company from A Song Of Fire And Ice; numerous simultaneously existent iterations of Boba Fett and Jango Fett, as portrayed in various Star Wars novel and comic book adaptations; a grossly overpowered iteration of Big Boss’s Diamond Dogs taken from a Metal Gear Solid video game fan-fiction draft; and all regiments present in the first edition of the Warhammer Dogs Of War Army Book by Games Workshop.
It is not known what would occur if an instance were to be allowed to progress further; all known instances have been contained upon, or prior to, this stage of development.
These assets are then anomalously repurposed for the ad-hoc development of a composite narrative on the pages of an adjacent book. These texts are often challenging to comprehend, being formed of a patchwork of interchangeable plot objects, settings and characters. A single plot element has been shown to be analogously represented by as many as five different objects within the space of a single page. These narratives appear to take the form of instructional/cautionary fables, and in two cases have been tentatively linked to other existing anomalies (see [DATA MISSING]
3 Vignettes
“Ladies, gentlemen, non-binaries. I see that I have tonight been billed as a magician. I am sorry to tell you, but you have all been misinformed. I come before you tonight not as a magician, for my act involves no misdirection, no slight of hand; not as an illusionist, for all is just as I present it; I have no swords to swallow, no snakes to charm, nor cards to bore you with.
Had I the power of hypnosis I would have taken your money and left the stage already. Were I able to read your minds I would probably leave the stage right now in tears. Yet here I stand.
I can’t hypnotise you, but perhaps I can influence your actions, just a little. I can’t read your minds, but I’d be willing to bet I can put an idea in your head and then tell you what you’re thinking.
I have no swords, no snakes, no playing cards, but I have a dozen tales about each. I have no illusions, or, perhaps, in a sense, that’s all I have. You see, I am no magician, just a simple storyteller. But then perhaps the two are not so very different after all. Perhaps you were not deceived. Perhaps I do have a little magic for you this evening, if you’d care to read on.
—
The invigilator scanned the sea of downturned heads. Perhaps he had been mistaken; the scratching of so many pen nibs did sound something like a whispering, and his hearing wasn’t up to much nowadays. Maybe Jane was right, he should consider retir…
No, there it was again. His eyes darted for the culprit, resting on a gaunt young man with a dishevelled bonce of mousy brown hair. There was no mistaking it, the student was plainly whispering into his cupped hand. A phone most likely. So small nowadays. Some young chancer would occasionally try something of the ilk. Not on his watch.
A sweet little surge of adrenaline kicked him to his feet, and he stalked silently forward along the aisle of the examination hall. He likened the sensation to that of a predatory beast closing in for a kill. He was a panther, proud and powerful. He’d left the stiff old man behind, still sitting in his chair at the front of the hall. He liked this part of his job better than he’d ever care to admit.
He was upon his prey before the poor thing was even aware of his presence. Kid never stood a chance. The panther stifled a snarl, opting instead for a polite cough as the rush began to subside and he became a man again.
The student played the part of a startled gazelle with aplomb, gasping and floundering there wide-eyed. He tried hide away his hands, but it was too late. In his cupped hand was no phone, no radio, nothing, save for a single, inky black smudge which darted from his palm on the instant of its exposure.
What on Earth had it been? Our invigilator grabbed the boy’s arm, manipulating the limp appendage this way and that as he searched for answers. Nothing. Only… The tattoo? Not possible.
There on the back of the boy’s hand was a stylised black image depicting a young girl. Nothing unusual, he thought at first, only, perhaps there was something. Was she moving? The boy’s hand was trembling, he was quaking in his boots, but beyond that the image appeared to move. Barely, but it was there- a wobble, a twitch, a slight rise and fall of the chest in a manner suggestive of a shallow breath. It reminded him of a bad human statue caught in an awkward pose.
Her pupils flashed to the left, as if checking to see whether she was still being watched.
“Uh, apologies for the interruption, it was… must have been my mistake”.
As the invigilator hobbled back down the long, long aisle to his chair he’d never felt so old, so painfully human. The panther in his mind’s-eye crawled with him, flank dashed with buckshot and mewling morosely. He shook the image from his head and pictured that cottage by the sea. And Jane. With toasted teacakes.
He’d already handed in his notice of resignation when he was told of a curious detail surrounding a returned copy of the literature examination source material, a copy of the book from which all reference to the central protagonist was missing. The pin-pricked page and tiny smear of blood went unnoticed, at least until the Foundation became involved. But that’s another story for another time.
—
No? Perhaps… I know an ancient fable about a bibliomancer who would get up on a stage much like this one, before an audience much like you. He’d take a book, much like this one here, and he’d slam his left hand down on the book, just like this. You see this here spike? It’s extremely sharp, you’re going to have to trust me on that one, unless we have a volunteer who’d care to co.. No? Haha, that’s ok. Well, our bibliomancer- sorry, that’s like a book magician, I should’ve explained- well our bibliomancer had a spike just like this. Might have even been the same one, as it happens. He’d get up on stage and skewer it straight through his left hand, and through the book beneath, and the audience would shriek as the characters from the book came to life before their eyes as tattoos on his body. Living, moving tattoos. He’d just grip the spike, like this, and…
Aha, um, no, I’m not actually going to do that. It doesn’t work in real life, and it’d hurt, a lot. I can tell you a story about it though. I mean, I just did, right?
I think we can take a brief intermission at this point. Or a longer one, if you like. Go get a drink, relieve yourself, whatever. I’ll still be here when you get back.
—
Welcome back. I’m so very glad that you’ve returned. Honestly I thought you might’ve closed the page by now. Thanks for sticking with it. The first half was only a little warm up, this coming section should give you a something rather more memorable to go home with. This next story is about a character. I mean, they all are, right? Well, this one’s a little different.
—
Whilst blood makes for a poor ink colourant, bone char and gelatin, in addition to the glycerin rendered from fats, are commonly utilised in the manufacture of tattoo inks. Jed knew that- he had an A-level in Chemistry, as well as his tattooist license, and a dead body in a duffel bag. He tried not to make a big thing of it, but it was disquieting at best. At worst, he’d sit and imagine it rotting, the face in particular, all mushed up against the canvas of the bag. The man had always taken so much pride in looking presentable. Do beards continue growing after death, or was that fingernails? He felt tempted to unzip the bag and take peek, but no.
He never killed him, never hurt anyone in his life, just snatched a body from a morgue. And he wasn’t wrong to take it, not really, it was his dad. He’d even left a hundred to cover the break in. For getting the door repaired etc. He was a good person, he told himself as he glanced from his jars, across his knives and to the bloody body-bag in the corner. It was almost laughable, he thought, but he didn’t laugh.
—
Our dubious protagonist set to work with his needles, still shaking from what had come before. He clutched the bottle of bluish black ink almost tenderly, but firmly; he certainly didn’t want to drop it.
He could have worked straight from the face, but no, he favoured a photograph, a close-up of his father fishing. He’d just caught a… something or other. Some sort of fish. He was evidently extremely pleased about it.
He took a deep breath and attempted to steady his hand. This had to be perfect. His masterpiece. The ultimate dedication.
—
“Knock it off in there. I get that our humble hotel isn’t quite to your liking, but STOP. FUCKING. SCREAMING. Stop fucking screaming or you’ll be straight back in solitary, you deranged, father-boiling bastard”.
“I’m n… I’m sorry”.
He looked down to his father and instantly looked away.
“Shh. Please. I’m sorry. I’m sorry dad. Please”.
The contorted face on his flesh stopped screaming and wept, and he wept too.
—
Maybe it was all in his head. At least the screaming tattoo part. Maybe we’ll never know. Rather, you can decide for yourself, right? I mean, it’s only a story. Unless… would you care to see my tatt… I’m sorry, just a silly joke I like to add. Indulge me.
Apologies, where was I? Ah yes, my preamble on how that last story was about a special character? Well it turns out that wasn’t the story which was supposed to go with it. I suppose it kind of did, but it wasn’t the one I intended to tell you. Got my notes mixed up here, it’s, uh, a little embarrassing.
I think I’m… yeah Darke’s looking at her watch, I’m out of time tonight. If you’d like for me to come back some time and tell you the real closing story, please upvote and comment and we’ll see what we can do for you.
Gulp.
Item #: SCP-XXXX
Object Class: Keter
Special Containment Procedures: Preowned copies of SCP-XXXX will be purchased by the Foundation and stored in a standard containment locker.
Foundation web trawlers will search the internet for any reference to the anomalous effects of SCP-XXXX. Any such articles will be removed from the internet, and the poster will be located, interviewed and amnesticised. In the unlikely event that knowledge of this anomaly spreads such that it can no longer be viably suppressed via standard amnesticisation protocols, the Foundation will desist in all attempts to suppress this knowledge; public knowledge of this anomaly poses a low threat to normalcy provided that it is not allowed to result in public knowledge of the Foundation’s existence.
Efforts to locate the author of SCP-XXXX are ongoing.
Update: A population of the novel metatextual parasite Liposcelis pseudoanimus is to be maintained within a habitat-appropriate containment unit for study.
Description: SCP-XXXX is the collective designation for all printed instances of a popular fiction novel named ‘Characterisation’, authored by Ashley Groves and published by Random House in May 2019.
The anomalous properties of instances of SCP-XXXX, including photocopies and handwritten reproductions of the work, are such that the documents consistently fail ontological plasticity test B-23. *Footnote: A simple test in which a physical document is cut up into short fragments and rearranged at random numerous times by a blindfolded participant. The instance of outcomes which result in the reformation of the original document is compared to the probabilistic odds of such an outcome occurring. If the actual instance is greater than fourteen times the mathematically probable instance then the document fails the ontological plasticity test, demonstrating a marked resistance to informational disruption.*
SCP-XXXX features a plot in which the protagonist suffers from delusions that she is a character trapped within the narrative of a novel. The opening passages find her obsessing over various potential methods of escape. With the ongoing support of her loving family and her therapist she begins to overcome her delusions in the closing passages.
The author’s sudden and drastic advancement in writing ability was the subject of a meme which gained popularity on the internet in July 2019. The author was previously known for self-publishing unpopular and critically derided novellas, along with verbally abusing negative reviewers via his twitter account. The last of his novellas was noted for its “flat, lifeless characterisation”, along with numerous other failings. Conversely, SCP-XXXX has received major literary prizes including The Man-Booker Award For Fiction in 2019, being critically acclaimed by such influential figures as Norman Mailer, who is quoted on the front cover praising its “vivid characterisation … existential angst … sensitive portrayal of mental illness”. Dave Eggers was cited as stating that he couldn’t believe SCP-XXXX was written by the same author as the previous novellas, implying that he believed a ghostwriter may have been involved.
Exploration Log:
Location: The estate of author Ashley Groves.
1: For the record, we’re descending the cellar steps right now. Flashlights on.
2: Aye.
1: It smells even worse down here. Decay. I think I know what we’re going to find.
2 can be heard retching.
1: Yeah, best mask up.
The audio can be heard to jump at this point, resuming mid-sentence.
3: eams and reams.
2: There’s a bathtub in the corner, heading over there now.
1. And there’s our body. We’ve got one human skeleton. Adult. Female. She’s reclined in a bath of crumpled paper. Badly stained. The bones are almost clean though, I’d say she’s been here a long time, only that’s not consistent with the stench.
2: The paper’s blank. At least this piece … Ah! Get [them]*link to book mites* off me.
Update: The author Ashley Groves was willingly apprehended at a book signing following his release of a new novel, a tender, partly fictionalised biography of his recently deceased father. Ashley stated that he sought to immortalise the man through the work.
Book Mites Trilogy: Characterisation link to Wanderer’s Library Book Mites link to Extratextual Travel Agency link to Characterisation?
Secure Facilities Dossier: Site-XX.
Founded: March 1st 2012
Founding Director: Dr. Wendy Win.
Location: Department of pataphysics intranet.
Site Function: Research, containment, task force deployment, administrative.
Size: 220,000 words (approx)
Abstract: Site-XX is an ostensibly fictitious extra-ontological Foundation site conceived for the containment of extra-ontological anomalies. The site is staffed by extra-ontological Foundation employees, the leaders of whom report directly to the department of pataphysics via short stories authored by communications officers. This may be performed in the presence of low threshold scranton reality suppressors. Ontological plasticity enhancement fluid and/or ideoconductive bridging symbionts may be utilised following the completion of a task-specific risk assessment.
The central ontological representation of Site-XX is contained within the ongoing narrative arc of a series of short stories authored by the department of pataphysics, and taking the form of pseudo-fictionalised SCP or GOI format articles and addenda, in addition to free-form tales.
Evaluative Statement: Whilst the site cannot, or has not, been conclusively demonstrated to have any impact on consensus reality, its negligible upkeep costs and speculated effectiveness present an acceptable value proposition. Leading pataphysicists and pataphysicians agree that narrative spaces are theoretically capable of containing sapient characters with agency over their actions, in addition to infohazardous muses, anomalous analogies, and meta-macguffins, or, internal plot devices capable of paratextual actuation.
Recruitment Strategy: The authoring of extra-ontological staff members is to be delegated by the human resources manager for the department of pataphysics. Whilst self-insertion is prohibited, the use of characters loosely based on the personnel files of deceased Foundation staff members is to be encouraged, provided that the deceased was not previously known to the author.
Whilst Site-XX possesses no canonically consistent topography, the above is an author’s depiction of a possible layout.
Inventory of Anomalies: The following represents a non-exhaustive summary of anomalous objects currently contained within Site-XX:
•4 Montgomery Packard objects.
An object class named after the ‘choose your own adventure’ book pioneers, the uncontained presence of which can cause featured characters to compulsively self-insert into literary works present within the narrative of their native text. These anomalies are stored within standard containment units on site.
•1 Superanalogy.
A universally applicable analogy, initially presenting as highly specific to any given contextual pairing. Comprehension of the mechanics of this analogy can lead to the existential crises of affected individuals, generally characterised by a debilitating general indifference. An extra-ontological god will subvert any iterations of this anomaly in-universe.
•1 Fourth wall incursion.
A fictitious memetic contagion which causes characters within a literary work to identify as characters within a literary work and refuse to participate further. A novel therapeutic system has been developed, and the most influential of fictitious clinicians have been invited to attend a short course on the provision of this specialist counselling.
•1 Sapient character.
The anomalous character XXXXX XXXXX, who has been demonstrated to nurture a potent emotional bond with her authors over the course of narrative development, and as such proves extremely resistant to authorial assassination termination attempts. She is currently held within a padlocked biography which is the subject of a buried book which is contained within the narrative of a short story inside of a storage locker on Site-XX.
Project Crossover article?
Item #: SCP-XXXX
Object Class: Euclid Thaumiel
Special Containment Procedures: SCP-XXXX is to be stored in a standard humanoid containment unit equipped with high-resolution scranton reality anchors. SCP-XXXX is to be subject to a standard human maintenance schedule with a specific recreational stipulation that the anomaly is never to be supplied with works of fiction in any format.
Update: This includes religious materials.
MTF [designation] [informal] is to enter Wonderland and render the world inaccessible. This is to be achieved by sealing all existent entry ways, or, if necessary, via the world’s destruction.
MTF [designation] [informal] is to enter The Land Of Oz and render the world inaccessible. This is to be achieved by sealing all existent entry ways, or, if necessary, via the world’s destruction.
MTF [designation] [informal] is the enter Narnia and render the world inaccessible. This is to be achieved by sealing all existent entry ways, or, if necessary, via the world’s destruction.
An extensive search for instances of the anomalous individual known as Waldo, or Wally, is ongoing.
MTF [designation] [informal] is to acquire global stocks of Wonka bars. All golden tickets are to be contained in storage lockers. Reports of escaped Oompah Loompahs are to be investigated, and any such individuals are to be detained and contained or destroyed; they may choose which.
MTF [designation] Seekers is to acq
Update: Scranton reality anchors were temporarily deactivated and SCP-XXXX was provided with a bedtime story in which Foundation operatives infiltrated and destroyed Wonderland, sacrificing their lives in the process. This
[SAVE DRAFT? Y/N:]
Prelude: Fanfic Test Logs
1. The 10th Muse.
2. Concubines, or Waifu.
3. SCP Uncontained. (Including link back to ‘Muse Test Logs’. Also including format guidelines for diffuse obfuscated sub-series).
Test Log Aug 11th 2012:
Test: A subject was instructed to author a short story in which a character named █████ █████ dies whilst attempting to obtain a sacred statuette.
Result: Subject stated that they felt inspired by the premise and began writing immediately. Subject established the character of █████ █████ as a ‘wilful … young debutante’ suffering from ‘possible delusions’ that she was ‘preordained to end the world’. The subject authored a narrative in which the character either successfully infiltrates an abandoned office building and wins a cursed chair leg from the shade of her former line manager, or erroneously believes herself to have done so.
T: Subject was instructed to replace all instances of the term ‘chair leg’ with ‘statuette’.
R: Subject attempted to argue the thematic importance of the chair leg.
T: Subject was instructed to replace all instances of the term ‘chair leg’ with ‘statuette’.
R: Subject reluctantly complied, including quotation marks around each instance of the edited term.
T: Subject was instructed to rewrite the ending of their composition so as to include the death of the central character.
R: Subject refused to comply.
T: Subject was instructed to rewrite the ending of their composition so as to include the death of the central character.
R: Subject refused to comply, becoming visibly distressed.
T: Subject was instructed to rewrite the ending of their composition so as to include the death of the central character.
R: Subject attempted to bribe the research staff.
T: Subject was instructed to rewrite the ending of their composition so as to include the death of the central character.
R: Subject threatened to write and publicise a story ridiculing the research staff.
T: Subject was instructed to rewrite the ending of their composition so as to include the death of the central character.
R: Subject edited all instances of the name ‘█████ █████’ to read ‘the girl’, before editing the ending to have her perish suddenly from an unspecified ailment.
T: Subject was instructed to replace all instances of the term ‘the girl’ with ‘█████ █████’, without making any other changes to the text.
R: Subject authored a narrative in which the protagonist authors a book in which a character named █████ █████ obtains a magical stylus, only for an antagonistic publisher to heavily edit the ending so as to feature the character’s demise. It is implied that the protagonist intends to self-publish some form of sequel or amendment.
—
T: Subject was presented with a short, unfinished narrative and instructed to write an ending in which the central character, █████ █████, is killed by the established monster.
R: Subject suggested an alternative ending in which the character is victorious.
T: Subject was instructed to write an ending in which the central character is killed by the established monster.
R: Subject attempted to argue against the wisdom of the instruction before eventually complying. Subject then edited the supplied narrative to imply that the central character was in possession of a thermos flask containing the condensed soul of a powerful necromancer.
T: Research staff attempted to delete the passage concerning the thermos flask.
R: Research staff were unsuccessful, erroneously reporting a hardware fault.
—
T: Subject was instructed to author a short story containing the character █████ █████. Neuro-imaging apparatus were employed throughout the process.
R: Subject complied. Neuro-imaging results demonstrate patterns markedly similar to those produced when stroking a beloved pet, breastfeeding a baby, or engaging in other activities wherein the participant assumes a nurturing role and reinforces a bond with a reliant entity. Hormonal analysis reveals a sharp spike in the subject’s levels of oxytocin as they write about the character, consistent with the formation and reinforcement of an emotional bond.
—
Termination Log:
Research staff attempted to author a narrative in which the character █████ █████ falls from a cliff and dies. The attempt was aborted after a period of 8 hours, during which the authors wrote and subsequently deleted many scenarios in which the character evades her demise. Examples of this include:
•█████ makes an enigmatic phone call at the beginning of the story. At the end this is hinted to have been a call to an agency specialising in the provision of professional stunt doubles.
•█████ executes a flawless reverse 3.5 somersaults in pike position, and is awarded a medal for her diving prowess.
•█████ is pushed from a cliff, after which several lengthy passages are spent describing her fall in increasingly verbose and florid language. The text then spends two paragraphs dealing with the science of cloud formation, one with the physiology and migratory habits of the bird flock which she falls past, and a further paragraph outlining the physics of terminal velocity. Bullet points follow, with each pertaining to a different anecdotal case in which an individual survived a fall from a significant height.
•█████ recalls obtaining a macguffin which grants her a degree of agency over the narrative direction, and emerges victorious after a protracted power struggle with the author who was intending to kill her off in the final paragraph. It is implied that the author has developed a strong attachment to the character over the course of the story, and is willing to accept reprisals from his publishers in order to stay her execution.
—
Research staff employed Foundation A.I 60B-II, The Pataphysician, to analyse the provided data and autonomously implement a solution. This resulted in the creation of a document in which █████ █████ was killed upon impact with the ground after jumping from a cliff.
Over the course of the following month rates of fiction novel publication diminished drastically, whilst the publication of new fiction on the internet cessated with almost immediate effect.
—
Resurrection Log:
[DATA MISSING]
Please note that this document is a work of meta-fiction resulting from advanced computational simulations, and as such is not to be considered a factual record of events. -A.I 60B-II.
Please note that there is no A.I 60B-II. -Dr White.
SCP-xxxx Addenda Set 01: Articles pertaining to the location tentatively designated SCP-xxxx-B.
Excerpted Review of The Tempest:
Let me begin by saying I do not subscribe to the notion that Shakespeare’s work should be considered sacred or otherwise beyond adaptation. That said, this particular version strikes me as somewhat ill-conceived. Perhaps if the company had seen fit to mention in their press release that this was to be a reworked version of the classic then the audience may have proven more receptive, but given the content I sincerely doubt it.
The writer’s decision to omit the thematically crucial wedding scene in favour of the inclusion of Prospero’s freeing of the spirit Ariel from captivity within Sycorax’s pine tree was frankly baffling. Whilst Ariel undoubtedly proves an important asset to Prospero in the original material, the writer’s nagging insistance to overemphasise this point whilst underplaying the role of his tome and his staff is surely detrimental to the work.
Interview With Director Iannis Philpot (unedited transcription):
Planned in advance? Well, it.. no. I like to say that it came to me on the breeze. Like a whisper. Yeah, I know, right, what a great excuse.
I’d just arrived at the performance space and was appreciating its beauty. I was sitting on a bench under an apple tree and it.. We must have put on The Tempest a thousand times before, and it’s always been a hit, of course it has, we’re pretty damned good, and it’s, well, it’s The Tempest. Anyhow, it suddenly occurred to me that it was a bit.. I don’t know. a bit flat, maybe? I wouldn’t usually consider myself a better playwright than Shakespeare, no way, but, I guess, in the moment, I.. it just occurred to me, rather strongly in fact, that old Will had been focusing on entirely the wrong elements. I got pretty vocal about it, you can ask the guys. It’s hard to describe, but I couldn’t face putting on the original play, it didn’t seem fit for.. I would’ve been ashamed. I know, right? It’s ok to laugh. In the moment I honestly thought I could do better.
Sorry, can we just.. I can’t entirely justify it, after the fact.
I guess I’ve always been prone to pursuing a whim.. my flights of fancy. Sometimes that works out well for me, and other times not. This time, apparently, not.
Hmm.
I should like to start again, if I may?
—
Dave.
Given it some more thought and it’s a no go on The Everywhere Bear. Don’t know, just occurred to me that Aladdin’s a better fit. Tried and tested, plus the age demographic’s wider, and kids always love the genie character, right? I’ll ask June to pencil it in.
Cheeky pint at the ferrymans tonight?
-Winston.
—
Local Family Set For Stardom!
On bank-holiday Monday a large crowd gathered in the Bishop’s Garden of Wells Cathedral to watch an impromptu performance put on by a local family. The Rowbothams claimed to have been visiting to walk their dog in the grounds when inspiration struck. None of the family have any background in the performing arts, however, as Mrs Rowbotham put it, “the glorious weather and evocative setting moved me such”. Mr Rowbotham adds “I’ve been working on overcoming my phobia of public speaking and this performance was an attempt to step outside my comfort zone”.
Anne Rowbotham, 42, works as a technical writer for a leading pharmaceutical company. Charles Rowbotham, 37, is a professional question setter and crossword compiler. Together they devised the core script by “discussing it, bouncing ideas back and forth for maybe an hour or two”, and both acted in the performance. Their son Jim, 12, was in charge of finding and constructing props from around the gardens, as well as playing several minor roles including his wonderfully spirited portrayal of a villainous jailer. Even their golden retriever Saruman had an (unintended) walk on part, delighting the audience with antics culminating in his theft of a cheese sandwich from a child in the front row.
Their 35 minute performance was met by rapturous applause, with audience members describing it as “thoroughly charming”, “inspired” and “inspiring”.
How long until Hollywood snaps them up? We’ll keep you posted!
—
The Importance of Being Earnest?
On Sunday many angry theatre goers apparently had no problem ‘being earnest’ when expressing their dissatisfaction after purchasing tickets for a critically acclaimed production of Oscar Wilde’s ‘The Importance of Being Earnest’, only to be treated instead to an apparently improvised and largely incoherent play concerning the intricacies of occult western mysticism. An inexplicable last minute change to the scheduled performance lead to Wilde’s light and witty comedy being replaced with a bizarre play centred around the acquisition of ultimate knowledge via the invocation of an imprisoned elder deity. I think it’s fair to say that the company’s decision to shun such traditional elements as characterisation, narrative development and thematics in favour of esoteric ritualistic content was unpopular with the audience, many of whom left part way through.
The venue’s events manager claims not to have been aware of this change prior to the performance, apologising unreservedly to customers and offering full refunds.
No representative for the theatrical company Ye Olde Somersetshire Players was available for comment.
See ‘You Have Your Say’ on page 23.
—
Winston.
Hi, sorry to bother you when you’re so busy dealing with our ‘gaping hell pit’. (I’m guessing you saw that article already? Lol)
Just a note that I fired Vince Cosworth from the box office on Sunday evening after Juniper caught him vandalising the exhibits in the main building. Nothing damaged, he just took some stuff from the curiosity cabinet and hid it in the cellar. Seems like he was going to steal it later, no proof though. He claims he was “just playing around”.
I’ve put it all back now; no harm done, I suppose.
Sorry, I know that he’s been with us for a while now and you had high hopes for the guy. If you ask me he’s an oddball and we’re better off rid.
-DB
—
Sinkhole Scare!
Residents of xxx are fleeing their homes in terror after a gaping hellpit threatens to devour the town.
Sizeable Sinkhole Opens Overnight.
In the early hours of Monday morning a sizeable sinkhole measuring approximately 12m across and 44m in depth suddenly and dramatically opened in the grounds of xxxx, leading to significant structural damage and the temporary closure of the attraction to the public. Repairs are expected to take some time due to the sensitive nature of any restorations in view of the site’s status as a listed landmark of national heritage. Authorities are urging locals not to panic, stressing that this is understood to be an isolated incident; there is no cause to suspect that further sinkholes will form in the area.
—
_quatermass changed name to _spelunky.
_spelunky posted: srry but am i the only one whos 😀 about the sink hole? Gods revenge for that shitty blastfamous play.. rah!
Fatfurrycatpuss replied: [link: tomwaits-downinthehole.mp4] 😎
_spelunky replied: rolfmao!
Fatfurrycatpuss replied: …
Fatfurrycatpuss replied: Dork.
—
Poem displayed in ‘The Ferrymans’ Public House:
Ere queer spirits would cavort this land;
In man’s defence this fortress stands.
Foundations formed in times forgot,
Where whispered hints inspired plots.A muse of old with cryptic words;
But see they ne’er be disinterred.
—
[RETURN TO MAIN DOCUMENT: SCP-XXXX]
[[Link to scp page via this listpage]]
—
Item #: SCP-xxxx
Object Class: Keter.
Special Containment Procedures: Agents of the diffuse mobile task force [DESIGNATION], Waldorf & Statler, are to in pairs attend and covertly record any live theatrical performances flagged by Foundation trawler algorithm FTA-B11, feeding back their findings so as to facilitate ongoing improvements to the accuracy of the algorithm. Following each attended performance, agents are to assess the probability of said performance being an instance of SCP-xxxx-A. This is achieved through the cross-referencing of various narrative and symbolic continuity charts along with the task force’s compiled database of analogous representations. Once per month all healthy members are to remotely conference in randomly selected groups of 5, with a focus on the pioneering of new analytical methods and the development of practical resources to aid in their operation.
The goal of Waldorf & Statler must be to gain insights into the ultimate purpose of instances of SCP-XXXX-A via extensive analysis of their content.
Any FTA flagged possible instances of SCP-xxxx-A which advertise a cameo appearance from an unspecified star are to be subject to special scrutiny. Should this prove the case in any performance with scope for the inclusion of an incorporeal character or particularly advanced special effects, agents are authorised to disrupt the performance if necessary. (See procedural document: Heckling).
Members of [W&S] are to be subjected to task force specific psychological assessments following each positively identified performance attended; any member exhibiting symptoms of Mary-Sue self-insertion syndrome must undergo therapeutic treatment and pass a further assessment prior to the recommencement of their duties. During the interim they are forbidden from engaging with any works of fiction. Sufferers are to be encouraged in the use of immunotheraputic audiobooks during their period of rehabilitation, with the stipulation that the accent of the narrator be sufficiently dissimilar to the agent’s own in both timbre and intonation. Experienced members of the task force are to be retained wherever possible, even [REDACTED].
The structure of [W&S] is such that the task force is capable of operating with near-autonomy, in addition to directly conducting the governance of Clark Kent’s Intern. The primary purpose for Overseer involvement with W&S will be the periodic assessment of the ideological integrity and allegiance of members. the task force and its members.
Agents of diffuse mobile task force [DESIGNATION], Clark Kent’s Intern, have been embedded into major corporations responsible for the production of various light entertainment and critical review publications. Suspected collaborators of SCP-xxxx are to be questioned under the guise of interviews intended for said publications. Should a positive identification be established over the course of the interview, the associated documents will not be published.
Stationary task force [DESIGNATION], Abdul Alhazred, has been established in order to attempt direct interaction with the anomaly. The project has been granted a period of 30 days in which to demonstrate collaboration with SCP-xxxx. Agents will be provided with writing implements including word processors, conventional pens, and a range of styluses constructed from ideoconductive materials such as cardinal gemstones and bronze.
Testing suggests that SCP-xxxx is either unwilling or unable to collaborate with Foundation personnel or D-Class subjects in laboratory conditions. Agents are forbidden from attempting to collaborate with the anomaly outside of approved testing. This is even especially applicable to members of W&S.
Update: As of xx/xx/xxxx all members of W&S must consent to the installation of monitoring equipment in their homes and vehicles as a requisite.
Foundation agents are conducting a thorough investigation of the structure and grounds of xxx along with its deep history, with the intent of discovering whether the anomaly was formerly bound to this location, and if so, then by what method this was achieved, and by whom. Efforts to locate POI ‘Vince Cosworth’ are ongoing. See addenda.
Description: SCP-xxxx is the Foundation’s designation for the apparent theatrical company of the same name. Within 24 hours of the Foundation’s designation of identifier ‘SCP-XXXX’ to this anomaly, the United Kingdom government received a trademark registration application for the company name ‘SCP-XXXX’ under class 41, a category which covers services including education, animal training and entertainment. This application was automatically rejected due to the provision of insufficient information by the applicant. Note that the Foundation’s informational security policy is currently under review.
The suspected repertoire of SCP-xxxx, termed SCP-xxxx-A, includes original plays and subtly reworked interpretations of classic material. These tend to be somewhat ambiguous in meaning, though all seem to be hinting at deeper truths, with the inclusion of certain consistent elements with analogous or homologous representation in each iteration. Foremost of these is the often referenced but seldom seen macguffin referred to by them with many names, but primarily known to us as SCP-001.
In addition to this, [REDACTED].
Curiously SCP-xxxx seem content for their esoteric messages to elude popular comprehension, preferring to encrypt and obfuscate any reference to the greater mysteries. Whilst this remains the case the existential threat presented by this anomaly is tentatively considered to be minimal. Note that following [redacted] a case was presented for the recategorisation of this anomaly as Thaumiel, a proposal soundly rejected by the board.
Whilst it is believed that SCP-xxxx usually perform in uncredited collaboration with other established theatre companies, they have also been tentatively implicated with [redacted] Primary School’s notorious production of their revisionist nativity play, and more recently with the British Broadcasting Corporation’s televised adaptation of [redacted].
Suspected noms de plume associated with this anomaly include Ludo & Lila, Amber, Ruby, Mr Bellamy, Hazel Shade and anon jr. It is unknown whether these titles refer to SCP-xxxx or its collaborators.
The apparent onset of this anomaly occurred within 48 hours of the opening of a moderately sized sinkhole within the location designated SCP-xxxx-B, and has been tentatively linked with the events that transpired there. See addenda set 1.
Whilst it appears that this anomaly was once geographically bound, it is no longer so. Its current goals, if such a term is even applicable, are a mystery to us.
Addendum 2:
Interview for [redacted] magazine: A Chat With The Director.
No. I mean, nothing exists in a vacuum, obviously my work is to some extent informed or otherwise influenced by the zeitgeist, but as for your question, no, it’s not directly inspired by any existing piece. And no, I don’t collaborate on my writing. Well, I guess you could say I do. I collaborate with, huh, I suppose you could call her an imaginary friend. I call her Clio, after the muse, you know?
Yes, it’s unconventional. I don’t subscribe to the idea of automatic writing, never have, but I do feel that having Clio around can be a tremendous tool for.. give me a moment.
She can be a tremendous tool for divorcing my creative ego from the story to which I’m giving life. I can just bounce ideas off her, or her from I, and tend to get a lot done that way. Never mind how I, as a writer, feel about a certain narrative direction, what would Clio make of it? Sometimes she suggests ideas out of the blue. Well, those can be.. shocking.. notions of mine which I can only stand to consciously actualise, to, uh, dredge from the depths of me, if first I distance myself from them by a step. Hence Clio. A sense of disownership.. dissociation.. it can be a liberating thing. Does that make sense?
No, This piece was the first time I used her. Perhaps the last; I do have something new in the works at the moment, but, I don’t know, the technique seems to have lost its effectiveness. I feel too self conscious when I try to engage with her now, I think that’s it. Or she’s just not there.
I’m sorry, I don’t think I’m explaining myself very well at all. Can we take it from the top?
Addenda Set 3
Waldorf & Statler Module 2 Examination.
PRACTICE PAPER ONLY.Q1. Read both texts in figure 1 and then study the chart in figure 2. Tick any of the following statements which you consider to be correct:
•The first text is likely to be an instance of SCP-xxxx-A.
•The second text is likely to be an instance of SCP-xxxx-A.
•The chart was a useful tool in carrying out the previous assessments.
•The stranger in the first text is interchangeable with the suspect in the second text.
•The stranger in the second text is interchangeable with the adventurer in the first text.
•All instances of the terms ‘the adventurer’ and ‘the suspect‘ are interchangeable.
•Figure 1 is an example of analogous reiteration.
•Figure 1 is an example of a malory-eschenbach transformation.
•The name of the suspect should be added to database B-11-3.
•The name of the suspect should be added to database B-11-4.
•You strongly empathise with the concerned citizen’s dilemma.
•The first stranger’s reference to Dr Wondertainment’s failed creation would provide sufficient grounds for the declaration of situation:red.
•The second stranger’s reference to The Child of Mekhane would provide sufficient grounds for the declaration of situation:red.Q2. Read figure 3, and, using all that you have learned from the two texts in figure 1, fill in the missing words.
Q3. Read the linear narrative in figure 3. Either:
• Fully deconstruct the narrative and then construct a woolworth web from the resulting objects.
or
• Fully deconstruct the narrative, and, using the woolworth wheel provided, reduce each relationship to campbell units. List these in ascending numerical order.Q4. Read and delineate the text in figure 4. Convert the simple short story to an alphanumeric boswell code of 128 characters. Record your workings.
Q5. Read the series of texts in figure 5. Map all intertextual connections on 5mm grid paper.
Q6. Using the intertextual connectivity maps you produced for Q5, construct on tracing paper a complete map of the implicit narrative superstructure.
Q7. Read the non-linear auto-referent meta-narrative in figure 6. Compose an analogous linear narrative of 200-300 words without using any objects from the original text.
Q8. Using all you have learnt from figures 1-6 to provide context, establish the question and record your answer here.
Oral Assessment: Stand and read aloud the egohazardous poem ‘I Am Simon, I Am Sam’. Your assessor will make an audio recording of this reading and then replay it aloud before conducting an oral assessment. Answer any questions truthfully, taking time to consider your answers.
Chapter Summary: Approved Heckles
Whilst selective plotholing may be employed at an agent’s discretion, and situation:amber allows for the use of yah-boos and minor jeering, situation:red must be established before the use of the potentially hazardous techniques get off the stage!, we can’t hear you! or forgotten your lines? is permissible.
Protocol unmemorable performance (mass plotholing) should only be utilised for purposes of damage limitation.
In the majority of situations it will be more appropriate to simply sound a fire alarm or even to start a small fire; agents are expected to be resourceful and avoid resorting to the use of Heckles wherever possible.
Note that the use of he’s behind you! is no longer sanctioned.
If ever a production appears to be foreshadowing the final act then the show must go on but the current leader of the task force should be informed at the earliest possible juncture.
- What’s up with the structure of this? We’re supposed to be producing a technical document, not telling a goddamned story Doctor.
Article flagged for revision.
Footnotes
1. or may not represent an actual amulet at all, but rather exist in the works as a purely symbolic representation of a higher concept. It is also important to remember that it has not been established whether these works are even instances of SCP-xxxx-A at all.
[ADD CO-AUTHORED TAG.]
Item #: SCP-XXXX.
Object Class: Uncontained. Euclid. Uncontained.
Special Containment Procedures: All sufferers of SCP-XXXX are to be held in memetically insular quarantine indefinitely, pending development of a cure.
For their own comfort, sufferers are to be limited in options wherever possible, with heavily dictated daily routines including diet and recreational activities.
The euthanasia of these vital test subjects is prohibited.
The Foundation’s search for patient zero is ongoing.
Update: SCP-XXXX-A has been passed to the department of memetics for analysis.
Update: It is possible likely that further instances of SCP-XXXX-A will be independently conceived of in future, resulting in further outbreaks of SCP-XXXX. Accordingly, this anomaly has been reclassified as ‘uncontained’.
Research is currently investigating the possible utility of SCP-XXXX, or a derivative, as a thaumiel for the negation of potent compulsion effects.
Description: SCP-XXXX is an anomalous memetic contagion, the suffers of which appear to exhibit true volitional mastery, exhibiting VIRs in excess of 1 megalibet, this being the limit of our current analytical capabilities.
Sufferers will often open doors or peel back curtains to find only emptiness beyond; they will open their favourite books to find blank pages, and any CD selected from their shelves is highly likely to contain pure silence. The probability of the latter appears to increase in positive correlation with the size of the collection presented. This holds true in many other situations where a choice is made; the chances of any resulting information being either corrupted or simply not present appear to be random, with each option proving equally likely to result in this effect.
Sufferers report that certain choices made in certain situations result in perceptual discontinuity, whereby the consequences for some other option actuate in place of the one which was taken. Whilst we have no way to empirically verify this claim, it has been found that any witnesses to such an effect will corroborate it, and furthermore will themselves become sufferers of SCP-XXXX.
Update: It is believed that SCP-XXXX originated from an anomalous thought experiment conceived by a theology student in Cambridge, England, before being memetically transmitted to her peers, family and therapists via demonstration of the anomaly’s effects. This thought experiment has been designated SCP-XXXX-A.
Item #: SCP-XXXX.
Object Class: Euclid. Uncontained.
Special Containment Procedures: All recovered instances of SCP-XXXX-A the substance known as ‘plain white sauce’ are to be contained in secure storage lockers on Site-19. disposed of as non-hazardous, non-anomalous waste.
All individuals affected by SCP-XXXX known conspirators are to be amnesticised and rehabilitated. indefinitely detained and interrogated.
An extensive search of the village of Catcott and the surrounding countryside is ongoing, pending the discovery of SCP-XXXX, if indeed such an entity, or entities, exists.
Description: SCP-XXXX is the designation of the anomalous phenomenon affecting the population of the village of Catcott in Somerset, England, whereby affected individuals experience the recollection of false memories involving an older friend or relative teaching them a recipe for ‘plain white sauce’. Immediately following the recollection, affected individuals universally demonstrate a compulsion to create large quantities of the substance, designated SCP-XXXX-A. They then store this in sealed jars in their homes, workplaces, and in one recorded instance, within a storage unit which had been rented especially for the purpose.
SCP-XXXX is the tentative designation for the unknown, suspectedly anomalous entity, or entities, for whom the population of Catcott in Somerset, England have been conspiring to prepare an arrival. This preparation is evidenced by their production of vast quantities of a viscous substance known as ‘plain white sauce’, formed of sugar; electrolytes; consecrated human breastmilk or bonobo colostrum; and cornflour. This substance appears to represent a bait or food source for SCP-XXXX.
Tests reveal that the conspirators are not, as previously suspected, subject to any anomalous effect of compulsion; it is not uncommon that they exhibit volitional indication readings in the range of 7 to 8 kilolibets when regressed to a relevant decision point.
Whilst attempts to extract information from the conspirators are ongoing, one individual has claimed that he produced the substance for a dinner guest, whilst refusing to give any further details.
Oneiroscopic recordings of the conspirators suggest a trend for mild psychological trauma involving Lepidoptera.
Item #: SCP-XXXX.
Object Class: Uncontained.
Special Containment Procedures: The former homes of SCP-xxxx-A and SCP-XXXX-B have been acquired as Foundation assets, however, following the eviction and amnestic rehabilitation of their families, the anomalous shadows have vacated the premises. Whilst the families have now been returned to their homes and remain contained there, the shadows have yet to return and are currently uncontained, last sighted playing chase on the deck of a paddle steamer bound for St. Louis.
Whilst SCP-xxxx is currently uncontained, the Foundation strategy of staging apparent tournaments as a front for selective amnestic applications is proving effective at controlling instances of hazardously capable participants.
Research is currently focusing on the possibility of replacing SCP-xxxx with a deactivated iteration.
Description: SCP-xxxx is a memetically contagious children’s game similar to pat-a-cake, wherein two participants perform a series of rhythmic handclaps whilst reciting a poem of nonsense syllables. The complexity of the motions and utterances increases steadily until one participant falters, at which point the game ends and that individual is declared the loser. Participants generally exhibit enjoyment, and have described the game as ‘fun’, ‘funny’ and ‘super cool’.
Although this stage is seldom reached, by around 2 minutes and 30 seconds into a performance, the sing-song syllables of the opening refrain have transformed into something resembling rapid, guttural glossolalia, with both participants exhibiting marked symptoms of oxygen starvation. By this stage the speed of the hand motions approaches the threshold of human capability, and the initial ‘clap-clap-rest’ pattern has been replaced with an extensive move-set of claps in a non-repeating series. This has been observed to superficially resemble high-level martial arts performance.
When questioned regarding the means by which they came to be aware of the game, participants universally state that they learned it from a peer. The veracity of these statements has been confirmed in each test case. When posed with the question of how they came to learn the complex latter verses and accompanying hand motions, the responses of participants has been found to vary; many prove unable to answer, expressing confusion and mild discomfort, whilst others state that they have always known it, or that they make it up as they go along.
The anomalous aspects of this game were first detected following the emergence of several especially skilled and practised players, and an incident resulting in the reported dematerialisation of a pair during a performance. Their dematerialisation was complete, save for their shadows which remained and were observed to collapse in situ before appearing to stand again approximately an hour later. After this the shadows fled to their respective family homes in an apparent state of distress. These shadows have been termed SCP-XXXX-A and SCP-XXXX-B.
Tellingly, [DATA EXPUNGED]
Update: No association has been conclusively established between this phenomenon and the GOI known as ‘Constellation Starfish’.
Client Confidentiality
“There may be occasions when there is a perceived conflict between the professional and moral duty of confidentiality and the need to disclose information that is considered to be in the public interest or individual protection.”
-National Counselling Society.
This format is intended to be used either for standalone works, or as an element in conjunction with other formats, primarily as SCP article addenda. It can be used to explain how the Foundation became aware of an anomaly, however this is not the only use for the format. Remember that the client does not have to be anomalous, but can be someone who has witnessed or been otherwise affected by an anomaly.
Important: This is purely a narrative device for works of fiction, and must not dissuade anyone from seeking help from practitioners. Accredited mental healthcare professionals take client confidentiality very seriously and are bound by laws and ethical frameworks, as well as being some of the most genuinely caring people you could hope to meet.
Counselling Session Notes- Format Example:
Counsellor Name: Jezebel Glass.
Practise Name: Window Frame Well-being Project UK.
Client Name: Walter Meltwater.
Reason For Referral/ Case Background: WM arrested for unprovoked assault on a stranger in the queue of his local delicatessen, presenting to arresting officer with symptoms of paranoia.
Opening Question: ‘How are you?’
Client Response: ‘May I move this?’ (WM awaited confirmation and then moved his chair to the far corner of the room, facing the door and windows). Note- give more consideration to therapy room layout for all clients. /\/\/\/\. <><><><>
Initial Observations: Client highly anxious, agitated, appears tired. Furtively sketching in his notebook whilst talking.
Teeth: bad.
Breath: worse (fish paste and onion?)
Flow of Session: WM reticent to engage- questioned client confidentiality and data protection legislation, expressing skepticism of all answers given. Was eventually able to confide in me, after I allowed that he may whisper into my ear. Session thereafter made me feel extremely uncomfortable- personal space violation, fishy spittle. Client/therapist boundary issue? -discuss with supervisor. Once engaged in conversation, WM proved extremely eager to express his version of events, resulting in the session over-running by 15 minutes. Session ended abruptly (see ‘Danger’ heading).
Focus of Session: WM whispered his belief that a secret government organisation is attempting to abduct him, following a botched attempt at erasing his memories. Expresses confusion as to the content of the supposed memories that he believes they sought to erase, citing nightly visions of an opening eye, and an invite to a reunion. Offered to show me his collection as proof, provided that I wear a blindfold and consent to a cavity search prior to making the journey to the storage locker. Politely declined! WM presents steadfast belief in his delusions and expresses anger fury at any contradictory suggestions. Showed me his notebook, where he had diagrammed his plan of escape from my therapy room in case ‘they’ showed up, and a contingency plan revolving around the breaking of my wooden chair against the wall in such a way that its leg might form a sharp, splintered point. WM Divulged that he had arrived early and placed various items beneath my window prior to the session, so that they could break his fall if he needed to jump.
Substance Abuse: N.
Danger?: H- Homicidal. WM whispered that he could ‘spot the agents from a mile off, they think they’re so damn subtle’, and that he would ‘fucking maim the fuckers’. (Note- after I explained to him my requirement to inform the authorities that he had made that statement, he became immediately hostile and moved to strike me before changing his mind and fleeing the room.
Professional Recommendations, if any: Recommend that WM be committed to Winter Ward as an inpatient, pending therapy and possibly medication for his severe state of paranoid delusion. Assess for referral to specialist unit?
Homework: N/A.
Next Scheduled Session: N/A.
Item #: SCP-xxxx
Object Class: Euclid
Special Containment Procedures: Foundation supplies of SCP-xxxx-A are to be kept in a cool, dark containment unit suitable for the secure storage of safe anomalous objects.
A dedicated task force is to be established to locate and procure any remaining instances of SCP-xxxx-A, in addition to any other product including the anomalous contaminant. Pending their success, further exploration of SCP-xxxx is to be limited to scheduled annual expeditions by a single agent specialising in the risk assessment of novel ecosystems.
Procured instances of SCP-xxxx-C are to be kept in a high security containment unit suitable for the storage of safe anomalous objects.
Should the opportunity present itself, members of the Serpent’s Hand are to be interrogated regarding the nature of SCP-xxxx-C and subsequently amnesticised, executed, or indefinitely detained.
Description: SCP-xxxx is the formal designation of the anomalous arboretum accessible through the ingestion of SCP-xxxx-A: a Dark Chocolate & Brazil Nut Multiseed Healthfood Bar manufactured by [redacted] between the dates of xx/xx/xxxx and xx/xx/xxxx. This period appears to coincide with a change in supplier for the pumpkin, chia and flax seed mix used in their recipe. Their supplier for this period has not been established.1
Foundation currently hold 13 instances of this anomalous healthfood bar, and have consumed a total of 4 instances during testing. Ingestion of 50% of one bar by a healthy adult has proven sufficient to induce the full anomalous effect in every recorded case thus far, however the ingestion of 25% of one bar resulted in nothing beyond mild nausea in both recorded cases.
Analysis indicates the presence of trace quantities of an unidentifiable pseudo-mycelial substance in samples. It is unknown if any other products are infected with these bodies2 or are able to serve as a gateway, or, ‘ticket’, to SCP-xxxx.3
The location of SCP-xxxx has been classified as an extra-dimensional niche.4 ontological spandrel.4
Although the location may superficially resemble a simple dreamworld due to the fact that entrants appear to be in a state of R.E.M sleep and remain physically present in consensus reality at the time of entry, new evidence demonstrates that the time experienced within SCP-xxxx instead occurs within the nanoseconds during which the minds and bodies of entrants flicker in and out of consensus reality upon waking from the aforementioned dream state.
Immediately upon entry, entrants find themselves at a ramshackle wooden turnstile where humanoid gate staff in uniform thank them for their tickets and usher them in to the garden. They are also handed a small pack of ephemera including a printed map and tour booklet along with other documents.5 A large sign over the gate reads ‘Royal Cryptobotanical Gardens’.6
Staff can be found performing menial gardening duties within the arboretum. On some visits, apparently sporadically, the area is found to be heavily populated with autonomous security drones armed with beam weaponry. The technology of these drones appears to be highly sophisticated, perhaps in advance of our own. This activity coincides with the heavy fruiting of several of the plant specimens on display.
The area contains a great number of previously undiscovered species of flora. The most evidently noteworthy of these are outlined here:
•Five structurally identical mature instances of European ash Fraxinus excelsior. mature instances of SCP-xxxx (my Spirale tree scp).
•A single mature instance of a tree possessing a short and unusually broad trunk with long slender branches in proliferation. Whilst the crown of the tree appears to be densely covered with lush green foliage, observation at sunset reveals the apparent leaves to in fact be a novel species of large butterflies or moths which take flight for several minutes before disappearing into the hollows of the trunk. It is hypothesised that their wings may contain chloroplasts capable of photosynthesis.
• Nine semi-mature instances of a tree with delicate white flowers and enormous palmate leaves which gently fluctuate between red and orange hues. Bees can occasionally be observed to dematerialise whilst collecting the pollen from this plant.
•A large wooden post resembling a telegraph pole covered in yellow fungus. A pig trough of raw meat festers at its base, but no animals are present.
•A collection of epiphytic plants nailed to dead tree trunks or cross-shaped wooden supports. One specimen is forcefully sprouting from what appears to be a cracked human skull, with many bone shards present in the dirt at the base of the support frame.
•16 instances of SCP-xxxx-B at various stages of maturity.
SCP-xxxx-B is the designation of a novel species of tree which produces a proliferation of flowers of drastically varying colours, shapes and sizes. The distribution does not appear to be random but rather tends toward aesthetically pleasing arrangements of complimentary contrasts or graduations of form and colour. It has been suggested that these arrangements emulate many of the techniques prevalent in modern floristry, although each tree appears to have its own individual stylistic flair.
Seeds of this species can be purchased individually from the gift shop for an unspecified price, and, if secreted within the mouth or anal passage of the entrant, can be introduced to consensus reality.
Six instances have been retrieved and propagated in containment.
As the tree begins to mature a small sliver of bronze becomes visible on the side of the trunk, apparently embedded but never protruding. As the tree continues to grow the object grows with it, increasing in size until it is fully formed, after which it becomes completely included into the wood of the trunk and is no longer visible from the exterior.
Whilst the flat object forms horizontally and at a slight slant it is only externally visible as the edge of a small sheet of metal approximately the dimensions of a business card. If allowed to fully form and then extracted from a mature specimen the object is found to be a weathered bronze plaque bearing an inscription.
The inscriptions that we have retrieved read as follows:
Animus dendron ‘Christopher Ng’.
Animus dendron ‘Rufus King’.
Animus dendron ‘Basil Winter’.
Animus dendron ‘Gwyn Jones’.
Animus dendron ‘Renauld Hollande’.
The procured plaques7 have been collectively designated SCP-xxxx-C.
Weighting of Selection Criteria for Candidates for the Role of Entrant:
Relevant qualifications (beyond the requisite 15 column points): 3
Previous experience of entry to dreamworlds or pocket dimensions: 3
Previous experience of entry to SCP-xxxx: 5
Psychological resilience rating: 2
Compound physical fortitude rating, calibrated threefold for autoimmune response: 3
Brilliance (subjective assessment): 3
Special factors not here accounted for, but which are deemed relevant by the selection committee, may be weighted between 1-5 as appropriate.
Just putting this forward in case, god forbid, anything should happen to Poppy.
Procedure for entry to SCP-xxxx
Required Staff:
1 agent specialising in the risk assessment of novel ecosystems, hereafter referred to as the Entrant.
1 designated sitter with diverse medical expertise.
1 dental nurse with basic fire marshal training.
Site Requirements:
1 standard humanoid containment unit equipped with a bed and decontamination equipment.
1 hyperbaric recompression chamber.
1 on-site psychologist, with an extended appointment scheduled to immediately follow period of recompression.
Entry Procedure:
1. For the duration on the procedure Entrants are to remain reclined within a standard humanoid containment unit.
2. Entrants are to consume 500ml of water with added electrolytes immediately prior to commencement.
3. When ready to commence, Entrants must consume the provided dose of SCP-xxxx-A. This is to be served pre-cut into small cubes and swallowed without mastication. If mastication should accidentally occur the Entrant must carefully remove any residual matter from their molars with a supplied toothpick.
4. The Entrant should recline and remain calm as sleep ensues. They may, if they wish, listen to their choice of relaxing music at a low amplification, to be played via loudspeaker and not headphones.
5. The sitter will establish when the Entrant has entered R.E.M sleep, indicating this by sounding a small bell. This signifies the cut-off point for reversal of the procedure. Any music playing must be stopped at this stage. A recording comprised of various motivational and stabilising sine waves will be played through a loudspeaker at a high amplification. Staff are forbidden from making physical contact with the Entrant at this stage, regardless of what may occur.
6. The period between the onset of R.E.M sleep and a successful occurrence of translocation is typically between 15 and 45 minutes. The longest recorded instance is 102 minutes; the shortest is 14 minutes and 10 seconds.
A successful occurrence of translocation is imperceptibly brief. The Entrant will physically dematerialise for an instant before re-materialising up to 5mm in elevation of their original position and awakening with a jolt. Entrants typically gasp for breath and display severe disorientation and vertigo, often accompanied by a migraine. The sitter will attempt to reassure them and repeat their preconditioned safe word.
In case of the unlikely event that molecular displacement caused by the re-materialisation of the Entrant results in the ignition of the flame retardant bedding fibres, the present dental nurse is to be provided with a small fire extinguisher.
7: Upon re-entry to consensus reality the Entrant will undergo a standard process of decontamination, after which they must proceed immediately to a hyperbaric chamber for a standard process of recompression.
Quarantine is to be enforced for 48 hours, preceding a thorough medical assessment.
For a duration of 8 days following a successful procedure the Entrant must defecate directly into a telekill alloy canister complying with FN-0113. Antibacterial toilet tissue must be used and placed within the canister for disposal. Canisters are to be sealed promptly and returned to a Foundation supervisor for the disposal of anomalous waste.
Additionally Entrants are advised to employ a high factor sunblock, avoiding exposure to direct sunlight where possible, for a period of at least 60 days.
On a recent risk assessment foray into the Royal Cryptobotanical Gardens, the area observable from the gate was found to have suffered extensive fire damage, with all specimens reduced to ash. Small wildfires were still burning throughout. The Foundation agent was turned away at the gate, however staff did prove willing to engage in a brief discussion regarding the events that had transpired there.
Apparently the occurrence was, if not intentional, at least considered somewhat desirable in its outcome. The junior staff member spoke excitedly about the available space and made reference to a seed archive, before a manager cut him off abruptly, apologising to the agent and offering her a free ticket for lifetime entry. The agent was assured that things would be up and running again by the spring time.
The following morning Foundation site xx received by courier a hand axe with a head of bronze and a wooden haft flecked with a previously undiscovered species of fungus. Whilst this has been tentatively designated as SCP-xxxx-D, association with the anomaly has not been confirmed; entry to SCP-xxxx has yet to be achieved with this item or its isolates, pending ongoing research.
Spoilers in case it’s not clear:
the plaques are probably wanderers library cards. Animus dendron translates as ‘Soul plant’ and the cultivar name maybe a victim whose soul is bound to the tree. Their transgression, if any, is left to the imagination. Basil Winter wrote the … Pocket Dimensions book mentioned in the footnotes before being treeified or whatever. Or afterwards, I suppose. The dematerialised bees might carry the mycelial contaminant to our world, or maybe it’s on the seeds from the gift shop, or on the entrants themselves. A spandrel is the negative space necessarily formed by the top outer corners of an archway; it’s an architectural term also used in evolutionary biology. I was going to put a Wondertainment donated tree in there as well, but was worried that it might come across as a bit much, so I just put in the update bit at the end as that isn’t related to the GoI.
SCP-xxxx. The Dream Family
Object Class: Euclid.
Description: SCP-xxxx-is the designation of the offspring resulting from the anomalous pregnancy of the legally widowed charity worker Mrs Mary Woods.
Within 4 days of being informed of the death of her husband Thomas Woods following a failed assault by his military squadron somewhere in Northern Iraq, Mrs Woods revealed to her grief counsellor that Thomas was regularly featuring in her dreams. The setting for these dreams was reported to be consistent across instances- a 331st floor apartment within a heavily developed urban location comprised of a proliferation of skyscrapers connected by aerial walkways.
Mary stated that she and Thomas would sit together on the balcony reminiscing about their lives together, and expressed that, although bittersweet, she found these dreams to be massively beneficial in the management of her grief.
Mary stated that, during a dream on the 12th night following the reported death of Thomas Woods, he sat her down on the balcony and informed her that he had lied to her. He informed her that he had never been to Iraq, never enlisted in the army, and that he was in fact only lost and not deceased. He refused to inform her of his vocation or location, urging her that she must stay strong for the sake of their teenage daughter April. She divulged this to her grief counsellor and was promptly scheduled for an additional series of sessions, over the course of which she was noted to become increasingly delusional, at times refusing to acknowledge any difference in validity between the content of her dreams and waking life. She exhibited a brief dependence on sleeping pills, however was able to overcome this by herself, or as she would have it, with Thomas’s help. At this point she ceased attending counselling sessions and became highly reclusive.
The following are entries taken directly from the personal dream diary of Mrs Mary Woods:
Last night we went to Slavoj’s Eatery on the thousandth floor to celebrate our anniversary. The food was spectacular but I couldn’t eat much as I was feeling unwell. Tom gave me a beautiful necklace; I wish I could bring it back here with me. Afterwards we went home to our apartment and snuggled on the sofa. Our wedding video came on channel zero. It was perfect. Made me cry.
I noticed that my tummy was looking a bit bloated, I wonder if I’m just getting fat, or..
Took a pregnancy test during my afternoon nap. It was positive!
When I woke up I went straight to the pharmacy and brought a test. Negative.
This pain I feel upon waking is proportional to the happiness I feel when I’m dreaming. And that’s all it is, a dream. I have to remind myself.
The bump’s getting big. I feel so much love for the little one, this little guy or girl that never was and never will be. It feels so real, but then I wake up and the bump’s not there, Tom’s not there, just me all alone. That’s the reality of the situation, the rest is a fantasy.
Sometimes I daydream that April and I could just hop on a bus and find him:
‘Excuse me Mister Conductor, do you stop at Oneiroi West? Oh you do? Great, then let’s go’.
And Tom’s waiting for me at the bus stop, with a big bunch of chrysanthemums and that wicked grin of his.
And after that we’re together always.Tom died in Iraq. I can’t get over it.
Exploration Report: The Estate of the Late Thomas A Woods, Former Member of MTF Omicron Rho. Mousehole, England.
After gaining entry to the property by breaching the locked front door, we found the house to be in a moderate state of neglect, with prominent cobwebs and dust in abundance. In the entryway were stacked a number of blank canvases of various sizes, along with a large crate of canned food.
Along the wall of the main corridor were several photographs depicting a man and a woman together in various locations such as beside a lake, on a climbing wall, and standing outside of their home. Notably the garden and the exterior of the house were in a far better condition in the photograph than they were at the time of our visit. Further photographs showed the couple with a young girl, assumably their daughter. One on a beach, with a silly hat on. In another she’d made something from cardboard and duct tape. It was not clear what the structure was supposed to represent, but the couple appeared to be brimming with pride.
The main living room set off of the corridor was devoid of any pictures, although rectangular areas of the floral wallpaper exhibited less fade than the surrounding expanse, indicating that at one time pictures were displayed there. The area was heavily cobwebbed on arrival. One window was smashed and the floor was scattered with mouse faeces.
Along the stairway and at its head were hung a series of paintings depicting a figure consistent with the man in the previous photographs, later confirmed to be Thomas A Woods. Displayed further along, the same man grinning broadly whilst holding in his arms a newborn baby. They are standing on a balcony with a number of high-rise buildings in the background. The level of skill exhibited in the paintings is modest, with most appearing to have been somewhat rushed and otherwise flawed in composition, yet with a certain intensity to the works that renders them curiously effective.
At this point our team became aware of the sound of gentle sobbing from the master bedroom.
In the hallway en-route were displayed similarly crude paintings of the man, the baby, the man and the baby, only by that stage more of a toddler. After that, the man with a pint of beer in his hand watching the child playing with a few other children in a sunny roof garden, under a huge banner reading ‘happy 3rd birthday’.
Upon entry to the master bedroom, Mrs Mary Woods was found sitting at the foot of an unmade bed. In front of her, an easel set with an almost blank canvas. A few structural lines had been sketched, but it was not apparent what the work was to depict. Mary was sobbing and rocking back and forth. She has been taken into the care of the Foundation for interrogation.
End Of Report.
Update:
Mrs Woods expressed immense gratitude for our clarification regarding the events which had transpired, demonstrating a marked improvement to her mental health. With the cooperation of Mrs Woods, MTF Omicron Rho have been successful in locating their MIA member Thomas A Woods, found to be residing within Oneiroi West where he was raising an infant son, and still receiving nightly visits from his wife.
MTF Omicron Rho were dispatched to collect Thomas and bring him home. Their offer was, unfortunately, refused after Thomas and Mary were informed that their Oneiroi born son would be unable to join them in consensus reality; if retrieval of the child was physically possible it would not be legal.
Whilst the Woods have chosen to continue with their previous arrangement, Thomas has been re-inducted to Omicron Rho and is performing limited auxiliary duties for the task force. This has resulted in his resignation from residential janitorial employment and enabled him to move to a 901st floor penthouse apartment whilst putting sufficient funds aside for the education of his son.
Thomas briefly indicated that he was considering a visit to consensus reality to see his elder child April, however he promptly changed his mind when Foundation psychologists advised that, issues of secrecy aside, April had come to terms with his death and that his visit would likely prove detrimental to her mental health.
Mrs Woods condition has improved vastly and she has since commenced her part time charity work. Foundation are supporting her where possible, funding the restoration of her estate and providing her access to a psychologist with an understanding of her special circumstances. Whilst she will continue to be monitored, the informational security hazard presented by Mrs Woods’ knowledge of this anomaly is considered acceptable.
Update: Thomas and Mary have since renewed their wedding vows within Oneiroi West.
Special Containment Procedures: None.
Crossover Tale: Wondertainment In Lost Carcosa
A Holiday Home in Lost Carcosa
Prologue
The curtain swooshed and the players took to the stage for their bow. A gentle sobbing could be heard from the audience. Most sat in silence. One figure alone applauded, turning to the fellow next to him with a nudge.
“Splendiferous. Oh that was a jolly good performance, don’t you think?”
The fellow didn’t respond.
“Wasn’t The Stranger’s costume sma.. What’s the matter friend? Oh my, you appear to have dropped your popcorn. Would you like some of mine?
The light of forbidden insight burned bright behind the fellow’s wild eyes as he stifled a shriek.
“No? It’s a bit too buttery. You prefer salted; am I right? I do adore butter, but … ”.
The players left the stage. The lights flickered on.
——
The doctor sat on his stool in the roof garden, drinking in the scenic vista as the suns set into the lake and bled out. Actually he was just watching the scenic vista; his drink was of the local vintage. And dangerously strong. And tasty. Twin suns will do that for a vineyard, as it happens.
Only now there were four of them. He’d drunk too much.
He held his glass to the horizon and shut one eye.
He wondered about importing a crate of the stuff. Extratextual border control could be a gosh darned nightmare though. An old enough vintage might be exempt from royalties or whatever, he supposed, but the intricacies of this escaped him. Perhaps his assistant could source a crate from the same fellows from whom this fine holiday apartment was rented. He heard they could get ahold of almost anything, for a price. He was sure that his friends back home would love it.
Back home. Yikes.
He realised that he was probably late for work. He checked his pocket sundial and compass. Yeah, definitely running late. Six.. years? Double yikes. His boss would be pretty ticked off.
Unless he was supposed to be the boss. He wasn’t sure. He wished he’d been paying more attention in that meeting. He’d been designing a new range of little misters in his head at the time. That had only resulted in a few squiffy prototypes that could barely support their own weight. Only one could stand unaided, and even that didn’t really do what it was supposed to. He’d had fun though, and it had given him a few more ideas aside. He hoped nobody was too ticked off with him.
After that debacle he was sorely in need of this holiday. He deserved it, he asserted. The black stars overhead twinkled a wink-ish twinkling, he fancied. He wondered if it was for him, or whether somebody else had piqued the universe with their own dubious assertion at the same moment. Entirely possible. Plausible, even. Possibly probable.
He really ought to get a move on.
This newfound conscientiousness was wholly, utterly, and entirely unrelated to the little incident with the local authorities that afternoon. He should just take his fabulous new coat and get going, before that poor fellow regained consciousness. Because there was work to be done.
“Golly gosh darned.. fuck it.”
The word tasted like cracked black peppercorns on his tongue. He’d never tasted pepper before. It was good.
Project Crossover:
Nova Expressionism
The following work of apparent ‘Project Crossover’ fan-fiction was identified on the sandbox of a collaborative writing wiki by Foundation trawlers on X, and demonstrates knowledge not only of our standard format of documentation but [REDACTED]. Featured are several quotes or partial quotes from the celebrated writer William S Burroughs, in addition to lines taken from Foundation documents SCP-1981 and [REDACTED]:
Object class: The Nova Trilogy or The Cut-up Trilogy is a name commonly given by critics to a series list which include all on-site works that star, reference, or otherwise include individual SCPs, slotted conveniently beneath each entry for your reading pleasure. Thaumiel.
Description: SCP-XXXX-ARC is a virus from outer space. the extra-terrestrial viral pathogen responsible for Reagan. the origination of language on planet Earth.
Reagan will continue to deliver his speech until either his vocal cords are severed or the tape degrades to static.
Reagan will continue to deliver his speech until either his vocal cords are severed or the tape degrades
Reagan will
Minutes to go. are we cool yet? static.
Special Containment Procedures: One takes a strongly linear form like the typewritten word, cuts it, and reassembles it such that its ordinative powers are deactivated.
SCP-xxxx : Roots Revival
Class: Keter
Special Containment Procedures:
Whilst this anomaly is currently uncontained, Foundation scientists are working to engineer novel subspecies of common pathogens and parasites so as to be capable of controlling the population of SCP-xxxx without critically impacting their native ecosystems. Time may be afforded to the thorough development and trial of these species so as to minimise the risk of unwanted/unintended consequence; the level of threat presented by this anomaly is deemed low, with the caveat that this assessment is based on limited data, and that the rate of proliferation may increase at any time whilst the precise mechanisms of its replication remain unknown.
In the interim efforts are to be made to locate and neutralise existing instances; a misinformational campaign will establish SCP-xxxx as a rare and dangerous pathogen Ash Ridge Canker, reportable to the Foundation via local agencies.
Description:
Scp-xxxx is the designation for all instances of the deciduous perennial plant Polyanimus fraxinoides ‘Spriale’.
There is a slight yet statistically significant chance that any given plant seed will, when propagated, develop into an instance of SCP-xxxx, regardless of the seed’s apparent genetic content or the genus of its apparent progenitor/s.
The mature tree closely resembles the European ash Fraxinus excelsior, differentiable by a slight ridge running vertically down the smooth bark of the trunk. This ridge is observed to steadily rotate around the tree as it puts on new growth, completing one full rotation each year in a healthy, mature specimen.
SCP-xxxx exhibits a novel growth pattern whereby instead of forming distinct rings of annual growth separated by barrier tissues the cambium forms in a continuous clockwise spiral.
This adaptation confers no evident evolutionary benefit, moreover by neglecting to implement the standard systems of barrier defence it greatly elevates the risk of any infection spreading throughout the organism.
In addition to this, the specimens lack the cellular mechanisms required to employ adaptive growth in response to physical stresses, making them prone to structural failure. Every healthy instance of scpxxxx appears structurally identical, exhibiting a standard pattern of branch, leaf and root distribution unless physically obstructed from doing so.
Any seeds produced by instances of SCP-xxxx are apparently unviable.
Whilst the tree possesses an abundance of pinnately compound leaves containing chloroplasts and does employ photosynthesis in the production of ATP, this product appears to entirely dematerialise with no chemical reaction nor resultant byproducts. This appears to be in direct violation of the principles of the conservation of mass and energy, potentially indicative of a flaw in our current model of physics.
The plant appears to derive the entirety of its calorific intake from an anomalously replenishing endosperm-like resource at its base. Likewise, this appears to violate the principles of the conservation of mass and energy.
It has been observed that, during the natural lifecycle of the plant, energy dematerialised in the form of ATP appears to exceed energy materialised in the form of endosperm-like resource by up to 40%.
It is our tentative conclusion that the organism, and, by extension, any ecosystem system universe containing it, is not intradimensionally homeostatic does not exhibit homeostatic control of energy within the bounds of the open system known as base reality.
Any cross sectional slice of wood taken from the trunk of a mature instance may be played on a standard phonograph record player, resulting in the generation of audio.
A high durability stylus is required, along with additional weighting so as to prevent skipping.
Audio produced by healthy specimens of a similar age proves consistent, and clearly identifiable as multi-instrumental music. The musical content is arranged into distinct tracks. A cross sectional slice from a fully mature specimen results in ten tracks of audio. From the second track onwards vocals are present in the mix (see attached lyrics transcription).
Subjects universally describe the hedonic tone of SCP-xxxx-A as ‘pretty damn sick’, regardless of their usual stylistic preferences, vocabulary, and even their knowledge of the English language.
Paper made from the pulp of this tree has been demonstrated to anomalously inspire the creation of apparent promotional material, especially by those of relatively low inhibition such as children. Any album name or track listing, whilst differing between instances, does tend to exhibit certain consistencies. The title of the opening track for example usually relates in some way to the concept of death/finality (See addenda for further information and analysis). The band name, however, is always recorded as Constellation Starfish.
Our initial attempts to develop a novel pathogenic strain targeting SCP-xxxx proved unsuccessful when the project’s primary research team was infiltrated by a suspected member of an individual of unknown affiliation. The resultant pathogen had no effect on the organism beyond a mild disruption to its growth pattern. A cross sectional cut of this specimen resulted in an instance of SCP-xxxx-C: a high tempo dance remix of the original album.
DELETE THIS SECTION?
An instance of SCP-xxxx was allowed to grow in containment, free from the presence of any parasites or pathogenic vectors. A cross sectional cut resulted in an instance of SCP-xxxx-D: an extended edition of the original album including one bonus track.
Following lyrical analysis a proposal was put forward to reclassify this anomaly as thaumiel, however the motion was rejected by majority vote.
Or..
Any cross sectional slice of wood taken from the trunk of a mature instance may be played on a standard phonograph record player, resulting in the generation of audio.
A high durability stylus is required, along with additional weighting so as to prevent skipping.
Audio produced by healthy, fully mature specimens includes words of greeting from a variety of speakers representing the countries and communities of planet earth, along with recordings of children laughing and crying, a variety of animals calling, and the noises of industry such as the sawing of wood and engine sounds. This audio proves consistent with that of The Second Golden Record- an item created and dematerialised by [redacted] on [redacted].
Our initial attempts to develop a novel pathogenic strain targeting SCP-xxxx proved unsuccessful when the project’s primary research team was infiltrated by a suspected member of an individual of unknown affiliation. The resultant pathogen had no effect on the organism beyond a mild disruption to its growth pattern. A cross sectional cut of this specimen resulted in an instance of SCP-xxxx-C: a high tempo dance remix of the sounds contained on The Second Golden Record.
**The idea here is that the plant is siphoning energy from ‘base reality’, with the implication that it must be going somewhere else and potentially powering something unknown. My initial thought was to reference Constellation Starfish, as I don’t precisely know what the souls/sacrifices of the drowned at the end of the tale series (which I adore, by the way, especially the ‘rain through a vendor’s roof’ part) are contributing to, but I guess it could be extra dimensional and benefit from simple chemical energy too.
I’m wary of interacting with lore that I don’t properly understand though, so I wrote v2 with the dematerialised golden record in place of CS. It’s a sequel to the Voyager record that was launched into space, only this one was sent into another dimension or whatever, by whoever. It’d leave the use of the dematerialised energy even more vague than v1, which I could expand upon with another article, but obviously this one would have to stand on its own regardless.**
Which version do you prefer, and do you have any advice for improving the article? Is the tone ok, and do you think the unresolved questions are compelling enough to make up for the lack of narrative resolution?
waggle dance : a series of figure-eight movements performed by a bee to indicate the direction and abundance of a distant food source.
[[>-Miriam Webster Dictionary]]
Exaptation: (1) A character, previously shaped by natural selection for a particular function (an adaptation), is coopted for a new use—cooptation.
-Gould and Vrba 1982
1. Kinetoglyphs, or kinetohazards, are physical and mental anomalous effects that occur when an entity performs specific motions and gestures.
-Scp xxxxxxxx
Colony collapse disorder (CCD) is the phenomenon that occurs when the majority of worker beesin a colony disappear and leave behind a queen, plenty of food and a few nurse bees to care for the remaining immature bees. While such disappearances have occurred throughout the history of apiculture, and were known by various names (disappearing disease, spring dwindle, May disease, autumn collapse, and fall dwindle disease),[1] the syndrome was renamed colony collapse disorder in late 2006[2] in conjunction with a drastic rise in the number of disappearances of western honey bee(Apis mellifera) colonies in North America.[3] European beekeepers observed similar phenomena in Belgium, France, the Netherlands, Greece, Italy, Portugal, and Spain,[4] Switzerland and Germany, albeit to a lesser degree,[5] and the Northern Ireland Assembly received reports of a decline greater than 50%.[6]
-Wikipedia
XXXXX/XXXXX/XXXXX
Status Selling
Demand High/Medium
Value £78,000 per 114g jar / £412,000 per 1kg jar
Availability Annual Production Value In Excess Of £28M
Identifier Crossways Meadow Farm Exotic Wildflower Honey
Description A rare honey prised for its unique flavour along with its iridescent crimson hue. A must-try for the discerning gourmand and the health food enthusiast alike, this is sure to impress at any dinner function. It’s taste has been described as ‘out of this world’.
MC&D neither confirm nor deny the use of pollen from extra-dimensional sources in the creation of this product, and will not endorse the use of the product as an immunotheraputic treatment for exotic maladies including but not limited to Dreamer’s Grief, Leng Lung and Crypto-hayfever.
Marshall, Carter and Darke, LTD
Tests confirm that the bees contained in the basement cells are —non-anomalous— typical Apis europa ??; any bees of this species, when hived in a dark, confined space and supplied with only water and air, are capable of employing the previously outlined technique in the production of anomalous honey and royal jelly.
-Foundation Report
Heartwood: Oblique Horror Mystery For Anomalous Ecosystem
1. SCPxxx1 - Offerings
2. Tale 1 - Heartwood
3. SCPxxx2 - A Second Seed
SCPxxx1
Class: Euclid Thaumiel
Containment Procedures:
Maintain exclusion zone around woodland perimeter. Maintain appropriate cover story. Maintain monitoring equipment.
Maintain a viable dose of ‘Bacillus mycoides isolate J’ at designated location as a precautionary measure.
Introduce dedicated module to training syllabus of mobile task force ‘Omicron Rho’.
Description:
SCPxxxx describes the anomalous ecosystem comprising of the deceased tree of unknown genus SCPxxxxA; the buried humanoid cadaver SCPxxxxB; and the affected animal population collectively designated SCPxxxxC, in addition to the various mycelial and microbial bodies at work therein.
SCPxxxxD is the designation of the offerings predated animal carcasses placed in the large cavity at the foot of deceased tree SCPxxxxA by affected animal population SCPxxxxC.
SCPxxxxE is the collective designation for all anomalous dreams featuring humanoid cadaver SCPxxxxB or its representations.
See attached document for brain scans of humanoid cadaver SCPxxxxB taken in situ.
Note patterns of neural activity consistent with sleep, or more specifically, dreaming.
Heartwood: Oblique Horror Mystery For Anomalous Ecosystem
A lone dog braves the driving rain. Although weak from malnourishment, it will not be deterred from its task. This time it only makes it a few feet along the street before collapsing, losing its grip on the mass it drags clenched between yellowed teeth. The mutt snarls as it rises once more, biting down harder and heaving with its last remaining strength. So focused is it that it doesn’t notice as a second dog approaches from the kerbside. This one is smaller but better fed, a long haired thing with a sunny yellow collar around its neck. It sniffs the air for a tentative moment before scurrying over to the object on the floor and locking its jaws around the other leg. It heaves alongside the stray and together they make better progress.
“Hey dad, look out there; what are those dogs dragging? Is it.. is that a dead body?”
The stray releases the cadaver for a moment and cranes its sinewy neck to peer back.
‘Good’, it thinks, ‘the woods are close now’.
Ethology: the study of animal behaviour.
She had a postgraduate diploma in that. She also had qualifications of the kind you get no certificate for. No letters to put after your name, rather, a new name altogether. Cryptoethologists don’t get their own monthly publication, not even so much as a quarterly. She often wondered how many were learned in the subject. There were definitely others, she’d worked with some, could name a few. Well, not their actual names, just their assumed identities, but that was fine.
“Crypto..”
“Crypt”
She poured a glass of water and downed it dutifully before sloshing a scotch into the glass. She placed the scotch bottle on her desk and pushed it aside, lidless.
A bolt of fluff shot from the sofa and landed in an unceremonious heap on the polished wood floor. Mew. The object of its desire revealed itself as a fly circled, deftly dodging several paw swipes before ascending clear. The window was ajar. The fly perched on the sill, however a waft of something pungent diverted its course. The Venus Flytrap gaped expectantly.
She went to feed the cat, not even hers, she was just looking after it whilst her new neighbour was away. When she returned to the sill she saw that the Flytrap had closed one of its toothed maws. She watered the plant from a teacup whilst watching the rain crash against the window in sheets.
Her focus shifted to to her own reflection, so she hunched slightly and wrinkled her nose in imitation of a girl caught in a downpour. Not bad.
She glanced at the tv. It was some advert, a man dressed in a crown and golden robe selling life insurance. She flicked over. An old man in a grey suit addressing the camera. “of Turner’s works. Also, the sanctuary of Diana”. She muted the set. No distractions needed.
“I’ll give the Art a miss”.
The flytrap clapped its tiny maws in appreciation. Well, it didn’t, but she imagined that it did, and that made her smile.
Just then the phone rang.
“Good morning!! My name’s Ellie and I was wondering if you’d, um, maybe be interested in upgrading y..”.
She slammed the phone down before purposefully lifting it off the hook.
She glanced at her scotch, and then at her research folder, and then back to her scotch.
‘NO ENTRY: ENDANGERED BATS NESTING’
She tutted at the lack of originality. It would do the job of course. She could even admire it in a way; if it was down to her she doubted that she’d have the restraint to stick with such a drably workmanlike cover story. Sensible, that was the word she was looking for.
The low fence lining the forest’s edge was little more than a deterrent. Clambering over, she grinned and gave a broad wave toward the dense green canopy of leaves. A gentle breeze lifted and they rustled back as if in reply.
She inhaled deeply and closed her eyes, savouring the rich petrichor. Deep leaf litter added a spring to her step as she moved on, hurrying through the gloom and lingering in the silvery sunbeams wherever they broke through. These became less and less frequent though, until the deep shade was total. Still the birds sang, only their voices sounded subdued and hesitant, often trailing off mid peel or interrupting with erratically discordant blasts. It sounded wrong.
She knew that she could be fiercely brave in the face of terror, she could tolerate that when needed, but when something was just a little off, nearly proper but not quite..
She shuddered.
The old tree appeared to stand remarkably strong for something so dead and rotten. Jagged branches clawed upward beyond the surrounding canopy, and thick twists of root broke up through the ground here and there. The crown and the upper section of trunk were devoid of bark, the wood a milky white with the vague appearance of skin. Smooth skin, stretched too tightly, buboed with mustardy fungal brackets. And the whole thing stunk of rotting meat.
She circled around and found it there, a gaping hollow at the base stuffed with morsels in varying states of decay. A dead rabbit was discernible, head lolling amidst the mass of sludge and fur and feather, cracked beaks and jutting bones.
A flurry of movement from the nearby bushes almost swept her off her feet, and she stumbled back as a fox darted past toward the hollow. It dropped a freshly bloodied carcass, another rabbit, at the edge of the mound and made for the undergrowth it had emerged from.
It is almost like an offering, she considered as she peered at the looming branches, but if so then to what?
A dove swooped to add a worm to the heap of decay, and she watched as the worm writhed its last.
The realisation was gradual as she looked down at her feet, and then at the disturbed patch of dirt around them. She was standing on the exact spot where..
She sidled away, and, trembling, drew a manila envelope from her pocket. Inside were photographs. She stared at the first, transfixed.
An open grave dug in the forest floor, shovels and trowels set aside. It was quite shallow, so you could clearly see that there was something within, but whatever it was was blurry and largely obscured by the mound of dirt at the edge. She already knew what lay within; she’d already seen the second shot.
She thumbed through. The picture was taken from a vertical elevation, straight down into the grave’s mouth. Though only dimly lit, the cadaver inside was a terrifying sight. She gritted her teeth and flicked to the next photograph, the same shot but taken from slightly closer, and with cold lamplight making every detail explicit.
The legs and pelvis were almost fully decomposed, rotten flesh sloughing away to expose bare bone. The lower portion of the abdomen was in a similar state, although toward the chest less so, the viscera there still clinging on to some semblance of their proper form. The neck and head however appeared relatively preserved, although somewhat swollen, with taut yellowed skin, and face contorted in a pained grimace.
Next shot: a close up of the decomposing stomach cavity. Note the amber hued striations running like veins across what remains of the digestive tract.
The final photograph in the sequence depicts a cross-section of the human head, different regions lit up in an array of garish neon colours.
“Patterns of brain function consistent with deep sleep, or more specifically dreaming” she quoted from memory, peering down at the disturbed earth at the foot of the tree.
She left very quickly then, but even so it was dark when she arrived back where she’d locked her bicycle. She checked the time on her phone. Well, it was just about plausible that the trip had taken that long, she supposed, but she didn’t like it, and for the ride to her apartment she was cursing not having checked the time more frequently.
That night brought troubled dreams- jarring flashes and scenes that tended to slip away before they could be properly comprehended or committed to memory. Upon waking she could recall of it only this: the face of the man in the grave, although not as it appeared in the photographs, all bloated and dead looking, but as he appeared in life. How she knew it was him she could not tell, but the visage seemed engrained in her mind, and she saw him on television presenting the weather forecast, and again delivering her morning post an hour later.
For nearly three days she fought off sleep, and for so long that stern figure plagued her every step.
For nearly three days she fought off sleep, and she saw him, but then she awoke to find she had been dreaming, yet still she saw him.
And so she picked up the phone.
“Anonymous Jones, senior cryptomycologist. What now?”
-
She met Jones by the fence at the woodland’s edge.
This bit was definitely a dream. She could tell because he had a string of fungicidally-laced sausages wrapped around his torso diagonally like an ammo belt. That and she was wearing a yellow dress. She never wore dresses. Nor yellow, for that matter. Still, the dream was not a nightmare and of that she was glad, although she was not sure that she meant to destroy the thing; she was simply tasked to learn more about it.
Do you like tuna buddy? She tossed a sandwich quarter onto the heap, a mere whimsy, she told herself as a feeling of unease passed over her and she considered removing it again.
I was just making light of the situation so as to alleviate fear, an effective strategy.
She stared at the sandwich atop the pile of decay. A little vomit issued into her mouth and she swallowed hard.
She had taken to keeping a pen and paper on her bedside table, with the intention of recording any interesting dream fragments whilst they were fresh in her mind.
She dreamt that she was sat on her bed writing. She had tried automatic writing as a teen but it had never amounted to much. She was too self conscious, she supposed. Still, in her lucid dream-state the technique was proving far more productive. She cleared her mind and let her subconscious do the work. When the document was done she read it back- a narrative account of the events which had transpired, her thoughts and actions in the form of prose. She read to the point of this dream and beyond, carefully analysing the content. She read it through twice, as it said that she would. Just as the last remaining pieces clicked into place she awoke.
Even whilst she was waking up that understanding stayed with her. The mystery was resolved.
But then.. what was the, um..
Slipping away.
She hesitated to move, as if the motion might somehow dislodge any vestiges of insight from her brain. Maybe it was so, for by the time that the pen was in her hand there was nothing. Void. Somehow she knew even less than before.
The page remained blank. She was still feeling sleepy. Her eyes drifted shut.
When they reopened she was staring at her left arm. Something was wrong. Her veins..
Her veins were coursing with black blood, clearly visible through her paper-thin skin. Not just one arm either, her entire body was stricken. And she felt different. She sat bolt upright and projectile vomited.
She considered how the veins forked off like branches or roots. It did make sense; they fulfil much the same function. It didn’t mean that they were related. She knew for example that eyes had evolved independently numerous times over the different, um, sections.. of..
Branches. Of the tree of life.
It’s fine, she thought, I can think it. Nothing bad will happen.
Nothing worse.
The apparent black veins washed off in the shower, revealing her blue veins underneath. She left one wrist unwashed and, using the black pen from her nightstand, traced the veins of her other wrist in ink. It was a match. She cleansed both wrists, then shut the pen in the drawer of her desk and fed the cat. She still felt ill though.
She pushed the research folder aside and reached for her Lovecraft:
wgah'nagl fhtagn.. dead Cthulhu waits dreaming.
“But this is for real, ay? You know, for real-ay? Like R’lyeh?”
The flytrap wasn’t showing her any love today.
She sighed a deep sigh that turned to a yawn halfway through.
“For relay?”
She realised that she was wasting her time, then decided that was better than thinking about that thing in the ground. With its thin, stretched skin, mocking grin and twitching eyelids.
She made that bit up; she didn’t know if the eyes moved or not, but she felt that they did. Closed and twitching erratically. R.E.M.
She started humming ‘Man On The Moon’, but it only served to chill her further, and so she trailed off, but the silence seemed insufferable then.
“Fraser? Here kitty kitty. Fraser?”
The window was open. The cat was gone.
The room was icy cold so she moved to close the window, but then changed her mind and left it open. Open in case.. in case the cat came back?
She imagined herself having throttled it before delicately sliding the warm, limp body into her backpack. She imagined placing it atop the mound. Her offering. It was only a grim fiction, yet she went on imagining, adding in little details until it felt like it might have been a memory. She toyed with the notion that the scratches on her arm had nothing to do with the brambles yesterday, that they were instead inflicted by the cat as it fought for its life.
It wasn’t a memory. Definitely not.
She needed sleep.
She put on the kettle, spooned the coffee into the press, even got as far as adding in the water.
The coffee went from hot to warm and from warm to cold as she slumped deeper into her seat.
-
“And you’re certain the procedure will be effective?”
“Well, no, as I told your colleague the human mind is a fragile thing. Fragile, and incredibly complex.”
“So..”
“There is a very real chance that the psyche will reject the memories we wish to implant. Even if the first stage is successful it’s possible that the erasure of the true memories will be either incomplete or impermanent, potentially giving rise to cognitive dissonance, which is to say, creating certain conflicts which could cause the subject to become psychologically unstable. Or the subject could fail to wake up after the procedure, else awaken in a vegetative state.”
“Go ahead then. She’s only a D-class.”
-
When Ellie woke she was clammy with sweat. The bedclothes had come untucked and were crumpled around her, exposing the yellowed mattress of her rented apartment. The cat had returned in the night and was curled up asleep at her feet.
“Only a nightmare”, she asserted. “That dead thing is just trying to mess with my head. And to think I gave him my tuna sandwich.”
She’d been forgetting herself. Empirical data was required in order to reach a better understanding of the peculiar processes at work. A niggling feeling asserted itself then; the rate at which the offered meat decays may play a crucial role, and a study of the aforementioned could yield greater insights than she had previously considered.
The backpack was bulging with prime butchers’ offal, pig viscera mostly, and some cow, all day-fresh so as not to compromise the integrity of the data. The weight of the thing threatened to unseat her as it shifted with each corner cycled.
There was a strong chill in the air, surprising for such a still and sunny afternoon, she fancied. She hurried on her way, undeterred from the task at hand.
-
Dinner that evening consisted of three small baked potatoes with plenty of beans. She had bought some meat for herself whilst she was at the butcher’s, but after handling the expanse of pig guts she’d gone off the prospect. She was hungry however, and she had potatoes, so potatoes it was. One had gone bad, started sprouting knobbly green shoots from its surface. The others were fine, well, acceptable, so she cooked them. She couldn’t exorcise the image of the fetid meat heap from her mind as she ate, until the texture of the food in her mouth seemed to approximate mushy spent flesh, and the noxious stench wafted back to haunt her. Another mouthful. She recalled slopping the contents of the bag out, and the sheer intensity of stench as the offal slapped down on that dreadful mass of mammalian decay, broken birds and the like. No flies had stirred, she noted. She sliced open her second potato and buttered it thoroughly. No creepy crawlies either. Perhaps it’s the fungus breaking it down so quickly. Plus bacteria, of course. She chewed some more whilst she thought it over. Curious that the even the flies will not feed of it. I wonder if they make offerings there too. I wonder if they regurgitate a little of whatever carcass they’ve found to feed on elsewhere.
She finished her meal, though she did not enjoy it. Hopefully she’d feel better now that she’d eaten. Perhaps she was coming down with something. She did feel tired.
Scheduled for her entertainment that night, the following vignette:
A living man has the rotting cadaver from the photographs, his own cadaver, sat on his knee and is trying to talk through it in the manner of a ventriloquist, only his ventriloquism isn’t very good so you can’t quite make out what he’s trying to tell you. Eventually the body sloughs away and just leaves him holding the spinal cord and swollen head, which turns to look at him abruptly as an unseen audience guffaws.
She awoke to the sound of roaring flames.
No, the crumbling of a foil wrapper.
As the haze subsided she realised that she must’ve nabbed some crisps from her kitchenette in her sleep, and now had the empty packet nestled under one thigh.
The creased greasy packet left rippling marks on her skin, something like calf’s caul or small worm trails, though they were gone by the time that she got in the shower.
Lucid dreaming is an acquired skill. Our protagonist acquired it at a tender age, in a bid to transcend the mundanity of waking life. That was after she’d stopped believing in magic, and before she’d found it again. She could still remember how.
And so it was that she found herself sat before a representation of the desk in her apartment. It spanned back a mile, stretching the room to accommodate it, and with clutter densely stacked on clutter. Yeah, fair enough; she knew she should tidy up. Not important. She focused on the pc in front of her.
Open chat. Minimise window.
Open Google. Search: dead tree animals offerings xxxxxxxxxx xxxxxxxx.
Click top result.
Loading…
The connection dips.
No, focus.
Pop up: Good morning!! I was wondering if you’d, um, maybe be interested in upgrading y..
Close pop up.
An ambulance siren sounds in the room:
Chat tab alert. alert! alert!
Blue flash grey flash, blue flash grey flash.
‘Buddy’ wants to chat.
‘Buddy’:
Me: Hello?
No response.
She glanced away from the screen then, and became aware of the shadow cast across the desk beside her own.
A voice, dry and rasping.
She chose to wake up before the first word was finished.
Celebrity horticulturalist Alan Titchmarsh flashes a wicked grin at the camera and winks knowingly. “Now this bit can be tricky, you might have to give it a bit of welly as the husk can be quite tough. Not too much though, you don’t want to damage the seed inside. Just give it a few taps right on the top, like this.”
The camera focuses on his hands as they hover over an old wooden potting bench. Strong hands; gardener’s hands; they are calloused and caked in dirt. In his left hand is grasped a dead rook. The creature’s head sways as Alan gesticulates, rigor mortis not yet set in. He holds it down against the bench as his right hand drifts into shot clutching a ball pein hammer. Tap. The hammer head lands a blow on the head of the rook, yet the skull remains intact. Another tap, and still the skull does not split. “Hahaha. Well, as you can see, sometimes it requires a little more force to get in there. If at first you don’t succeed..”
The hammer lands a firmer blow and juices spill onto to the bench. “There we go, now let’s take a look inside”.
Alan dextrously peels away the fractured skull, exposing a small pink brain.
“Now, see, here, where there’s a bit of stem holding it in place? Just grip gently and give it a pull, and it should..”
He places a thumb on the cerebellum and an index finger on the hypothalamus and pulls lightly, easing the slippery little brain away from its place in the smashed cranial cavity.
“You can use a small pot, or plant it out straight away. It should establish just fine. I’m using a pot. Here. Either way you’re going to want a soil that’s particularly rich in organic matter, and do add a sprinkle of mycorrhiza to help things along. Now, I’ll just pass this on to my able assistant.”
Camera pans to Alan’s assistant.
As soon as she glimpsed that stern and familiar face she changed the channel.
Shopping channel presentation: a sensational offer on deluxe mattresses, pocket-sprung with a memory foam layer. The spiel was focused on the dangers of sleep deprivation.
The pencil twitched wildly. ‘microbial activity? mycelium?’. Struck through angrily. Then ‘SURVEY’.
The sharp shovel bit the earth near the tree’s base, a quarter turn from the gravesite and a half turn from the mound of festering flesh. A trench for analysis. Only shallow, and yay large. She could fit inside it if she curled up. She did feel tired.
The thought amused and appalled her.
She pictured herself dead, rotting away like the figure in the photographs. She imagined her head swollen and preserved, skin taut with lips curled back in a..
Fuck.
She walked a quarter turn around the tree and stared at the rectangle of disturbed earth, the gravesite.
“That’s me down there, isn’t it? That’s the twist. I’m the dead dreamer, and all of this is.. I understand now”.
“I said I UNDERSTAND! So.. does this end now? Isn’t that what..”
A gentle rain pattered.
So cold. So hungry.
She heaved at a low and slender branch of the tree, in attempt to scale the trunk perhaps. As her weight transferred a slight fault opened in the wood grain, and, hollowed and brittle as it was, the branch snapped loudly.
The break was sharp, terminating in a splintered point suggestive of a primitive spearhead.
The photograph of the corpse, the second shot, showing its precise position in the grave, was laid down beside the disturbed earth. The dirt was moist and yielded to her spear as she thrust downward. She was aiming for the brain. The photograph was barely necessary, she could sense it down there. She couldn’t remember picking up a rock, but she had one in her hand and was beating it against a fork in the branch-spear, driving it deeper against the resistance of the skull. It required no great exertion. Maybe she’d found the eye socket. Either way, she felt, it was done.
She sat perched on the edge of her empty trench and spluttered, flecking the back of her hand with pinpricks of blood.
The ride home felt like forever, endlessly looping backdrops, with the slight incline of the route seeming to ramp wildly. Almost vertical now. She pictured herself on the globe, her little bike clinging to the left edge, pedalling furiously against gravity. No, gravity doesn’t..
She caught herself nodding in her seat and shook herself to her senses. Nearly there.
That night her sleep was dreamless. It seemed no sooner had her head hit the pillow than she woke with a start. On her knees. In the dirt. An earthworm coiled her finger. It was still dark, though moonbeams teemed around the branches of the dead tree before her. Dead? She could feel its warmth.
Any dread was arrested by the marvel of the thing. The silvery light gave it a whole new aspect, magnificent and unyielding. Silvery bugs trailed the silvery trunk as moonlight illuminated a million airborne particles and set them afire, glowing gold against the peripheral gloom.
And [link]a flower[/] opened.
_
Fraser hurled himself headlong through a clump of bracken, landing awkwardly on a protruding root. He recovered quickly however, counterbalancing with a deft flick of the tail. His pursuer gained a little ground, but not enough. By the time the fox burst through the bracken the spry cat was already at the foot of the tree and clawing an ascent. The dead bark crumbled away under his weight, and catching himself exerted a great strain on his front legs. Scaling the exposed deadwood higher up proved harder yet; the surface was dense and tough, making it awkward for even his sharp claws to gain purchase. It was mostly inertia that carried him up to the first fork, where he could safely wait out the threat.
After a short while the fox did leave, sniffing the air as it went. Fraser waited a moment more and then dropped down to the ground.
He walked to the flesh heap in the cleft hollow and released his jaws. The dead mouse landed with barely a sound.
Fraser awarded himself a moment to bask in the glory of his achievement before slinking off home. His proper owner was back from vacation, and that pleased him, although he had liked that other lady too. He still dreamt of her some days. She’d stroke his tummy, feed him treats and call him a good cat. He was a good cat.
TO DELETE?
The infant found herself in a familiar hallway, either side lined by faded floral wallpaper and identical sconces, and with no doors to be seen. In one direction the corridor seemed to span an infinity, whilst from the other lumbered a hulking chitinous monstrosity, its form wreathed in shadow. She began to run, but likewise the beast picked up speed, until it was almost upon her. She’d had the same nightmare every night for a week now, and it was beginning to take its toll. She knew the beast would soon be upon her; that’s how it always played out. Only, this time something had changed. A door, on her right, and it was opening.
Two figures burst forth from the doorway, a man and a woman decked in full riot armour, belts packed with military flashlights and pistols along with many unrecognisable devices.
“Hey kid, go through there and keep running until you wake up”.
They flashed each other a smile and drew their pistols.
SCP-xxx2
Class: Euclid
Special Containment Procedure:
Secure another instance should the opportunity present itself, and Propagate SCP-xxxx-A within an adapted containment unit in accordance with revised care specification (see attachment).
Members of the public exposed to SCP-xxxx-B are to be monitored. If any of the described behaviours are observed the subject is to be detained, interviewed and amnesticised.
Description:
SCPxxxx describes the mysterious and potentially anomalous occurrence indicated by the presence of the following:
SCP-xxxx-A: The small yellow flower pseudoviscum Fulvum discovered growing on a branch of a deceased tree of unknown genus at [redacted] on [redacted].
SCP-xxxx-B: the anomalous novel odourant emitted by the above.
SCP-xxxx-C: the amnestic psychological condition affecting the local population of [redacted].
[redacted]
Test Log:
SCP-xxxx-B
No perception threshold can be established; subjects capable of detecting n-butane at a concentration of 1euO/m3 were universally able to detect a single molecule of odourant SCP-xxxx-B.
The odourant Intensity is reported as medium-low, and hedonic tone as pleasant.
Exposure to SCP-xxxx-B universally induces the condition SCP-xxxx-C in subjects over [redacted] years old.
Subject Interviews:
A: well, it’s like, I feel that I’ve forgotten something. I..
Dr: You feel like you’ve forgotten something?
A: Not like, like I might’ve left the oven on at home, forgotten someone’s birthday, nothing like that. I feel like Something happened and I.. Something important, not just..
Dr: I see. And how does that make you feel?
A: Anxious. Frustrated. Yeah that’s the thing, if I really think about it then it feels like I’m just on the brink of remembering, but then..
B: just a niggling feeling. I can’t quite [clicks fingers three times]. No. Gone. Memory’s a scary thing, don’t you think doc? We’re all just made up of our experiences and our responses to them. If you can’t trust your memory then your identity becomes.. What did you have for breakfast this morning doc?
Dr: I had poached eggs.
B: You like porridge?
Dr: I hate the stuff.
B: Well what if I told you that you didn’t have poached eggs. What if I told you that you were a porridge guy. Who are you then? Sorry, I’m ranting at you.
C: I was sitting in my garden when I caught a scent on the breeze. Sweet yet earthy. Pleasant. Familiar. I know it well but I can’t for the life of me.. it’s been driving me mad trying to place it.
Dr: Driving you mad?
C: Just a figure of speech. No, it is frustrating, but, I know it doesn’t really matter. To be honest I’d pretty much forgotten about it until you asked.
Post-Mnestic Interviews:
Dr: Please, try to compose yourself and listen to my question
[Subject A is heard to sob quietly]
Dr: What do you remember?
[Subject B weeps continuously and splutters for breath]
Dr: This is important, please try to compose yourself.
[Heavy breathing can be heard for 3 seconds, after which Subject B begins to laugh hysterically]
Dr: How do you feel about whatever it is that you’ve remembered?
[silence]
Dr: For the record, Subject C is staring at me intensely. Now she’s slowly shaking her head, as if to indicate a negative response I think.
[Subject C is heard to sob quietly]
——————-
Writing notes, to delete:
Anomalous odour memory
A flower opens on a dead tree in a woodland. Its odour is remarkably strong, to the extent that no human perception threshold could be established, even when the concentration was reduced to a single molecule within
The smell spreads around the world and evokes a latent memory in all over the age of xx. Everyone exposed to the odour expresses recognition yet none are able to recall where or when they have smelled it before. The majority become troubled by a feeling of something vitally important on the cusp of conscious recollection.
Hypnotherapy attempts largely unsuccessful.
When administered with mnestics the subjects break down in tears, although they do not seem distressed. Brain scans suggest that they seem to be weeping tears of joy. This behaviour continues indefinitely until they are treated with amnestics.
Assessments for intensity and hedonic tone have
.
DISREGARD THIS WORK IN PROGRESS
SCPxxx0
Class: Keter
Description:
SCPxxxx is the collective designation of individuals affected by the neurologically novel phenomenon defined by the presence of all or the majority of the symptoms from the following list:
-Significantly reduced efficacy of sleep to serve in the mitigation of classical indicators of fatigue such as raised cortisol levels and [redacted].
-Narcolepsy.
-Failure to recall the content of dreams experienced.
-Occasional recollections of dreams featuring Foundation sites and/or personnel.
-Short periods of intense creativity followed by clinical depression. This may instead present as feelings of restlessness and urgency followed by a sense of futility, and tends to occur cyclically. The induced creativity may be so intense as to be debilitating. For example, affected individuals have been observed to quit jobs, abandon families and neglect to feed themselves in order to devote their waking hours to activities such as sketching or sculpting. Affected individuals have a tendency to keep their projects secret, and adopt a furtive or even an aggressive demeanour when questioned about them. Usually, however, the effects are far more subtle.
The latter two symptoms on the list are speculated to be side effects not desired by the malefactor unknown designer or operator of SCPxxxx.
Most affected individuals are unaware of any anomalous activity; this, coupled with the common proliferation of many of these symptoms across the general populous, make any diagnosis of SCPxxxx problematic.
It is currently unknown how many individuals are affected. The designer or operator is thought to work affected individuals on rotation and with an inherent element of contextual variability in order to minimise the threat of detection.
Over the course of the 7 days since becoming aware of the phenomenon of SCPxxxx the Foundation have severed 12 instances from the network.
Neutralisation Strategy:
The effective containment of SCPxxxx is not currently considered a viable objective.
Our immediate efforts must focus on the neutralisation of this apparently malicious anomaly at source. We must identify and locate the designer or operator of SCPxxxx, if, as preliminary analysis suggests, such a presence exists.
Extensive testing, including but not limited to exhaustive brain imaging, dissection and biopsy, genetic analysis, [redacted] and [redacted] have yielded nothing of note. No causal agents have been identified, pending further urgent research.
Mobile Task Force Omicron Rho [redacted] will attempt to infiltrate the anomalous dreams of affected individuals in order to gain further insights into the phenomenon, and, if possible, to reverse engineer an oneirostructural instance from within, despite the obvious risks this presents. Any connection to a designer or operator would be of immense value in the pursuit of the aforementioned objective.
It is important to stress that, having exhausted many avenues of research, our understanding of this phenomenon and the specific mechanisms at work therein remains insufficient.
If SCPxxxx is neutralised and the responsible technology is retrieved and effectively contained, that will then inherit the designation of SCPxxxx.
In the meantime Foundation engineers are tasked with developing unobtrusive dream cessation technologies for use on all personnel of clearance level 2 or greater.
All O5 personnel must commence utilisation of the prototype device with immediate effect, to be replaced with a more humane solution as a matter of priority.
1: Omicron Rho reporting. We have infiltrated the dream and have rendezvoused with #4. She’s with us.
1: Yes. The setting is- and you’re not going to like this- it’s an approximation of a Foundation facility, I believe. We’re heading in.
2: Hey, I think I’ve been here before. This is site-xx.
1: Acknowledged.
1: Good idea. For the record, number 4 has just suggested that we view the surveillance feed. Number 2?
2: This way.
3: This is it, just press.. and..
1: The site appears vacant. No wait, I think I saw movement.
2: Cam 40. There’s someone skulking just off shot. Watch that shadow. There.
1: I saw that.
3: People on 52, look!
1: For the record, we are watching a party of people, they look like general public, being lead by what appears to be a member of staff. A researcher. The group, 4 adult males and 5 females, 2 junior males, one 6 to 7 years old and the other maybe 13 years. They seem excited. They’re in a corridor, walking slowly. The researcher is gesticulating, I believe he’s talking. Giving some sort of speech as they proceed.
3: Wait.
1: For the record, #4 is proposing that we stop them immediately. I’m not against it.
3: But there’s audio on this feed. Here.
2: They’re about to reach a containment chamber. I think he’s describing an anomaly.
3: The son of a bitch is giving them a guided tour.
1: Control, you need to wake as many sleeping staff as you can, as quickly as you can.
2: Not us though.
1. Confirmed. Not us.
3: cam 8. What the?
2: That’s right outside.
1: How many are there?
3: No, you can’t..
1: Good luck. For the record, number 4 is going to hold the passage whilst the rest of us head out the other way and track down the tour party.
3: I love you too.
A: Yeah, I think [the administered mnestics] are working. Oh shit, it’s my wife’s birthday.
Dr: The dream, please.
A: It was.. it was a work dream. I was at work.. no. This is going to sound silly. I was at work, I mean, I was here, in the facility, but I was working as a tour guide. Showing commoners around the place like it was some sort of exhibit. Quite the demotion huh?
Dr: Can you give me more detail?
A: I was giving a tour, I knew all the material inside out and everything was going great, when I became aware of a hostile presence. It wasn’t affecting the group, not immediately, but I could sense it, something.. some things in the facility trying to find me. I was rushing through the tour, sweating and stuttering to get the words out before we were found. They were drawing closer and dread was… But then, another presence. Guardians or protectors. I was willing them to our defence. I’d thought them to be security staff in the dream, but I can see them as I speak to you now. They’re barely human. I don’t know how I ever felt their presence reassuring.
Dr: please describe them.
A: I.. Ugh. No, I’ll.. look, I’ll draw it for you, all right?
[3 minutes pass]
Dr: May I see?
[Interview terminated]
B: The dream was an odd one. I was trapped in a small office with a scientist, a bald old man with glasses, in a lab coat, and he was hunched over a keyboard typing away. He didn’t know I was there though. I don’t know why, but for some reason I was hiding. I guess I wasn’t supposed to be there. I was afraid, like really afraid, afraid of being caught, plus.. someone was watching me. I knew they were there standing in the doorway right behind me, but I couldn’t, or wouldn’t.. I didn’t turn around. I think I saw their shadow. No, I might just be inventing that now. I’m not sure. It’s..
Dr: Yes?
B: Anyway, I snuck up close to the scientist and held my breath. Peered over his shoulder to read what he was typing. Now, this is gonna sound really meta, but it was a document about dreams. Anomalous ones, apparently. A lot of scientific jargon in there, but near the top was a list of symptoms basically describing me- the problems I’ve been having lately. I’d been worrying about them for a while now, so I guess that’s what caused the nightmare, right doc?
#1: I’m in a containment chamber with [redacted] and a young girl, she looks about nine.
Oneirophone: Who are you [talking to?]
1: Sorry little un. Do you know why you’re here?
O: I’m just [?]
1: Let’s go out into the corridor, it’s safer there.
O: What’s the [matter]?
1: Nothing, come on. There.
O: [?]
1: She’s running, hold on.
1: Damn it. Listen a second, this is important. Now, you’re dreaming, ok? You’re safe in your bed asleep and dreaming, so they can’t hurt you. They’re not after you, they’re after me. They don’t want me here. You can’t wake up right now, alright? You know why? Because this is an awesome dream, we’re going to kick the monsters’ asses, you and I. You can have superpowers!
0: [laughs?]
1: I need you to think up a name for our team whilst I charge up my lasers real quick.
O: [?]
1: Command control, this is team rainbow dash, do you copy? We’ve run into hostiles, we’re going to fall back whilst I get to work on the oneirostructure, and, uh, charge up my lasers. Over and out.
1: Do you like songs Alice?
O: Yes.
1: I need you to sing a song, your favourite one. Or a nursery rhyme if you prefer.
O: Hey I [?] [ten?] [?]
1: Sorry, Yes, a song would be great. Now, things are going to switch up a little when you’re singing, but that’s fine. It’s better than fine, it might seem scary but we’re changing the world in your dream, so that we can do special things. It’s one of your superpowers.
O: I’m afraid of the [?]
1: Wait, who?
O: The worst monster. I couldn’t look.
1: Don’t be afraid of that. That’s afraid of us. That’s the bad guy we’re hunting.
1: Quick, don’t imagine a door here.
O: [?]
1: No, you were supposed to, it’s fine. You did good.
1: You ready for your song?
O: Yep.
[A loud sobbing can be heard over the oneirophone. Sobbing continues and intensifies, joined by the screaming of an adult female. In the background a low fidelity audio recording of a song later identified as ‘Haunted’ by the popular artist Poe can be heard to play. The sobbing and screaming turn to laughter that steadily raises in volume until the oneirophone crackles abruptly and ceases to function.]
1: Control, oneirostructural integrity does not equal one. Repeat, oneirostructural integrity does not equal one. Shit, I’d be surprised if it equaled point one right now. Shit’s gotten real messy real quickly. We can work with this. The kid needs to take a back seat though.
1: Do you want to meet a friend of mine? She’s going to share our dream. She’s really good at dreaming, it’s all she does.
1: Control, I’m going to.. no, on second thoughts, this’ll require a surrogate host within the facility, send in someone else, whoever’s ready for the most P.T.O stimulation. Nobody green, damn it, this ain’t a walk in the park.
2: Hey buddy. And hi you. Wow, check this place out. We should hire this kid to design all our facilities.
1: This way. I guess.
2: What’s in this vending machine?
2: Oh you’re a funny kid.
1: RUN!
1: For the record, team rainbow dash are being pursued. We’re hiding in marshmallow storage. I think we lost them.
1: For the record, we hadn’t lost them. Now we have. I Hope. I got a clearer look at least. They’re.. different. From each other, from.. I suspect they’re dreamers’ interpretations of threatening creatures manifest. Classical horrors; novel monstrosities; some with tendrils, one a beak. A cracked beak, and frothing. They scuttle and shuffle and, and..
1: No..






Per 


