Per 
A rod inside a dark tank antagonizes a snail.
The snail is a highly prized species, murex brandaris. Inside its hypobranchial gland is a mucous which builds empires. A disinfecting mucous, a predatory sedative mucous.
A mucous that is the only source of Tyrian purple.
The snail squirms and gives forth its tiny, insoluble bounty. Glassware collects the prize, and the snail is released back amongst its teeming brethren as another is plucked from the thousands.
Scoopulas transfer the mucous into graduated cylinders, into which large quantities of a slick oily liquid dissolve and dilute it. The ink is left to cure, being stirred over a small fire. Then gloved hands dip rollers into the ink, and roll it over a woodblock carved with raised type. Heavy rollers press paper onto the woodblock, staining a name and a promise onto an advertisement a thousand times over in rich Tyrian purple.
It is a needlessly decadent way for the saloon to advertise its wares. But if there is one reputation that the Arcadia Saloon needs to maintain at all costs, it is decadence.
"A fine poster you got there," said Reuel Randolph House to the terrified artist. "It's got my name in a very pretty typeset, it's got a nice fat reward, and best of all it's got a reasonable and true description of my offenses."
"Reverend House," said the artist, glancing up at the shrouded behemoth Cal on his other side, "What do you want of me? You won't gain anything by hurting me; if I refuse to print these posters, the saloons and government men will have others fill my place."
"Don't get ahead of me," said House. "I don't want you to stop printing these posters."
"You don't?"
"Well, well. So you're observant enough to hear." House leaned in real close to the artist. "Then maybe you're observant enough to see what you did wrong in your sketch of me?"
The artist looked from the poster to the man, back and forth, and it dawned on him. "I don't see color, sir."
"And what do you mean by that? A defect in the retina, perhaps?"
"No, I just don't think its' a good criteria for-"
"Very good. But you're not hiring me, are you? You're trying to make sure this face-" He pointed at himself- "Is recognized when people see it. And the rest of us see color." He gestured outward. "Especially your bosses. The ones who call me criminal for marrying black and white people together. Tell me, artist- If I walk into your boss's office and show him you've made people suspect a white demographic for a brown man's crimes, what will he do to you?"
"You wouldn't." The artist perspired freely now. "He'd arrest you, you aren't going to send yourself to prison just to get at me-"
"Prison walls have been known to break, artist, for the sake of the Kingdom," Cal said. The artist's eyes darted to her, and saw her filing her nails with a rasp. Her bicep bulged, just to make a point.
"So what do you want me to do?" asked the artist.
"I want you to draw me exactly as I am," said House. He struck a pose.
"You want me to give people looking to arrest you… a more accurate picture?"
Cal looked at House and shook her head. His heart was in the crusade, she knew, but his eyes had only come along to stare at their own reflection in the polished shields of the enemy.
"No," said House. "I want to give all the little brown children who see the poster hope, proof that God can use someone like them to break down the barriers."
Respect kindled in the artist's eye.
"All right, I'll do it." There was a pause. "Exactly as you are? No changes or anything? Not even-"
"Exactly as I am, to the smallest detail. No discrepancies."
"Are you sure about that, Rev?" asked Cal. "Because-"
"Exactly as I am right now!" shouted House.
"All right," sighed the artist. "Exactly as you are, to the most minute detail possible." He looked up at his subject, then down at his easel, and began his work.
Several days later, House caught a glance at one of his new posters. He stopped to admire it with a grin. Then that grin turned into puzzlement, then into a frown.
"Why didn't anyone tell me I had spinach in my teeth?"
Then the mighty war-spirit endured for a season
That light-hearted laughter loud in the building
Greeted him daily; there was dulcet harp-music….
- Beowulf, 85-87
By training, a surgeon. By motivation, an epidemiologist. By the people of this town, nothing more than a nuisance, and she wasn't having any of it.
"People of Chugwater!" she announced at the town convocation. "For the past five days, I have been putting POISON in your wells!"
There was a beat as she waited for the crowd to stir to a point of anger. She saw worry and fear, neighbor talking to neighbor, and continued, "But I have only done so to help you! The chlorine I put in your water supply is dilute enough not to affect you, but is potent enough to kill the animalcules that- Hey, where are you all going?"
"Well, y'said it don't affect me none," said Reginald Whitlock, "So I'se going to be seeing if I can catch them frogmen what steal my dang jerky!"
"But you don't understand why it was the right thing to do! You're still on the miasma theory of disease!"
She wheeled around to face the local law enforcement. "Aren't you going to arrest me?"
Assistant Deputy Sheriff Gabriel Chudleigh lit up a cigar. "Go away, kid. Nobody died, the most we could accuse you of is distracting me from my poker game." He peeled four cards from his hand and slammed them triumphantly onto the table, upsetting a few piles of chips. "Speaking of which, I just got a full house. Now who has to sleep in the cell tonight, fools?"
"Chudleigh," said Deputy Johnston, glancing across Sheriff Richter's attempts to re-stack her chips, "Two of those are tarot cards."
"You're right," said Chudleigh with some concern. "I think I just foretold my own death."
The Doctor walked away from the table.
She looked up into the sky. "What is the use," she muttered at last, "Of being the only one in the room to know the most effective cure, if nobody's going to martyr me for it?"
"You think you know the most effective cure?" drawled a voice behind her.
She spun around to see a fellow in beat-up old clothes poking his long, thin, vaguely piscine head out of the back of a slow-moving out-bound wagon.
"I know I do," she said, trotting to keep up with the wagon's pace. "Do you say differently?"
He laughed. "Unless it's as good as the one the Arcadia Saloon has, partner, I'd say you're gravely mistaken."
He poked his hands out of the back of the wagon and gestured to the boil-scars and missing finger-ends, his movements smooth and dexterous.
"They called me the Eel, once upon a time," he said. "I'm a riverboat gambler.
"I thought I had drawn my last card when I caught the rottin', miss," he said, "Till my drinkin' partner Tully shared the rumor of this saloon with tantalizin' stakes. Life for the dyin', miss, so long as you played your cards right."
A series of complex emotions passed beneath the doctor's prosthetic face. "Where is this saloon?" she asked.
He told her.
She stopped running, then, and stood there on the road while the wagon continued on towards the distant seas, as of yet blissfully unaware of its stowaway.
A gambling den claimed a panacea beyond the grasp of her medicine.
She would burn it to the fucking ground.
My dearest Leslie,
I'm afraid I'll have to leave Riddle's clinic in your most capable hands for the foreseeable future.
Her horse trots alongside a deepening riverbank, a line of lush, stubborn life amidst the desert around her.
Because depending on how things go, I might not be coming back.
She lies down on a mat beneath the stars as a meteor shower flies by.
There's three options for what this saloon could be.
House holds up a purple-text pamphlet with the sunlight behind, eyes narrowing as he attempts to determine the quality of the ink.
Number one: it is run by complete and total charlatans, in which case it ought to be destroyed and the mountebanks in charge hanged.
House and the second-in-command of his flock stare intensely into each others' eyes as he offers her a Bible and the sermon notes for the next several weeks. They grip each others' arms tightly, unwilling to let go, but the moment of parting is as inevitable as the swirling of the words tattooed on her skin.
Number two: it actually keeps some secret of medical import hidden from the world, and from me.
House looks back over his shoulder. The encampment of pyramidal tents that encompassed Congregation 666 shines in the desert sun behind him, and people wave goodbye to him with heavily bandaged hands. Those who have eyes left to smile with, smile.
Or, finally, some black magic that requires the sacrifice of the losers to increase the health of the winners is afoot.
From opposite sides, the horse of the doctor and the donkey of House make their spiral approach into the town of Kepler, Oregon.
In any case, I will force someone to care about my existence.
The fields there grow higher than a maze beneath the shadows of the mountains. As the daytime passes the shadow grows, covering the town and the excessive graveyard that surrounds the fields in every direction.
Even if they care only to see it snuffed out.
"What the fuck?" said Leslie, dropping the letter.
So, this kind of slipped my mind: could you write me a will in case I don't come back?
"Oh, for the love of-"
"God, sir, don't you want another place to spend the night?"
House sat up against the headstone and looked with bleary eyes at the fellow outlined by the moon.
In spite of the friendliness of the words, the man's tone had an air of threat bolstered by the broken shovel-handle he wielded at House like a musket. His head was all clean lines and curves, free of soft hair and scarred.
"The Kepler tombyard's not a safe place to be come darkness," said the man, whom House mentally labeled Handle. "The dead of both neg and blan rise sometimes, so they say, and woe betides the soldier who gets in their way."
"Military man as well, eh?" House said, hoping to find some solidarity to calm the man down. Seeing what little of his dark skin tone showed in the moonlight, he hazarded the man was likely not allied with the Confederates. "Reuel House, chaplain of the Union iteration of the 1st Louisiana Native Guard."
He extended his hand for a handshake, possibly to learn the man's real name in exchange for his own, but the man turned away. Handle he was, then, for now.
"I don't like to recall my part in the war," said Handle, "but you're thinking of a different war than I am. My side lost half our island.
"I do not begrudge you your victory nor your freedom- my own homeland having been formed from a slave revolt- but that doesn't make us drinking buddies. Your side won your war, and my side lost mine, and you can surely keep celebrating your victory somewhere less haunted than my graveyard."
"I can try," said House, "But in my experience a person's going to be haunted by something, no matter where they go." He stood up. "Thank you kindly for your hospitality, sir; I'll finish my rest in the grainfields."
"No money for a room at the inn, then?"
"I'm saving what I have for Arcadia."
"Ah." Handle drew back a little. "I should have expected as much. You'd best get comfortable with this graveyard; you'll be here a lot longer than you'd like."
"You don't fancy my chances?"
"If I fancied more people's chances, this here field would be the size of a postage stamp."
He gestured around at the silent fields. They stretched off as far as the eye could see.
"Come on, stay at my house tonight," offered Handle.
"Your house? Why?"
"I run a graveyard, Mr. House. Giving hospitality to dead men is my job."
"Because I can't do my job anymore, miss," said the Jamaican man whom the doctor encountered on his way out of town. "There isn't a place for an apothecary in Kepler anymore."
"Why not?" asked the doctor. "Everyone needs medicine from time to time."
"Not in this town, miss," said the chemist. "It's practically a ghost town at this point. Most who're left are with the Saloon. And if you know about this town, you know they claim to cure all."
"And can they?"
"For all I know, maybe," said the man. "Anecdotal evidence suggests as much. But from what I've seen, it's a crapshoot. You either leave their lair alive and keep on livin', or you leave their lair alive and die a sudden death soon after."
"What of?"
"Nothing the mortician could diagnose. Got real numb and harder and harder to breathe until they just… stopped." He paused, and looked her square in the eye. "Lost a lot of good folk that way. Hate to lose another medical."
"I'm not here to play their games," she said. "I'm here to flip over their goddamn chessboard."
"That so?" asked the chemist. He looked at her curiously.
"I'd be real careful around 'em, miss." He pointed at a building down in the Kepler valley. "You see that warehouse?"
"I do."
"Would it surprise you to know it was all taken up by the same store?"
"It would," she said. "What store needs all that room?"
"The Mormons called it the ZCMI," he said. "Zion's Co-Operative Mercantile Institution. A new kind of store that sells everything, and that cheaply."
"The Mormons were the biggest economic influence around here," said the chemist. "They could get things like that done. And the bastards at that Saloon burned down all their houses, left em' to flee in the middle of the night."
"Haven't there been reprisals?" The doctor had heard of the three so-called Mormon wars, in which vigilante Mormons and non-Mormons had burned down each others' counties. A group calling themselves the Danites had been particularly vicious.
"Not one, not yet," said the chemist. "I'd been expecting one for the last year, but nothing's come of it that I can see." He gestured down at the valley. "It's one more reason to leave. When retribution takes a while to build up, it's going to be a mighty force when it comes."
"Hmm," said the doctor. Visions of herself being burned alive by a mob mistaking her for others filled her head and gave her a strange thrill. "Then that'll be a sight to see."
"Tell you what," said the chemist, rummaging through his bag and pulling out a key. "This opens my apothecary, I'd rather you stay there than at the Saloon."
The doctor took the key and gave her thanks.
"And remember," he said, leaning in close, "If there comes a time when people come after you for what you're doing, remember these three words…"
And he whispered in her ear.
After was borne him
A son and heir, young in his dwelling,
Whom God-Father sent to solace the people.
- Beowulf, 12-14
A young, light-skinned man greeted Handle when House and he returned to their dwelling, in a language House did not recognize. Handle answered in the same language and gestured from House to him as he said the name Septimus, indicating to House that the name belonged to the man.
A young dark-skinned man called from another room, and Handle answered, naming the man as Forbes. He looked back at House and switched to English. "What do you have, anyway?"
"Me?" House said. "I'm completely healthy."
"Then why risk the Saloon? You must know the stakes."
"The cure I seek isn't for me," House said. "It's for my… let's call them an extended collection of brothers-and-sisters-in-Christ."
Handle called back to Forbes back in the other language. He turned back to House. "Why can't they come themselves?"
"I work for a group of… misfits would be the charitable word." House sighed. "They got cursed with something benign that nevertheless superstitious folk give 'em hell for. No chance of any one of them but me interfacing with civilization to find supplies and medicine."
"Must be tough having to deal with so many weirdos," said Handle. "But even the strangest, most broken of people have their uses." He called out of the room, "Fiver! Let's go!"
From the darkness of an adjoining room hopped a very pale young man.
House struggled to place his ethnicity. He was pale, yes, but his features didn't line up with what House knew of white people. An albino black person, then? No, that didn't line up either. Chinese? Yes, that's more like it. House filed away the ethnic information and peered closer, to familiarize himself and break the racial face-blindness.
His facial expression was blank and yet world-weary, such that to House it seemed its blankness was a desperate act of will. He was stiff beneath his loose robe, and the Kaiser-Fleischer rings around his irises only accentuated his thousand-yard stare.
"Hello, Fiver," said House uncertainly. "How are you?"
Fiver turned his whole body around and looked at House with a slight curiosity and appraisal.
"He doesn't speak English," said Handle. "Unless you know our creole of French vocabulary with African grammar, you're out of luck."
House tried to make gestures that signified kindness and welcome. Fiver looked on.
Handle said something to Fiver in the other language of which House could only catch the word "ZCMI".
He turned to House. "I hope you'll make yourself comfortable here in my absence. We just have to run some errands. Just sit tight and have a good rest. You'll need all your strength tomorrow."
So those retainers lived on in joy
Happy all, till this one spirit,
Hell in his mind, his malice began.
- Beowulf, 99-101
The doctor sighed as she sat down on the floor in the empty apothecary, looking around at the homey stains that covered the stylized wood paneling on the lower half of the walls. Someone had spent a great portion of their life making this a place of medicine and profit, and the Saloon had taken it all away. What a noble way to end, she thought.
And she tried to get to sleep on the cold, hard floor, but she failed because all the dust bunnies that had accrued underneath the queen-size four-poster bed next to her kept triggering her hay fever.
And as she stood up, intending to find some sort of broom, she felt a mosquito on her arm, and shooed it away.
But the mosquito kept buzzing around, and kept coming back, like her thoughts of what Leslie would say about what she was doing in that town.
"You're not going to help anyone by being here, you know," said the imaginary Leslie.
"Of course I am," the Doctor argued. "I'm going to stop the Saloon's lies. I'm going to promote a philosophy of honest medicine."
"The Saloon doesn't appear to be lying, though," said Leslie. "Getting their help is a crapshoot, but Eel claims they cured him of rotting. That chemist claims he's been driven out of business by their work. Snake-oil salesman don't have such a success rate."
"And yet people lose their lives over it," countered the Doctor.
"Ah," said Leslie. "So it's the martyrdom factor that you find appealing."
"I don't want to lose my life. I'm just not afraid of it."
"But what exactly is the plan?" asked Leslie. "These people are quite accustomed to murdering. If you lose, they kill you. If you win, you're no better off than before since you don't have a terminal illness, and if you expose them, they'll kill you and squash your story. There's no good outcome for you, and by playing, you're taking away valuable spots from other people who want a chance to be cured."
"But they shouldn't want those spots!" said the Doctor, pounding her fist on the table astonishingly close to the mosquito. "They should trust modern medicine."
"Yet when modern medicine can't cure their ills…"
"Then they should die."
The Doctor stopped, realizing the enormity of what she had just said.
"Come home, Doctor. You'll only destroy yourself if you continue in this state of mind, and I don't want to see any innocents taken down with you."
So the carle that is young, by kindnesses rendered
The friends of his father, with fees in abundance
Must be able to earn that when age approacheth
Eager companions aid him requitingly,
When war assaults him serve him as liegemen:
By praise-worthy actions must honor be got
’Mong all of the races.
-Beowulf, 20-26
Handle's children were perched over House as he opened his eyes that morning, dark circles under their eyes except for Fiver, who, if anything, looked healthier than the previous night. His stiff mask of a face didn't seem any less miserable, however.
"It's that they hardly ever see a black man carry himself with your degree of confidence," said Handle, when House asked him about it over breakfast.
"I'm not black, I'm brown," said House. It was a sore point.
"In your own tongue, you are, preacher," said Handle. "But the oppression that forged our creole left us with only two colors of people. The neg common folk who speak our tongue, and the blan who speak French. The blan, a minority whose language is the language of education, of business, and of advancement."
"And into which category does your son Fiver fit?"
"Neither, I'm afraid," said Handle, looking not in the least put out about it in spite of his words. "Dreadfully lonely boy. Nobody identifies him as part of their group."
Fiver looked on as the two talked about him, his face as desperately rigid as ever.
"Then you're part of my group, Fiver," said House. He extended his hand to Fiver's right arm, which was stretched out in front of him as though holding a lantern. Fiver recoiled from House's touch, hopping backwards, and House cursed his own misunderstanding of boundaries.
How could he show someone he shared no language with that he cared about and accepted him?
He got an idea.
"Come here, Fiver," House motioned. "I've got a gift for you."
He reached into his satchel and rifled through his sermon notes and doctored card decks. Finally he pulled out a large paper sheet with a lithographed and typeset print and scribbled on the front.
"Here you are, Fiver," House presented it to him. "It's not often you come across a signed, autographed wanted poster."
Fiver stared at the spinach in the crumpled, torn, water-damaged lithograph House's teeth.
"Take good care of it, now," said House. "Keep it pristine. After today, a House poster with a bounty this low is going to be in very short supply amongst collectors."
Fiver took the poster, made brief eye contact with House, nodded, and hopped out of the house, all the time keeping his arms straight out in front of him.
"He likes you," said Septimus to House in the Creole tongue. "I'm a bit jealous."
"I haven't seen him so emotional in months," said Forbes in the same language, getting up from the table. "I need to go see that he doesn't-"
"Oh, let the man go," said Handle, still in Creole, still quite affably. "Whatever he does, he can't possibly end up worse than he's been since his theft."
The two remaining sons flinched at that last word. House looked between the three family members, feeling suddenly alienated.
"Well, I'd best be leaving, sirs," said House at last, as nobody else offered to break the silence. "I go to risk my life to seek my fortune and the fortune of my flock, and have a hell of a good time doing it."
"Goodbye, Reuel Randolph House," said Handle in English. "I'll be seeing you again." He held up his unbroken shovel and grinned. "To help tuck you in to your long-term dirt nap."
She hadn't slept that night, nor drank from the town-square well that morning. Her eyeballs throbbed in her skull as she approached the saloon. An albatross flew overhead, blown far from the whale-roads by a great storm.
And the entrance to Arcadia loomed, a vast toothy fish-maw beneath a roof structure resembling an inverted fishing ship. Tanks of live shrimp and lobsters girded the circumference, the expenditure to ship them here colossal. And everywhere, the snail-venomed purple ink advertised the name of the Saloon in repetition gaudy enough to give Ludvig II of Bavaria pause.
Arcadia
Arcadia
Arcadia!
Et In Arcadia Ego
Soon it fucking will be, Thought the Doctor, gritting her teeth. She stooped as though against a great wind and pushed forward into the dark curtain.
And the veil parted before her and swallowed her up, and the rest, from outside, was silence.
No sooner had she stepped inside than she had fallen into three fathoms of turbulent whiskey. She flailed about, trying to get her bearings, when her hand encountered a crook. She grasped it, and it pulled her up onto
A rustic-looking raft filled with the baying of sheep, and their shepherds, one of whom had pulled her up onto it
A shepherd who stared at her through his butterfly mask for a moment, making sure she was all right, and then went back to trading wanted posters.
She breathed.
The look in his eyes was instantly recognizable to a kindred self-destructive spirit
(Kindred?)
She recognized that look in his eyes: the eyes she had seen in so many of her patients, the ones who felt no relief except by causing themselves pain.
"Thank you," she said.
He turned and bowed to her, and then returned to silently negotiating an autographed spinach-toothed poster for two copies of another shepherd's foil Jesse James.
The shepherds who rowed the raft resumed their conversation with the old one-eyed man the Doctor had not noticed previously. "And then she saw me passed out on the edge of the spring," the man was saying, "And she took me into her house, and cleaned my wounds, and washed my clothes. But for all that, she refused to love me; and therefore I know her to be the cruelest, coldest madwoman on that side of the Atlantic."
"Yes, of course," said the panther-masked shepherd, "All will agree, a woman who took the actions you described is indeed cruel."
The Doctor took the shepherd by the shoulder and spun him to face her. "What the hell is wrong with you?" she hissed.
"Nothing at all, miss," whispered the shepherd back to her. "He's a customer. We want our customers' beliefs unchallenged."
"And for the sake of that you're just going to let slide a double standard so cruel it would give Caligula pause?"
"Double standards are the only way there's ever going to be heaven on earth."
This statement startled her enough that the panther-masked shepherd was able to direct another shepherd to take his place speaking to the old man before the Doctor was able to recover enough composure to reply.
"But double standards cause so much suffering!"
"Only to the people they're wielded against."
A pause.
"Thus they are better than single standards, which are wielded against everyone."
He gestured around the lake. "Pick any two humans and their vision of heaven will be different. Some people," and he gestured to the old man, "Apparently desire a world where they could sleep with anybody, and where everyone who they ask would say yes. Another might desire a world where they wouldn't have to sleep with anybody. If both go to the same heaven, will they both be satisfied?"
"Assuming the first person gets in to heaven, which I rather doubt, and assuming people want the same things in heaven as they do on earth, then no."
"So you see the problem. People on earth interact with each other, without sharing a fundamental picture of how they should get along. Logic only gets us a compromise framework that now exists, and forces us to exist, solely for its own self-perpetuation.
"But double standards are to emotion what single standards are to logic.
"Is death an evil? Only when you feel empathy for the dead person. We feel worse about the peaceful death of a beloved relative than of a foreign massacre of faceless thousands.
"Humanity is built of double standards. And everyone has at least one in common with another person.
"Do you know the key to getting two randomly selected people to truly be at peace with each other?" The Doctor shook her head. "You strip from them everything except that which keeps them on the same side of their few mutually held double standards.
"It's how literary friendships have formed since time immemorial. Authors strip themselves of all but their words, and if their words keep sufficiently far away from controversy, they may never know their opposition to their dear friend. A vile misogynist may befriend a woman; a racist, a black man; a Protestant, a Catholic.
"It's what the Saloon is named for.
"The literary setting of Arcadia is an emotional safe space thought up by ancient intellectuals, a land where all are shepherds, all are equal, and all are humble. People are self-sufficient, and only interact with others to sing the day away and play games, which, in spite of the rustic life of shepherds, come endowed with ornate prizes."1
"But of course," he continued, "I wouldn't know anything about that. I'm just a simple shepherd."
The raft rammed into a pontoon, alarming the sheep, and the butterfly-masked shepherd set about calming them down. He wasn't very successful.
"This is your stop, miss," said the panther-masked shepherd. "Et in Arcadia tu es, nunc." You, too, are in Arcadia, now.
Far behind her, House stepped through the curtain and fell into the sea of alcohol, but there were no rafts in the vicinity, so he began to swim instead, cursing the whole way.
The butterfly-masked shepherd had followed the Doctor off of the raft. He had not yet spoken, even to the abhorrent guest; the Doctor felt able therefore to project some of her own feelings onto him as a blank slate. Certainly the look of self-destructiveness they had shared had nothing to do with the slight feeling that he could be an ally…
But she remembered that look all too well also in the eyes of her enemy the plague-spreader, and she shivered.
She carried the memory of that young Native American like an albatross around her neck. In sparing him, she had doomed ever-increasing hundreds.
And she would be damned if this mere Saloon would have a better track record than her.
The man behind the bar, shaped as it was like a copse of plane trees, looked like a wolf. His hair was greasy and his skin vaguely jaundiced, his fingers arthritic and stiff. His lapels were golden, his cufflinks silver, and his shirt-buttons aluminium. Between his lips he chewed a cigar, exhaling purple smoke. His nameplate proclaimed him Daniel Dunn. He was watching over the whole of the saloon as he sat there, absent-mindedly torturing a snail.
"Good day, madam," said Dunn. "The Arcadia Saloon cures all."
"How?" asked the Doctor.
"Does it matter to you, as long as the cure is effective?"
"It damn well does," said the Doctor, "As I am a doctor by trade. We could share your methods with the medical world- with a hefty percentage of the cut for you, of course- and thereby we could together end this rotting plague."
And she braced for the rejection. She braced for the bouncers to come, for her token peaceful attempt to fail.
" So you're here to help, are you?" He looked into her eyes, and for the first time she noticed his sclera had turned a decadent purple.
"I'm here to help the world at large-"
" So am I," he said. " Work with me, Doctor."
"What?" asked the doctor, caught off guard.
" Work with my Saloon," he said. " We need people with your training, doctor. Work with us, and we can perfect our cure. Work with us, and our customers can stop betting their lives. Make our cure mass-producible, and the world will be free of pestilence."
Destroy. Destroy. Destroy.
The Doctor was circumscribed to a single path by her guilt. Since she failed to catch the neck-snapper, she had begun a dark spiral into her own self-destruction.
The hope that Dunn's words offered made her all the more want to blot this foul place from the earth. Hope is the bait of quacks and snake-oil salesmen. Hope is anathema to the scientific method.
Hope is what she could never have again.
She looked away and caught a glimpse of the butterfly-masked shepherd. In the purple fire-glow she saw dense scar-tissue hiding in his robe-sleeves. And she thought of her own nights trying to feel the sweet, sweet pain of knives.
The butterfly man was far too young and far too cute to have gone through all the trauma she had. Was there a pain on earth that equaled hers?
Nobody discussed these things. All were alone.
But maybe,
just maybe,
she could find a kindred spirit here.
Maybe she could finally open up to someone.
Daniel Dunn watched the eyes behind the mask turn from fury to sadness to quiet acceptance over a long, long couple of minutes. He smiled a big, toothy grin.
"Where do I start?" asked the Doctor.
"Work a while on the card tables with Fiver." He pointed to the butterfly-masked man.
"But that has nothing to do with-"
"You want to help reduce the deaths? You need to see them happening. You need to understand," he exhaled his cigar's purple smoke, "The deals we make here."
He poked the snail for emphasis. It squirmed and released its mucous.
For a person who claims to have the world's best interest at heart, thought the Doctor, He sure isn't making an effort at hiding his animal cruelty.
Had she made the right decision?
Well, given that her dip into the intoxicating lake had rendered her gunpowder useless…
"Perfect," she growled. "Show me to the tables, Fiver."
Better to bide her time, then.
This place couldn't hurt her.
She'd lost her soul long ago.
Fiver regarded her there, stiffly. His face was a mask beneath the mask, his arms outstretched before him.
"Fiver, was it?" said the Doctor, as she went to shake his hand. He didn't take it. He didn't even make eye contact.
"I'm-" she grasped for a pseudonym- "Berta Artz."
His motions were too stiff to tell, but she thought there was a tremor in his hop as he heard the lie. Somewhere beneath her prosthesis, she blushed.
He hopped back onto the nearest boat. The leap was mighty, his quadriceps bulging, as he sailed over ten feet of water. He fell flat on his back almost immediately, to the cackles of all but one inhabitant of the boat.
Already soaked and prepared now for the water, the Doctor swam up to the boat and climbed aboard. She helped the butterfly-masked man stand up.
"I'm a doctor," she whispered, "And hopping everywhere isn't healthy. Maybe you need a cane, and some better shoes? I may need to examine you later."
He remained silent. Perhaps he didn't understand the language.
"Ah, Fiver!" said a voice, startling Fiver, who fell again. They both looked and saw a dark-skinned man with a nice haircut and in a very nice, yet soaking wet suit. He looked familiar to the Doctor, though she couldn't quite place his face. "I didn't know you worked here."
Fiver turned away from the man in embarrassment.
"You know him?" said the Doctor.
"Yeah, I stayed at his home last night," said the man.
The hypocritical old man from earlier growled, "A huge conflict of interest here, if the gambler knows the house."
The dark-skinned man chuckled.
"I suggest," said the old man, "That Fiver should not play against this man. Maybe you should play him, lady."
"A very good suggestion," said the tall, bald black man at the head of the table. He tipped his hat to the Doctor. "My name's Handel Gemini, miss…."
The dark-skinned man in the nice suit slapped himself in the face.
"And I'll be your boss as long as you're working with my son. So what will be the game, House?" asked Handel. "Roulette, poker, blackjack?"
"I don't know," said the man apparently called House. "What's the easiest to cheat at?"
Handel's back stiffened. Fiver leaned away.
"You intend to cheat, Mister House?"
"I thought it only appropriate, given the stakes."
"And you're just coming out and telling us this?"
"I am a reverend, sir. I cannot just turn my back on the truth."
He turned away, missing the shepherds' desperate finger-across-the-throat gestures.
"Well, obviously we're not going to allow that," said Handel.
"Even if you can't catch me doing it?"
"Especially if we can't catch you doing it. Your admission is proof enough."
"Fine. Then let's thumb-wrestle."
Handel gestured to the Doctor. "Yours for now," he said.
The Doctor and House sat across from each other on a birch-log table, their elbows finding purchase in the sharp valleys between the speckled trunks.
One, Two, Three Four…
The Doctor held her thumb poised and ready to press. She visualized her opponent's tendons, bones, and musculature. She knew the shear stress that would bend each bone to plasticity, the nerves to press that would cause the most pain. Hers was a surgeon's steady hand.
I Declare A Thumb War.
Yet House was a master card shark. His card-counting fingertips were trained on onionskin Bibles, and his years of pulpit trials gave him a keen awareness of the gaps in human attention. And unlike most card sharks, he had this on his side: that he knew his cause was just.
The Doctor pressed steadily into House's thumb in a direction thumbs were not meant to bend. House kept up the defense, grimacing with the effort, until he sensed in his fingertips and in her eyes a convergence of muscle exhaustion and distraction, which he took advantage of to push her finger down. Then he pulled her thumb back up while she was attempting to do the same thing, causing a moment of confusion. A lesser hand would have hesitated too long and let her press the advantage, but House swiftly jackknifed their thumbs both onto the side. The round ended in a tie.
"I could do this all day," the Doctor whispered.
"Could you?" asked House. "Do you know what repeated strain to the same muscle area does to a hand?"
The Doctor considered.
"I'm a preacher," House said. "Cards are a side thing for me. But I've seen card cheats work themselves too hard for too long. Their muscles get inflamed, and they stop being able to perform the same card forces and shuffles. Can a surgeon like you afford to risk your hands?"
Round two began.
She took him more seriously this time. She aimed to hurt. She visualized all the broken thumbs she had set in her time, and did the opposite. Her raw thumb strength was greater than his, tuned not by the weight of cards but by stemming bloodflow from vital organs as a patient lies bleeding out on a table.
His strategy to wait until she flagged would not work if she overpowered him first. He was getting desperate now.
With his other hand he flashed forty dollars in front of her, so discreetly that only she could see it. "You're already selling your integrity by being here," he whispered, "So why not?"
She didn't think she could still be hurt. But like most people who hadn't had that put to the test, she found her heart was less hard than she had imagined. Her thumb faltered.
And House pressed the advantage. The tendon in his arm bulged with the effort, moving her thumb close to her side of the table. She resisted with the strength of an obsessive-compulsive ritual, but just like such a ritual, there was an internal front to the battle that required more of her attention than the external front. He twisted her thumb farther and farther away from a position of strength, gaining leverage until finally it hit the table with a quiet flick.
Game. Set. Match.
"Congratulations, Mr. House," said Dunn. "You have earned your cure. Wait in this line for the rest of the day and we'll-"
"Double or nothing," said House.
"What?" said Dunn. "How can you be cured twice?"
"Two diseases?" suggested the Doctor.
"It's not for me," said House.
Handel whispered in Dunn's ear. Dunn frowned.
"I see," said Dunn. "Then perhaps a sudden death match in our hall of mirrors."
"You will not need your boots," said Dunn as House prepared to cross the threshold of the hall of mirrors. House looked back at him, puzzled slightly, and took his boots off.
"Nor your socks," said Dunn. House complied, releasing a foul odor. The Doctor began to take off her own footwear in turn, but Dunn stopped her. "Only the man about to die, please. Just so nobody is able to say that 'he died with his boots on.'"
Fiver hopped into the hall of mirrors after House. House looked around. The floor was some sort of coarse sand, and the mirrors- beautiful as they were, set up on their easels- were positioned awkwardly; not one faced another. It wasn't that good of a hall of mirrors, House thought; there was no way of forming an infinite tunnel of his own image.
"The stakes are simple," said Dunn. "If you win this round, you get one cure for every image of yourself in the room. If you lose," he grinned, "You get one disease for every image of yourself in the room. Choose carefully, House."
House considered. The mirrors were bolted to the easels, and the easels bolted to whatever floor there was beneath the sand. And then he spotted the one movable mirror in the room. It was turned towards the wall, and he approached it…
On the other side of the glass, in place of silver, was his old, whitewashed wanted poster.
He squinted. There was still enough reflection in the glass for it to work as a mirror, he realized. He could position this blasphemy to create a tunnel of mirrors with any of the other mirrors in the room.
But for every reflection of his face, this mockery would follow.
So he punched his reflection in the face.
The Doctor stood back, jaw dropped, as she watched him smash every mirror in the room. Silver and glass scattered on the ground, in shards and in powder.
At last, he panted, holding his bleeding hand, and looked at Dunn.
"Every one of those shards should have a separate copy of my reflection, Dunn. Enough for my whole congregation. Now let's get this over with."
"Let's get this thumb wrestling over with, you mean?" said Dunn.
House looked down at his red right hand. Color started to drain from his face. But he affected a sneer.
"Yeah," he said. "While I'm still fresh."
"Very well. Fiver? Your guest."
House looked at Fiver, registering his presence.
Fiver's arm, extended as usual, twisted to put the thumb upright. He opened his palm.
"Come on now, Fiver," House said, hoping his tone was helping soothe him even though they didn't share a language. "It's me, remember? I gave you an autographed wanted poster of myself."
Fiver gripped House's hand. House winced. Beneath the blood, Fiver's hand was icy cold…
"En, De, Twa, Kat," said Fiver.
The Doctor's ears pricked up.
"mwen deklare yon lagè gwo pous yo!"2
She knew that language…
House squeezed Fiver's hand, and winced hard as a shard dug into his palm. Fiver didn't even blink. House knew the shard had to be going into Fiver's fingers as well, but if Fiver sensed it, he didn't let on.
Of course, House could also be missing Fiver's pain signs under the incredible pain in his own hand and foot. A shard had penetrated deep into his foot. Focus, House. Everyone is depending on you-
Fiver pounced. D—- it, House, you almost let him get the better of you. Dodge just in time. Rally. Feint cautiously- explore for his tells before committing to a riskier tactic - eyes open, see Fiver's eyes twitch just slightly towards your trap- then-
Lance of pain through the foot as the sole slips. Fiver strikes, and you don't get out in time. But wriggle out- surely you can out-tire him in the end-
His thumb is implacable as death. Calcified like a stalactite. You can't get out. The countdown ends.
"Come on, dear House," Dunn sneered. "Don't tell me you expected to pin the thumb of someone in rigor mortis?"
Out of the mist rowed a raft brimming with plague-stricken people. Boils, sores, rusty old bandages.
Fiver haltingly hopped out of the hall of mirrors to stand equidistant between House and the raft.
House tried to speak, to say something clever, but he found no words would come.
Dunn motioned for Fiver to hurry up.
"What's he doing?" asked the Doctor.
"Shh!" said Dunn. "You'll see." The Doctor glanced at Dunn, startled at the change in his voice. It lacked a certain deprecatory gravitas. Now, the Doctor could sense genuine excitement and wonder coming through the facade.
House began shaking.
Fiver leaned back, facing the raft, his arms extending into the air.
And the people on the raft opened their mouths.
And their breath began to glow. First a dull red, then shifting down the spectrum until it reached blue.
An extremely hot, strong wind picked up, pushing back the raft and billowing out the canvas of the tent. It sourced from the mouths of the individual raftees, and over the intervening space it unified into a horizontal cyclone terminating in the open mouth of Fiver. The axis of the cyclone glowed blue.
The heat and the gale had whipped up the whiskey of the lake, creating balls and curtains of fire.
And Fiver breathed in, swallowing the cyclone whole.
The Doctor held her breath as well.
And then Fiver hopped, turning around, to face House.
And the Doctor realized what was going to happen.
As Fiver opened his mouth, she ran, hoping to get in front of him before he exhaled, hoping she could pay the cost that the clergyman had incurred, hoping for, after all this time, a good death-
And as he exhaled, and she jumped, and intercepted the hyper-focused cyclone that she knew would come for House-
House collapsed to the ground, and lay there spread-eagled, and moved no more.
"I'm afraid it doesn't work like that," said Dunn. "The cure isn't a pill or something you can take home in a pack."
"Then how does it work?" asked the Doctor, examining her thumb.
"We have Fiver here take a look at you."
House started. The Doctor narrowed her eyes. Finally, some answers.
"Ever since his theft, he's been a very good poppet. Takes the illness into himself. Only downside is we need to transfer it to someone else when he becomes too ill to function."
Dunn gave a toothy smile. "And since no human is worth more than another, we leave it to chance who that unlucky person is."
He gestured broadly to the whole opulent display. "Behold our operating theater, where our patients have far better odds than even the best of doctors."
The Doctor bristled.
"Behold our casino, flush with a higher percentage of winners than any other. We've even rigged the roulette wheels in the players' favor. Here, the house can lose."
House looked personally affronted.
"So how do you make any money?" he asked. "Nobody collected a fee or anything at the door."
"Who said anything about money?" asked Dunn. "We are but a humble commune of shepherds, looking over our flock. It's in the name, House."
"That purple dye you print the name in doesn't come cheap."
"Not for those who buy it," said Dunn. "For those who make it ourselves…"
"But you don't make it yourselves, do you?" asked House. His voice turned much more cold. "The ink belongs to the snails."
"And I suppose the mutton belongs to the sheep, doesn't it?" Dunn's voice mocked the coldness in House's. "But we were speaking of cures. Win enough games, and I suppose we can let Fiver take a field trip, can't we?" He smiled. "Of course, that assumes you know someone to pay the cost. Who's going to die so that your congregation can live, Pastor?"
"And you call yourselves shepherds, hmm?" said House. "Well, I prefer the words printed in red to the ones in purple. The ones about laying down one's life for one's flock."
"Wait," said the Doctor. House turned to her. "What are they sick with?"
"The Rotting, of course," said House. "What else?"
"Then it's simple," said the Doctor. "I'm already an asymptomatic carrier; transfer it all into me, and nobody has to die."
She had been staring at Fiver while this had been going on, wheels turning in her head. The Rotting defeated in our time, all taken into her? Visions of traveling clinics, her and Fiver before crowds of the sick, bestowing wellness, a latter-day messiah-
"NO."
Dunn's face had turned the color of his words. He shook, his tweezers scissoring and decapitating the snail.
"But-" She reeled. "You promised-"
"I promised you a chance to make science out of this magic, Doctor," Dunn said. "What you just proposed is a stopgap. Use the magic and never find out how it works. What happens after you and Fiver die of old age, hmm? How will the doctors of the future replicate my - our works?"
"But we can study while-"
"That's not what you want, is it? You want to cure everyone as soon as possible, don't you?"
"Of course-"
"But that's not the goal of medical trials! To make sure it's not the placebo effect you have to run these things double-blind, with control groups. By definition, you cannot run a medical trial with a hundred percent cure rate. And if the experimenter, specifically, is involved in the trial, that's a huge conflict of interest. I forbid it. Find another asymptomatic carrier to experiment on."
"But the only other one I know of is trying to perpetuate the disease!"
"Then: Tough. Luck." said Dunn. "It's all academic until he wins, anyway. And I'm going to make that very difficult."
He gestured, and Fiver hopped forwards. His arms extended out before him as usual, but now his right hand was clenched and the thumb was pointed upright.
"Your opponent, House," Dunn said.
House faced Fiver. Fiver's hand was cold in his grip. Far too cold. And far too stiff.
House counted to four, in the ritual old as the contest itself.
And so did Fiver, in his foreign tongue. House didn't know the creole, but the context made it clear enough.
And as Fiver started counting, the Doctor inhaled sharply. She knew that tongue.
Her mind raced as the contest began. House pushed; Fiver did not yield. House feinted; Fiver did not strike. His thumb stood there, implacable as death.
House maneuvered and threatened. He wheedled and pushed, leveraged and locked. Fiver's thumb stayed in place, as if House had done nothing at all.
At last House's strength flagged. He relaxed his tendons a moment and-
-Fiver's thumb moved at last.
It was on top of his before he knew it, a boulder pinning a hapless miner away from all help. The seconds passed, and Dunn laughed.
"Come on, dear House," he sneered. "Don't tell me you expected to pin the thumb of someone in rigor mortis?"
It was late, past the hour of one, and the shepherds were closing Arcadia's doors for the night. House was marooned on the central island of the whiskey lake; the Doctor had found ample room in the staff quarters. Her conscience boiled in the back of her mind, and she found sleep impossible.
Through the crack in the door she heard a lone hopping. Someone was sweeping up for the night, and she knew who it was. Now that he was alone…
"Do you want to get out of this place, Fiver?"
He looked around, startled, as she spoke in his own creole.
"You speak it?" he asked.
"Of course I speak it, I studied the Rotting under Professor Frenchname and Doctor Otherfrenchname," she said. "I never expected it would come in handy for meeting miracle-workers, though. I'm glad it has."
"Miracle?" he resumed sweeping. "Haven't heard that word before. Is it closest to 'dunder-head', 'miscegenated abomination', or 'poltroon'?"
"Oh my! Why, none of those," said the Doctor. "It means an out-of-the-ordinary event worked by God."
"You're not saying I'm God, are you?"
"No, but-"
"Good. I couldn't stand being blamed for everything He's done." He smoothed out the straw on his arms with his face, which was when the Doctor realized she could no longer see the broom.
"Where'd your broom go?"
"This?" His arm remained motionless, extended before him, yet it seemed to telescope out, the texture of the motion like a rolling bale of hay. The broom formed, the shaft entirely as straw as the bristles, and then bowed with gravity to the ground.
"They make you clean up around here even though you're the most valuable asset this place has?"
"Keeps my mind off things. Helps pay the debt."
"What debt?"
Fiver looked at her. "Just my life, Miss. Just my life."
"But he said you were in rigor mortis."
"Hence the debt. It wasn't my life to take."
"You mean-"
"Not a lot of workers on the family indigo farm since my country got rid of slavery. A son is a valuable labor source. Father promised me, once I gave the lifetime I stole, he'd let me die like I wanted."
"But there's no indigo farms anywhere near here!"
"That makes it hard."
The Doctor reflected. "I know how that feels. Nobody's letting me die, either."
"They have a debt over you, too?"
"No, I just keep setting myself up as a martyr for a righteous cause and nobody wants to take me up on it!"
"Why do you want to be a martyr?"
"Because-"
She remembered her childhood. Montreal. Papineau's rebellion against the British, put down. She remembered French-Canadians whispering about the diseases brought by the non-French, the typhoid and cholera, and the subsequent riots. She remembered when, years later, the government tried to give back to the victims of the rebellion (including those on the rebel side); Parliament burned.
"If you want to be someone in this world," her mother told her as she prepared a Molotov cocktail, "People are either going to see you as a messiah or a witch."
The unstated message, that both of those archetypes ended up tortured to death, stayed with her.
"Because-"
Because everyone else she loved died in the riots and counter-riots, standing up for the government that against all reason wanted to compensate their rebellion; because the only thing she could cling onto to make their memory palatable is dulce et decorum est; because so many were surpassing her in medical ability and renown that medical messiahdom was out of her reach forever.
"Because- well, it's none of your business, is it?" she snapped, finally. "I didn't ask about your reasons."
"No, and I'm grateful for that," said Fiver. "I'm sorry for asking, Miss; it's just that you're the only non-family member I've been able to talk to since Geffrard's exile, and I forgot myself. Punish me as harshly as you wish." His words became more frantic as he went, and he bowed as best as a straw-preserved corpse could.
"No, I don't want to punish you-"
"Don't play with my feelings, just do it already!"
"I don't want to punish you!"
She had to repeat this a few more times before it took effect.
"In fact," she mused, "Dunn seems pretty evil, right? All that snail torture. I'll bet that what he told us out there about the way this place works wasn't the whole story."
"I have no way of knowing what he told you, so I don't know."
"And I bet that whatever's really going on is evil enough that self-sacrifice to stop it is warranted."
"Seems like a stretch, but go on."
"So if you show me what's going on, maybe I can fight it in such a way that I die a heroic death, but you save Handel's life such that he agrees to let your soul move on."
The circus-sized tent fabric that sheltered the saloon rolled, pushed by the night wind. If someone on the inside had been paying attention, they would have noticed the fabric bunching up in handholds that gradually scaled up the fabric's sheer face.
Someone was hauling themselves up by arm strength alone.
Near the top of the tent, the dome parted, a concession to the inhabitants' need to breathe. Ropes and sandbags kept the edges of the upper and lower fabric taut.
One of the workers down below noticed one of the pulley-winches going slack. A rope had snapped under the tension, that much was clear; the worker sighed, and climbed up into the rafters. The sandbag needed to come back up, even if she had to descend on the other end of the rope into the darkness to make it rise.
House wasn't startled when a figure lowered itself from a ceiling rope and dropped onto his imprisoning island. The yelp he gave as it tapped him on the shoulder, he explained later, was merely him warming up for opera tryouts next week.
"House!" said Cal, snapping her fingers. "Focus. What have you found out?"
House briefly filled her in on the situation.
"So we kidnap Fiver, then," mused Cal.
"What? No! We are a church, Cal, we can't go around kidnapping people!"
"Right. I forgot. We just stick to nice wholesome things like bingo and threatening wanted poster artists."
"You know that last bit was strictly within the spirit of the 'turn the other cheek' monologue!"
"So if we don't kidnap him, what do we do?"
"Well, first we need to stop him from sickening me to death."
[[=]]creeeeak![[/=]]
Someone other than Cal said, "How do you plan on that?"
House jerked around to find a spider-masked woman on the end of a rope that went to the ceiling, approximately one pulley-wheel's width away from the spot Cal had been. She held a lit match, and with it was examining the ground for places around which to anchor the rope.
"Do go on," said the woman, "I do love it when the losers try to cheat the house out of its' wages. Especially when they end up talking to themselves about it."
Above them, Cal, confused as to why she was suddenly at the level of the pulley wheel, prepared to rappel down the rope again.
"What do you mean, wages?" asked House. "I thought this place was a commune and the death toll was an unfortunate byproduct"
Haitian-English medical phraseology:
https://web.archive.org/web/20150907022948/http://kuscholarworks.ku.edu/bitstream/handle/1808/12505/Freeman_Haitian%20English%20Medical%20Phraseology.pdf
People think life is measured in the absolute values of the peaks and troughs. But that's no indicator of quality. You have to go by the integral. A habit is more consequential than a one-off; a life accomplishes more than a flashy death.
Differentiation is important, but you lose something irreplacable every level you abstract something. It tells you the trends, but not the ending place. And that is dangerous.
It's better to integrate. It's harder than a one-time thing, less glamorous, but continuous small victories add up to a consequential change that lasts.
(said by one character to another, demeaning)
You are like a sine wave. Every time you try to go one level above or below, to divine your direction or to pile up your accomplishments, you end up with nothing. The peaks and troughs of your life have no trend, no legacy beyond themselves and their own continuation.
(Said by a character before pushing another into the water)
Oh, did you forget? Whenever you integrate….
You have to add Sea.
Backstory
This story takes place in 1869.
The Doctor (Haselhurst): What happens when someone brought up to expect a martyring lives on?
From Quebec, from a town marked by revolutionary and separatist fervor.
Historical background: 1837 Lower Canada rebellion led by Louis Joseph Papineau. French fears of assimilation desires by the British (proved by, when Canada unified, the more populous French area and the less populous English area got same number of seats), non-French immigration (Montreal riot after typhoid, cholera outbreak blamed on immigrants). 1849 law to compensate victims resulted in the burning down of the Montreal parliament.
Why move out west? Because away from the Atlantic, she thought she could be the harbinger of modern medicine to the unwashed miner folk. But people don't look at her as the great savior she thought she was; they go on with their lives because people don't care about medicine when they aren't sick. Her black and white thinking has her accept no response between messiah and witch, so she pushes on to get to one of the two. But she's fundamentally honest; she won't sell snake oil, and it incenses her that its' purveyors get the former (messianic) response.
She knows that compared to the great doctors back east, she's not quite as skilled. This is part of the reason she moved away: small fish, big pond, etc. But because of this, she knows deep down that the messiah response isn't coming for her. And so
Fiver
A long and complicated history. Half zombie, half Wara Ningyou, Fiver is key to the healing process of the saloon.
Descended from Japanese pirates drawn to Haiti by the prospect of Spanish gold, and who then established an indigo plantation. The son of Handel (descendant of slave in charge of whipping the other slaves of the plantation, witch doctor, and overall mean guy). Bullied and abused, he took his life. However, as his mother had kept a Wara Ningyou doll (known for gaining a soul if sufficiently treasured) as a placeholder since he was ripped from her arms, and since Handel performed a ceremony to bring him back as a zombie (always a threat to keep the slaves from taking their lives), the two magical traditions merge, and he is reborn a walking taxidermied corpse, preserved with straw, and able to form the straw into whatever shape he wills. The dying and being reborn process was traumatic for him, and he is unwilling to go through that again. He feels there is a debt, that his dying was a form of theft from his father.
Fiver's status as Wara Ningyou allows him to absorb plagues and diseases from others and purge them in running water.
Handel was in the National Guard under Fabre Geffrard's administration, and employed Fiver in capturing and killing various of the conspirators who rebelled against that administration. They left upon Geffrard's exile to Jamaica. (Perhaps a scene where Geffrard begs Handel to bring his murdered daughter back; there's conflict between the Voudoun of Handel and the Catholicism of Geffrard.)
Fiver wants to not be hurt. He feels indebted to Handel. He would kill himself again if he thought it would take. He doesn't know if he's still the original Fiver or some summoned spirit with his memories.
Symbolically represented by an octopus. (blue-blooded)
Dan "Wolf" Dunn
This is crucial. The villain of the piece, the proprietor of the saloon, needs to have his villainy defined so that I know whether I can root for the Doctor.
The issue is, the evil plan in my mind has very little to do with the things that the Doctor resonates with. And, for that matter, the evil bits are not essential to the good bits, such that a happily ever after could be made just by saying "don't do that".
The evil plan as I have imagined it for years:
Fiver as jiangshi (in original conception): Fiver's healing worked by stealing the life forces of the germs. Therefore, no side effects were necessary. (The new version, yokai based, has the plague transferred to Fiver, then purified from Fiver by running water. The only nearby river is in the ZCMI.) Dunn feigned an equivalent exchange thing by poisoning the losers of the bets with pufferfish venom, rendering them in a state that is death to all outward appearances. Handel buries them, then digs them back up, and ships them into the abandoned ZCMI, which, in its' capacity as stand-in for the infinite IKEA, is actually a portal to the planet in Mormon creed closest to heaven. Once revived, they are then enslaved and set to work the land, its' actual rural caretakers while the Arcadia dilletantes make believe at their rustic poet life.
The solution: it is not, technically, enslavement. It is the repayment of a debt. Dunn tells himself that the deception about it being death is an acceptable deception; surely, if they thought they were going to die, then it must be a relief to merely have to work. The lie also means that only the most desperate people come. He cures everyone; its' what they do with the rest of their lives that's at stake. Many serve voluntarily; he sends various debt collectors after those who escape.
A secondary thing, and the thing he wants to recruit the Doctor for, is to use Fiver's control of transferring diseases to help doctors test medicines. If the medicines don't work, Fiver can just take the diseases back at the last minute, before the debt-slave dies of it, and recover, until they are infected with the next disease. This is how he wants his name to be remembered.